Энди МакНаб. Последний свет(engl) Last Light [181-142-181-4.2] By: Andy McNab. Category: fiction spies Synopsis: When Secret Intelligence Service deniable operator Nick Stone aborts an officially sanctioned assassination attempt at the Houses of Parliament, having realized who the target is, he is given a chilling ultimatum by his bosses: fly to Panama and finish the job, or Kelly, the eleven-year-old orphan in his guardianship, will be killed. At any other stage of his life the task would have been run of the mill for a man of Stone's skills and experience. But Stone is on the edge, struggling to pick up the pieces of his shattered life, trying to come to terms with a heartrending decision he has had to make about Kelly's future. By the time he arrives in Panama, he is close to breaking point. In the sweltering jungle of Central America, Stone prepares to carry out his orders, aided by Aaron and Carrie, two American eco-scientists in the pay of the CIA. But as he soon discovers, nothing in Panama is quite what it seems, and it's not long before he finds himself the centre of a lethal conspiracy involving Colombian guerrillas, the US government and Chinese big business. At stake are hundreds of innocent lives .. . Only Stone can stop the killing and retrieve the West's interests, but first there is a critically injured friend to rescue, and miles of dense rain forest to navigate. In the explosive denouement at the Panama Canal with everyone's true colours ultimately revealed, Nick Stone is forced to make the toughest decision of his life. Last printing: 03/12/02 `<49' Also by Andy McNab Non-fiction BRAVO TWO ZERO IMMEDIATE ACTION Fiction REMOTE CONTROL CRISIS FOUR FIREWALL LAST LIGHT ANDY McNAB BANTAM PRESS LONDON NEW YORK TORONTO SYDNEY AUCKLAND TRANS WORLD PUBLISHERS 61-63 Uxbridge Road, London W5 5SA a division of The Random House Group Ltd RANDOM HOUSE AUSTRALIA (PTY) LTD 20 Alfred Street, Milsons Point, Sydney, New South Wales 2061, Australia RANDOM HOUSE NEW ZEALAND LTD 18 Poland Road, Glenfield, Auckland 10, New Zealand RANDOM HOUSE SOUTH AFRICA (PTY) LTD Endulini, 5a Jubilee Road, Parktown 2193, South Africa Published 2001 by Bantam Press a division of Transworld Publishers McNab 2001 The right of Andy McNab to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright Designs and Patents Act 1988. All of the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental. A catalogue record for this book is available from the British Library. ISBN: 0-386-593 04617X (cased) All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publishers. Typeset in 11/13pt Palatine by Falcon Oast Graphic Art Ltd Printed in Great Britain by Mackays of Chatham plc, Chatham, Kent LAST LIGHT Sunday, 3 September 2000 I didn't know who we were going to kill just that he or she would be amongst the crowd munching canapes and sipping champagne on the terrace of the Houses of Parliament at 3 p.m." and that the Yes Man would identify the target by placing his hand on their left shoulder when he greeted them. I'd done some weird stuff over the years, but this job was scaring me. In less than ninety minutes, I was going to be shitting on my own doorstep big-time. I only hoped the Firm knew what it was doing, because I wasn't too sure that I did. As I looked down yet again at the clear plastic lunch-box on the desk in front of me, three torch bulbs sticking out of holes I'd burnt in the lid stared back up. None of them was illuminated; the three snipers were still not in position. Everything about this job was wrong. We'd been given the wrong weapons. We were in the wrong place. And there just hadn't been enough time to plan and prepare. I stared through the net curtains across the boat-filled river. The Houses of Parliament were some 350 metres away to my half left. The office I'd broken into was on the top floor of County Hall, the former Greater London Council building. Now redeveloped into offices, hotels and tourist attractions, it overlooked the Thames from the south side. I was feeling rather grand sitting behind a highly polished, dark wood desk, as I looked out at the killing ground. Parliament's terrace spanned the whole of its river frontage. Two prefabricated pavilions with candy-striped roofs had been erected at the far left end, for use throughout the summer months. Part of the terrace, I'd learnt from their website, was for Members of the House of Lords, and part for the House of Commons. The public were not admitted unless they were with an MP or peer, so this was probably the nearest I was ever going to get. The Department of Trade and Industry's guests today were a group of about thirty businessmen, plus staff and some family, from Central and South America. Maybe the DTI was trying to curry a bit of favour and sell them a power station or two. Who cared? All I knew was that one of them would be getting dropped somewhere between the vol-au-vents and the profiteroles. Directly below me, and five storeys down, Albert Embankment was thronged with hot-dog vendors and stalls selling plastic policeman's helmets and postcards of Big Ben to people queuing for the London Eye, or just enjoying a lazy Sunday afternoon. A sightseeing boat packed with tourists passed under Westminster Bridge. I could hear a bored voice telling the story of Guy Fawkes over a crackly PA system. It was holiday season and another news-starved week, so Mr. Murdoch and his mates were going to be ever so pleased with what I was about to do: the biggest explosion in London this year, and right in the heart of Westminster. With the added bonus of a major shooting incident, it would probably take their ratings right off the scale. Unfortunately, good news for them was bad for me. SB (Special Branch) were going to be working their arses off to find out who'd pressed the button, and they were the best in the world at this sort of thing. They'd been formed to stop the IRA carrying out exactly the kind of stunt I was about to pull. Three torch bulbs were still unlit. I wasn't flapping, just concerned. At either end of the row of lights was a white, rectangular bell-push from a door chime set, glued in position with Evostik, the wires curling into the box. The one on the left was covered with the top from a can of shaving cream. It was the detonation press el for the device that I'd set up as a diversion. The device was basically a black powder charge, designed to give off a big enough bang to grab London's attention but not to kill anyone. There would be some damage, there'd be the odd cut or bruise, but there shouldn't be any fatalities. The shaving cream top was there because I didn't want to detonate it by accident. The press el on the right was exposed. This was the one that would initiate the shoot. Next to the box I had a set of binos mounted on a mini-tripod and trained on the killing ground. I was going to need them to if watch the Yes Man as he moved about the crowd and ID'd the target. The lunch-box contained a big, green, square lithium battery, and a mess of wires and circuit boards. I'd never tried to make things look neat; I just wanted them to work. Two purple plastic coated wire antennas stuck out of the rear of the box, trailed along the desk, over the window-sill I'd pushed it up against, then dangled down the outside wall. I had the window closed down on them to cut out as much noise as possible. The loudest sound in the room was my breathing, which started to quicken as the witching hour got closer. It was only outdone by the occasional scream of delight from a tourist at ground level or a particularly loud PA system from the river. All I could do was wait. I crossed my arms on the desk, rested my head on them, and stared at the bulbs that were now level with my eyes, willing them to start flashing. I was shaken out of my trance as Big Ben struck two. I knew the snipers wouldn't move into their fire positions until the last moment so that they didn't expose themselves longer than necessary, but I really wanted those lights to start flashing at me. For about the millionth time in the past twenty minutes I pushed down on the uncovered press el resting the side of my head on my forearm to look inside the box, like a kid wondering what his mum had made him for lunch. A small bulb, nestled amongst the mass of wires, lit up with the current generated by my send press el I wished now that I'd burnt another hole in the lid for the bulb inside to join the others but at the time I couldn't be arsed. I released it and pressed again. The same thing happened. The device was working. But what about the other three that I'd built for the snipers? I'd just have to wait and see. The other thing I did for the millionth time was wonder why I couldn't just say no to this stuff. Apart from the fact that I was soft in the head, the answer was the same as always: it was the only thing I knew. I knew it, the Firm knew it. They also knew that, as always, I was desperate for cash again. If I was truthful with myself, which I found pretty hard, there was another, much deeper reason. I got my eyes level with the bulbs once more and took a deep breath. I'd learnt a few things since attending the clinic with Kelly. Even at school there was desperation in me to be part of something whether it was joining a woodwork group, or a gang that used to rob the Jewish kids of the dinner money they'd wrapped in hankies so we couldn't hear it rattle in their pockets as they walked past. But it never worked. That feeling of belonging only happened once I joined the army. And now? I just couldn't seem to shake it off. At last. The middle bulb, Sniper Two's, gave five deliberate, one-second pulses. I put my thumb on the send press el and, after a nanosecond to check I wasn't about to blow up London in my excitement, I depressed it three times in exactly the same rhythm, to say that I had received the signal, checking each time that the white circuit-test bulb inside the box lit up. I got three flashes back immediately from the middle bulb. Good news. Sniper Two was in position, ready to fire, and we had com ms All I needed now was One and Three, and I'd be cooking with gas. I'd put everything these snipers needed to know where to be, how to get there, what to do once in position, and, more importantly for them, how to get away afterwards with the weapons and equipment in their individual DLBs (dead letter boxes). All they had to do was read the orders, check the kit, and get on with the shoot. The three had different fire positions, each unknown to the others. None of them had met or even seen each other, and they hadn't met me. That's how these things are done: OP SEC (operational security). You only know what you need to. I'd had an extremely busy ten nights of CTRs (close target recces) to find suitable fire positions in the hospital grounds this side of the river and directly opposite the killing ground. Then, by day, I'd made the keys for the snipers to gain access to their positions, prepared the equipment they would need, then loaded the DLBs. Tandy, B&Q and a remote-control model shop in Camden Town had made a fortune out of me once I'd hit ATMs with my new Royal Bank of Scotland Visa card under my new cover for this job, Nick Somerhurst. The only aspect of the business I was totally happy about was OP SEC It was so tight that the Yes Man had briefed me personally. Tucked in a very smart leather attache case, he had a buff folder with black boxes stamped on the outside for people to sign and date as they authorized its contents. No one had signed any of them, and there was no yellow card attached to signify it was an accountable document. Things like that always worried me: I knew it meant a shitload of trouble. As we drove along Chelsea Embankment towards Parliament in the back of a Previa MPV with darkened windows, the Yes Man had pulled two pages of printed A4 from the folder and started to brief me. Annoyingly, I couldn't quite read his notes from where I was sitting. I didn't like the condescending wanker one bit as he put on his best I-have been-to-university-but-F m-still-working-class voice to tell me I was 'special' and 'the only one capable'. Things didn't improve when he stressed that no one in government knew of this job, and only two in the Firm: "C', the boss of SIS, and the Director of Security and Public Affairs, effectively his number two. "And, of course," he said, with a smile, 'the three of us." The driver, whose thick blond side-parted hair made him look like Robert Redford when he was young enough to be the Sundance Kid, glanced in the rearview mirror and I caught his eye for a second before he concentrated once more on the traffic, fighting for position around Parliament Square. Both of them must have sensed I wasn't the happiest teddy in town. The nicer people were to me, the more suspicious of their motives became. But, the Yes Man said, I wasn't to worry. SIS could carry out assassinations at the express request of the Foreign Secretary. "But you just said only five of us know about this. And this is the UK. It's not a Foreign Office matter." His smile confirmed what I already knew. "Ah, Nick, we don't want to bother anyone with minor details. After all, they may not really want to know." With an even bigger smile he added that should any part of the operation go wrong, no one would be held ultimately responsible. The Service would, as always, hide behind the Official Secrets Act or, if things got difficult, a Public Interest Immunity Certificate. So everything was quite all right, and I'd be protected. I mustn't forget, he said, that I was part of the team. And that was when I really started to worry. It was blindingly obvious to me that the reason no one knew about this operation was because no one in their right mind would sanction it, and no one in their right mind would take the job on. Maybe that was why I'd been picked. Then, as now, I comforted myself with the thought that at least the money was good. Well, sort of. But I was desperate for the eighty grand on offer, forty now in two very large brown Jiffy-bags, and the rest afterwards. That was how I justified saying yes to something I just knew was going to be a nightmare. We were now on the approach road to Westminster Bridge with Big Ben and Parliament to my right. On the other side of the river I could see the County Hall building and to the left of that, the London Eye, the wheel turning so slowly it looked as if it wasn't moving at all. "You should get out here, Stone. Have a look around." With that, the Sundance Kid kerbed the Previa, and irate motorists behind hit their horns as they tried to manoeuvre around us. I slid the door back and stepped out to the deafening sounds of road drills and revving engines. The Yes Man leant forward in his seat and took the door handle. "Call in for what you need, and where you want the other three to collect their furnishings." With that, the door slid shut and Sundance cut up a bus to get back in the traffic stream heading south across the river. A van driver gave me the finger as he put his foot down to make up that forty seconds he'd been delayed. As I sat at the desk waiting for the other two bulbs to illuminate, I concentrated hard on that eighty grand. I didn't think I'd ever needed it so badly. The snipers were probably getting at least three times as much as I was but, then, I wasn't as good as they were at what they did. These people were as committed to their craft as Olympic athletes. I'd met one or two in the past when I, too, thought of going that route, but decided against it; professional snipers struck me as weird. They lived on a planet where everything was taken seriously, from politics to buying ice cream. They worshipped at the church of one round, one kill. No, sniping might pay well, but I didn't think I belonged there. And, besides, I now found bullet trajectory and the finer points of wind adjustment pretty boring after talking about them for half an hour, let alone my entire life. From the moment the Yes Man dropped me off with my two Jiffy-bags, I'd started protecting myself far more than I normally would. I knew that if I got caught by Special Branch the Firm would deny me, and that was part and parcel of being a K. But there was more to it this time. The stuff I did normally didn't happen in the UK, and no way would anyone in their right mind give this the go. Everything felt wrong, and the Yes Man would never want to be on the losing side. He'd knife his own grandmother if it meant promotion; in fact, since he took over the Ks Desk from Colonel Lynn, he was so far up C's arse he could have flossed his teeth. If things didn't go to plan, and even if I did evade SB, he wouldn't hesitate to fuck me over if it meant he could take any credit and pass on any blame. I needed a safety blanket, so I started by noting down the serial numbers of all three snipers' weapons before grinding them out. Then I took Polaroids of all the equipment, plus the three firing positions during the CTRs. I'd given the snipers photographs in their orders, and I kept a set myself. I had a full pictorial story of the job, together with photocopies of each set of sniper's orders. It all went into a bag in Left Luggage at Waterloo station, along with everything else I owned: a pair of jeans, socks, pants, washing kit and two fleece jackets. After loading the three snipers' DLBs, I should have left them alone but I didn't. Instead I put in an OP (observation post) on Sniper Two's dead letter box, which was just outside the market town of Thetford in Norfolk. There was no particular reason for picking Sniper Two's to OP, except that it was the nearest of the three to London. The other two were in the Peak District and on Bodmin Moor. All three had been chosen in uninhabited areas so that once they'd got the weapons, they could zero them to make sure that the optic sight was correctly aligned to the barrel so that a round hit the target precisely at a given distance. The rest -judging the wind, taking leads (aiming ahead of moving targets) and working out distance is part of the sniper's art, but first the weapon sight and rounds need to be as one. How they did that, and where they did that within the area, was up to them. They were getting more than enough cash to make those decisions themselves. Inside the DLB, a 45-gallon oil drum, was a large black Puma tennis bag that held everything needed for the shoot and was totally sterile of me: no fingerprints, certainly no DNA. Nothing from my body had made contact with this kit. Dressed like a technician in a chemical warfare lab, I had prepared, cleaned and wiped everything down so many times it was a wonder there was any Parkerization (protective paint) left on the barrels. Jammed into a Gore-Tex bivi bag and dug in amongst the ferns in miserable drizzling rain, I waited for Sniper Two to arrive. I knew that all three would be extremely cautious when they made their approach to lift the DLBs, carrying out their tradecraft to the letter to ensure they weren't followed or walking into a trap. That was why I had to keep my distance: sixty-nine metres to be exact, which in turn had meant choosing a telephoto lens on my Nikon for more photographic evidence of this job, wrapped in a sweatshirt to dampen the rewind noise, and shoved into a bin liner so that just the lens and viewfinder were exposed to the drizzle. I waited, throwing Mars bars and water down my neck and just hoping Sniper Two didn't choose to unload it at night. In the end it was just over thirty boring and very wet hours before Sniper Two started to move in on the DLB. At least it was daylight. I watched the hooded figure check the immediate area around a collection of old, rusty farm machinery and oil drums. It edged forward like a wet and cautious cat. I brought up the telephoto lens. Tapered blue jeans, brown cross-trainers, three-quarter-length beige waterproof jacket. The hood had a sewn-in peak, and I could see the label on the left breast pocket: LL Bean I'd never seen one of their shops outside the US. What I'd also never seen outside the US was a woman sniper. She was maybe early thirties, slim, average height, with brown hair poking out of the sides of the hood. She was neither attractive nor unattractive, just normal-looking, more like a young mother than a professional killer. She reached the oil drums, and carefully checked inside hers to make sure it wasn't booby-trapped. I couldn't help wondering why a woman would take up this line of work. What did her kids think she did for a living? Work at the cosmetics counter in Sears, and get dragged away a couple of times a year for week-long eyeliner seminars? She'd been happy with what she saw inside the drum. Her arms went inside very quickly and lifted out the bag. She turned in my direction, taking the weight of it in both hands, and threw it over her right shoulder. I hit the shutter release and the camera whirred. Within seconds she'd melted once more into the trees and tall ferns; like a cat, she'd probably find a place to hide now and check out the spoils. Sniping does not simply mean being a fantastic marksman. Just as important are the field craft skills stalking, judging distance, observation, camouflage and concealment and judging by the way she lifted the DLB and got back into cover, I bet she'd won gold stars in all of those disciplines. While in the Army I had spent two years as a sniper, in a Royal Green Jacket rifle company. I was as keen as anything: it had something to do with being left alone just to get on with it with your sniper partner. I learnt a lot and was a good shot, but I didn't have the passion required to make it a life's vocation. I was still staring at the three bulbs, waiting for One and Three to sign in. A helicopter clattered overhead, following the river-bank on the north side, and I had to look up to satisfy myself that it wasn't looking for me. My paranoia was working overtime. For a moment I thought that it had found the explosive device I'd placed on the roof of the Royal Horseguards Hotel in Whitehall the night before. The hotel was just out of sight, behind the MoD (Ministry of Defence) main building across the river to my half right. Seeing the three service flags fluttering on the roof of the massive light-coloured stone cube prompted me to check something else for the millionth time. Keeping the row of torch bulbs in my peripheral vision, I looked down at the river to check the wind indicators. In urban areas the wind can move in different directions, at different levels, and in different strengths, depending on the buildings it has to get around. Sometimes streets become wind tunnels, redirecting and momentarily strengthening the gusts. Indicators were therefore needed at different levels round the killing area, so the snipers could compensate by adjusting their sights. The wind can make an immense difference to where a round hits because it simply blows it off course. Flags are really useful, and there were more around here than at a UN summit. On the water there were plenty of boats moored with pennants at the stern. Higher up, on both ends of Westminster Bridge, there were the tourist stalls, selling plastic Union Jacks and Man United streamers. The snipers would use all of these, and they would know where to look because I'd keyed them on to the maps supplied in the DLB. The wind condition at river level was good, just a hint of a breeze. My eyes caught movement in the killing ground. I felt my face flush and my heart rate quicken. Shit, this shouldn't be kicking off yet. I had a grandstand view of the terrace, and the times-twelve magnification of the binos made me feel as if I was almost standing on it. I checked it out with one eye on the binos, the other ready to pick up any flashes from the torch bulbs. A feeling of relief flooded through me. Catering staff. They were streaming in and out of the covered pavilions to the left of the killing ground, busy in their black and white uniforms, laying out ashtrays and placing bowls of nuts and nibbles on square wooden tables. A stressed-looking older guy in a grey, double-breasted suit stalked around behind them, waving his arms like a conductor at the Last Night of the Proms. I followed the line of the terrace and spotted a photographer on one of the wooden benches. He had two cameras by his side and smoked contentedly as he watched the commotion, a big smile on his face. I went back to the conductor. He looked up at Big Ben, checked his watch, then clapped his hands. He was as worried about the deadline as I was. At least the weather was on our side. Taking the shot through one of the pavilion windows would have made things even more difficult than they already were. The three sniper positions were all on my side of the river; three Portakabins in the grounds of St. Thomas's Hospital, directly opposite the killing ground. Three different positions gave three different angles of fire, and therefore three different chances of getting a round into the target. The distance between the first and third sniper was about ninety metres, and they'd be shooting over a distance of between 330 and 380 metres, depending on their position in the line-up. Being one floor up, the killing ground was below them, at an angle of about forty-five degrees. It would be just good enough to see the target from the stomach up if it was sitting down, and from about thigh up when standing, since a stone wall about a metre high ran the length of the terrace to stop MPs and peers falling into the Thames when they'd had a drink or two. The riverbank in front of their positions was tree-lined, which provided some cover, but also obstructed their line of sight into the killing ground. These things are nearly always a matter of compromise; there is rarely a perfect option. This would be the first time the snipers had ever been to the fire position, and it would also be the last. Soon after the shoot they'd be heading for Paris, Lille or Brussels on Eurostar trains, which left from Waterloo Station just ten minutes' walk away. They'd be knocking back a celebratory glass of wine in the Channel tunnel well before the full extent of what they'd done had dawned on Special Branch and the news networks. TWO Once I'd satisfied myself that the only activity in the killing ground came from harassed catering staff, I got back to watching the three bulbs. Snipers One and Three should have signed on by now. I was well past concerned, and not too far short of worried. I thought about Sniper Two. She would have moved cautiously into the fire position after clearing her route, employing the same tradecraft as at the DLB, and probably in a simple disguise. A wig, coat and sunglasses do more than people think, even if SB racked up hundreds of man hours poring over footage from hospital security, traffic and urban CCTV cameras. Having first put on her surgical gloves, she would have made entry to her Portakabin with the key provided, closed the door, locked up, and shoved two grey rubber wedges a third of the way down and a third up the frame to prevent anyone entering, even with a key. Then, before moving anywhere, she'd have opened the sports bag and begun to put on her work clothes, a set of light blue, hooded and footed coveralls for paint spraying from B&Q. It was imperative that she didn't contaminate the area or the weapon and equipment that were going to be left behind with fibres of her clothing or other personal sign. Her mouth would now be covered by a protective mask to prevent leaving even a pinprick of saliva on the weapon as she took aim. I was pleased with the masks: they'd been on special offer. The coveralls and gloves were also there to protect clothes and skin. If she was apprehended immediately after the shoot, residue from the round that she'd fired would be detectable on her skin and clothes. That's why suspects' hands are bagged in plastic. I was also wearing surgical gloves, but just as a normal precaution. I was determined to leave nothing, and disturb nothing too. Once she'd got covered up, with just her eyes exposed, she'd be looking like a forensic scientist at a crime scene. It would then have been time to prepare the fire position. Unlike me, she needed to be away from the window, so she'd have dragged the desk about three metres clear. Then she'd have pinned a net curtain into the plasterboard ceiling, letting it fall in front of the desk before pinning it tight to the legs. Next, she'd have pinned up the sheet of opaque black material behind her, letting it hang to the floor. As with the netting, I had cut it to size for each fire position after the CTR. The combination of a net curtain in front and a dark backdrop behind creates the illusion of a room in shadow. It meant that anyone looking through the window wouldn't see a fat rifle muzzle being pointed at them by a scarily dressed woman. Both sets of optics that she'd be using, the binos and the weapon sight, could easily penetrate the netting, so it wouldn't affect her ability to make the shot. Some fifteen minutes after arriving, she'd be sitting in the green, nylon-padded swivel chair behind the desk. Her takedown weapon would be assembled and supported on the desk by the bipod attached to the forward stock. Her binos, mounted on a mini-tripod, would also be on the desk, and in front of her would be her plastic lunch-box. With the weapon butt in her shoulder, she would have confirmed the arcs of fire, making sure she could move the weapon on its bipod to cover all of the killing ground without being obstructed by the window-frame or trees. She'd generally sort herself out and tune into her environment, maybe even dry practise on one of the catering staff as they rushed around the terrace. One of the most important things she would have done before signing on with me was check her muzzle clearance. A sniper's optic sight is mounted on top of the weapon. At very short ranges the muzzle may be three or four inches below the image the sniper can actually see through the sight. It would be a total fuck-up if she fired a round after getting a good sight picture and it didn't even clear the room, hitting the wall or the bottom of the window-frame instead. To deaden the sound of the shot, each weapon was fitted with a suppressor. This had the drawback of making the front third of the barrel nearly twice the size of the rest of it, altering its natural balance by making it top heavy. The suppressor wouldn't stop the bullet's supersonic crack, but that didn't matter because the noise would be down-range and well away from the fire position, and covered anyway by the device going off; what it would stop was the weapon's signature being heard by hospital staff or Italian tourists eating their overpriced ice cream on the embankment just a few feet below. The Portakabin's windows had to be slid open. Firing through glass would not only alert the tourists, but would also affect the bullet's accuracy. There was a risk that someone might think it unusual for the window to be open on a Sunday, but we had no choice. As it was, the suppressor alone would degrade the round's accuracy and power, which was why we needed supersonic rounds to make the distance. Subsonic ammunition, which would eliminate the crack, just wouldn't make it. It would only be once she was happy with her fire position, and had checked that her commercial hearing-aid was still in place under her hood, that she would sign on. Her box of tricks didn't have lights, just a green wire antenna that would probably be laid along the desk then run along the floor. A copper coil inside the box emitted three low touch tones; when I hit my send press el they picked that up through the hearing-aid. There was one other wire coming out of the box, leading to a flat, black plastic button; this would now be taped on to the weapon wherever she had her support hand in position to fire. Hitting the press el five times, once she was ready to go, was what lit up my number-two bulb five times. There was nothing left for her to do now but sit perfectly still, weapon rested, naturally aligned towards the killing area, observe, wait, and maybe listen to the comings and goings just below her. With luck the other two were going to be doing the same very soon. If anyone from hospital security attempted to be the good guy and close her window, a woman dressed like an extra from the X-Files would be the last thing they ever saw as she dragged them inside. It was only now that she was in position that her problems really began. Once she'd zeroed the weapon in Thetford Forest, it would have been carried as if it was fine china. The slightest knock could upset the optic sight and wreck the weapon's zero. Even a tiny misalignment could affect the round by nearly an inch, and that would be bad news. And it wasn't just the possibility of the optic being knocked, or the suppressor affecting the round's trajectory. The weapon itself, issued to me by the Yes Man, was 'take down'. So, once she had zeroed it for that one, all-important shot, it had to be taken apart for concealment, before being reassembled at the firing point. Thankfully this bolt-action model only had to be split in two at the barrel, and because they were brand new, they wouldn't have suffered that much wear and tear on the bearing surfaces. But there only had to be a slight difference in the assembly from when it was zeroed, a knock to the optic sight in transit, for the weapon to be inches off where she was aiming. This isn't a problem when an ordinary rifleman is firing at a body mass at close range, but these boys and girls were going for a catastrophic brain shot, one single round into the brain stem or neural motor strips. The target drops like liquid and there is no chance of survival. And that meant they had to aim at either of two specific spots the tip of an earlobe, or the skin between the nostrils. She and the other two would need to be the most boring and religious snipers on earth to do that with these weapons. The Yes Man hadn't listened. It annoyed me severely that he knew jack shit about how things worked on the ground, and yet had been the one who decided which kit to use. I tried to calm down by making myself remember it wasn't entirely his fault. There had to be a trade-off between concealment and accuracy, because you can't just wander the streets with a fishing-rod case or the world's longest flowerbox. But fuck it, I'd despised him when he was running the support cell, and now it was worse. I looked through the window at the distant black and white figures moving around the killing ground, and wondered if the Brit who'd first played about with a telescopic sight on a musket in the seventeenth century ever realized what drama he was bringing to the world. I checked out the area with my binos, using just one eye so I didn't miss One or Three signing in. The binos were tripodded because twelve-times magnification at this distance was so strong that the slightest judder would make it seem like I was watching The Blair Witch Project. Things had moved on. The staff were still being hassled by the grey-suited catering bully. As guests came through the grand arched door on to the terrace, they'd now be greeted by trestle tables covered by brilliant white tablecloths. Silver trays of fluted glasses waited to be filled as corks were pulled from bottles of champagne. Things would be kicking off soon, and all I had was one sniper. Not good; not good at all. I refocused the binos on the arched doorway, then went back to watching the lights, willing them to spark up. There was nothing else I could do. I tried and failed to reassure myself that the co-ordination plan for the shoot was so beautifully simple, it would work with only one sniper. The snipers had the same binos as mine and would also have them focused on the door. They'd want to ID the Yes Man the moment he walked into the killing area, and they'd use binos first because they give a field of view of about ten metres, which would make it easier to follow him through the crowd until he made the target ID. Once that was done, they would switch to their weapon's optic sight, and I would concentrate on the lights. The method I was going to use to control the snipers and tell them when to fire had been inspired by a wildlife documentary I'd seen on TV. Four Indian game wardens, working as a team in total silence, had managed to stalk and fire sedative darts into an albino tiger from very close range. Whenever any of the snipers had a sight picture of the target and felt confident about taking the shot, they'd hit their press el and keep it pressed. The corresponding bulb in front of me would stay lit for as long as they could take the shot. If they lost their sight picture, they released their press el and the bulb would go out until they acquired it again. Once I'd made the decision when to fire, I'd push my send press el three times in a one-second rhythm. The first press would tell the firer or firers to stop breathing so their body movement didn't affect the aim. The second would tell them to take up the first pressure on the trigger, so as not to jerk the weapon when they fired. As I hit the press el the second time, I'd also trigger the detonation. The third time, the snipers would fire as the device exploded on the roof of the hotel. If all three were up and the target was sitting, that would be perfect but it rarely happens that way. The device would not only disguise the sonic cracks, but create a diversion on the north side of the river while we extracted. I just wished the MoD building wasn't closed for the weekend: I'd have loved to see their faces as the blast took out a few of their windows. Never mind, with luck it would make the Life Guards' horses on Whitehall throw off their mounts. None of the snipers would know if the others had the target. The first time they'd know the option was going ahead was when they heard the three tones in their ear. If they didn't have a sight picture themselves, they wouldn't take a shot. After the explosion, whether they'd fired a round or not, they would all exit from their positions, stripping off their outer layer of coveralls and leaving the area casually and professionally with the protective clothing in their bag. The rest of the kit, and the weapons, would be discovered at some point by the police, but that wouldn't matter to me as I'd handed it over sterile. It shouldn't matter to these people either, as they ought to be professional enough to leave it in the same condition as they'd received it. If they didn't, that was their problem. I rubbed my eyes. Another light flashed. Sniper One was in position, ready to go. I hit the send press el three times, and after a short pause Sniper One's bulb flashed three times in return. I was feeling a little better now, with two snipers sitting perfectly still, watching and waiting as they continued to tune into the killing ground. I could only hope that Sniper Three was close behind. THREE Big Ben struck half past the hour. Thirty minutes to go. I continued to stare at the box, trying to transmit positive thoughts. The job was going to happen with or without Sniper Three, but what with the weapon problems, three chances of a hit were better than two. My positive transmissions weren't working at all, and after ten minutes or so my eyes were drawn to the killing ground again. Things were happening. Different colours of clothing were moving amongst the black and white of the catering staff like fragments in a kaleidoscope. Shit, they were early. I put one eye to the binos and checked them out, just as One and Two would be doing. The new arrivals seemed to be the advance party, maybe ten suited men, all of them white. I checked that the Yes Man wasn't amongst them and had fucked up his own plan. He wasn't. He would have fitted in nicely, though: they didn't really seem to know what to do with themselves, so decided to mill around the door like sheep, drinking champagne and mumbling to each other, probably about how pissed off they were to be working on a Sunday. Dark, double-breasted suits with a polyester mix seemed to be the order of the day. I could see the well worn shine and lard-arse creases up the backs of the jackets even from here. The jackets were mostly undone because of the weather or pot bellies, revealing ties that hung either too high or too low. They had to be Brit politicians and civil servants. The only exception was a woman in her early thirties with blonde hair and rectangular glasses, who came into view alongside the catering bully. Dressed in an immaculate black trouser suit, she seemed to be the only one of the new arrivals who knew what was what. With a mobile phone in her left hand and a pen in her right, she seemed to be pointing out that everything his staff had done needed redoing. The cameraman also wandered into my field of view, taking light readings, and clearly enjoying the last-minute flap. There was a flash as he took a test shot. Then there was another in my peripheral vision, and I looked down. The third bulb. I nearly cheered. I left the blonde-haired PR guru to get on with it, and concentrated on the box as I replied to the flashes. Sniper Three duly acknowledged. Big Ben chimed three times. Relief washed over me. I'd known all along that these people would only get into position at the very last moment, but that didn't stop me worrying about it while I was waiting. Now I just wanted this thing over and done with, and to slip away on Eurostar to the Gare du Nord, then on to Charles de Gaulle. I should make the check-in nicely for my 9 p.m. American Airlines flight to Baltimore, to see Kelly and finish my business with Josh. I got back on the binos and watched the PR guru tell the Brits, ever so nicely and with a great big smile, to get the fuck away from the door and prepare to mingle. They cradled their champagne glasses and headed for the nibbles, drifting from my field of view. I kept my focus on the doorway. Now that it was clear of bodies, I could just about penetrate the shadows inside. It looked like a canteen, the sort where you drag your tray along the counter and pay at the end. What a let-down: I'd been expecting something a bit more regal. The door-frame was soon filled again, by another woman with a mobile phone stuck to her ear. This one had a clipboard in her free hand; she stepped on to the terrace, closed down her mobile, and looked around. The blonde PR guru came into view. There was lots of nodding, talking, and pointing around the killing area, then they both went back where they'd come from. I felt a wave of apprehension. I wanted to get on with it and get aboard that Eurostar. "One of the team," the Yes Man had said. One of the team, my arse. The only things that would help me if this went wrong were my security blanket and a quick exit to the States. Seconds later, human shapes began filling the area behind the door, and were soon pouring out into the killing area. The woman with the clipboard appeared behind them, shepherding them with a fixed, professional smile. She guided them to the glasses on the table by the door as if they could have missed them. Then the catering staff were on top of them like flies on shit, with nibbles on trays, and a whole lot more champagne. The South American contingent was easy to identify, not by brown or black skin but because they were far better dressed, in well-cut suits and expertly knotted ties. Even their body language had more style. The group was predominantly male, but none of the women with them would have looked out of place in a fashion magazine. Obligingly, Clipboard coaxed the guests away from the doorway and into the killing area. They spread out and mingled with the advance party. It became clear that everybody was going to continue standing up rather than move over to the benches. I'd have preferred them to sit down like a line of ducks at a fairground, but it wasn't going to happen. We were going to have to settle for a moving target. The Yes Man was due to arrive ten minutes after the main party. The plan was that he'd spend five minutes by the door, making a call, which would give all four of us time to ping him. From there he would move off and ID the target. All three would now be taking slow, deep breaths so they were fully oxygenated. They would also be constantly checking the wind indicators until the last minute, in case they had to readjust their optics. My heart pumped harder now. The snipers' hearts, however, would be unaffected. In fact, if they'd been linked to an ECG machine they'd probably have registered as clinically dead. When they were in their zone, all they could think about was taking that single, telling shot. More people cut across my field of view, then the Yes Man appeared in the doorway. He was five foot six tall, and not letting me down by wearing the same sort of dark, badly fitting business suit as the rest of the Brits. Under it he had a white shirt and a scarlet tie that made him look like a candidate for Old Labour. The tie was important because it was his main VDM (visual distinguishing mark). The rest of his kit and his physical description had also been given to the snipers, but he was easy enough to identify from his permanently blushing complexion, and a neck that always seemed to have a big boil on the go. On any other forty-year-old it would have been unfortunate, but as far as I was concerned it couldn't have happened to a nicer guy. On his left hand he wore a wedding ring. I'd never seen a picture of his wife in his office, and I didn't know if he had children. In fact, I really hoped he didn't or if he did, that they looked like their mother. Producing his mobile, the Yes Man came off the threshold and moved to the right of the doorway as he finished dialling. He looked up and nodded hello to somebody out of my field of view, then gave a wave to them and pointed at the mobile to show his intentions. I watched him listen to the ringing tone, keeping his back against the wall so that we could check the tie. His hair was greying, or it would have been if he'd left it alone but he'd been at the Grecian 2000, and I was catching more than a hint of copper. It complemented his complexion very well indeed. I felt myself grinning. A young waiter came up to him with a tray of full glasses, but was waved away as he continued with his call. The Yes Man didn't drink or smoke. He was a bornagain Christian, Scientologist, something like that, or one of the happy-clappy bands. I'd never really bothered to find out, in case he tried to recruit me and I found myself saying yes. And I didn't set much store by it. If the Yes Man discovered C was a Sikh, he'd turn up at work in a turban. His conversation over, the phone got shut down, and he walked towards the river. As he wove and sidestepped through the crowd he bounced slightly on the balls of his feet, as if trying to give himself extra height. Watching his progress, I gently undid the tripod restraining clips so I could swivel the binos and continue to follow him if I needed to. He passed the two PR women, who looked pretty pleased with themselves. Each had a phone and a cigarette in one hand and a glass of self-congratulatory champagne in the other. He passed the cameraman, who was now busy taking group shots with Big Ben in the background for the Latin folks back home. Little did he know that he was a couple of chimes short of a world exclusive. The Yes Man side-stepped the photo session and continued to go left, still towards the river. He stopped eventually by a group of maybe ten men, gathered in a wide, informal circle. I could see some of their faces, but not all, as they talked, drank or waited for refills from the staff buzzing around them. Two were white-eyes, and I could see four or five Latino faces turned towards the river. The older of the two white-eyes smiled at the Yes Man and shook his hand warmly. He then began to introduce his new Latin friends. This had to be it. One of these was the target. I looked at their well-fed faces as they smiled politely and shook the Yes Man's hand. I could feel my forehead leaking sweat as I concentrated on who he was shaking hands with, knowing that I couldn't afford to miss the target ID, and at the same time not too sure if the Yes Man was up to the job. I'd assumed they were all South Americans, but as one of their number turned I saw, in profile, that he was Chinese. He was talk-show-host neat, in his fifties, taller than the Yes Man, and with more hair. Why he was part of a South American delegation was a mystery to me, but I wasn't going to lose any sleep over it. I concentrated on how he was greeted. It was a non-event, just a normal handshake. The Chinaman, who obviously spoke English, then introduced a smaller guy to his right, who had his back to me. The Yes Man moved towards him, and then, as they shook, he placed his left hand on the small guy's shoulder. I hated to admit it, but he was doing an excellent job. He even started to swing the target round so he faced the river, pointing out the London Eye and the bridges either side of Parliament. The target was also part Chinese and I had to double-take because he couldn't have been more than sixteen or seventeen years old. He was wearing a smart blazer with a white shirt and blue tie, the sort of boy any parent would want their daughter to date. He looked happy, exuberant even, grinning at everyone and joining in the conversation as he turned back into the circle with the Yes Man. I got a feeling that I was in worse trouble than I'd thought. FOUR I forced myself to cut away. Fuck it, I'd worry about all that on the flight to the States. The conversation on the terrace carried on as the Yes Man said his goodbyes to the group, waved at another, and moved out of my field of view. He wouldn't be leaving yet that would be suspicious he just didn't want to be near the boy when we dropped him. Seconds later, I had three bulbs burning below me. The snipers were waiting for those three command tones to buzz gently in their ear. It didn't feel right but reflexes took over. I flicked the shaving cream top from the box and positioned my thumbs over the two press els I was about to press when all three lights went out within a split second of each other. I got back on to the binos, just with my right eye, thumbs ready over the press els The group was moving en masse from left to right. I should have been concentrating on the bulbs but I wanted to see. The Chinaman's arm was around the boy's shoulders it must have been his son as they approached a smaller group of Latinos who were attacking a table laden with food. A bulb lit up: Sniper Three was confident of taking the shot, aiming slightly ahead of his point of aim so that when he fired the boy would walk into the path of the round. The bulb stayed lit as they stopped at the table with the other group of Latinos, getting stuck into the vol-au-vents. The boy was at the rear of the group and I could just ping glimpses of his navy blazer through the crowd. Bulb three died. I was having doubts, I didn't know why, and tried to get a grip. What did I care? If it was a straight choice between his life and mine there'd be no question. What was happening in my head was totally unprofessional, and totally ridiculous. I gave myself a good mental slapping. Any more of this shit and I'd end up hugging trees and doing voluntary work for Oxfam. The only thing I should be doing was focusing on the box. What was happening on the terrace shouldn't matter to me any more but I couldn't seem to stop myself looking at the boy through the binos. Number Two's bulb came up. She must have found his earlobe to aim at. Then the boy moved towards the table, breaking through the crowd. He started to help himself to some food, looking back at his dad to check if he wanted anything. All three lights now burned. How could they not? I watched him pick at the stuff on the silver trays, sniffing one canape and deciding to give it a miss. I studied his shiny young face as he wondered what would best complement his half-drunk glass of Coke. All bulbs were still lit as I looked through the binos. He was exposed, bunging peanuts down his neck. Come on! Get on with the fucking thing! I couldn't believe it. My thumbs just wouldn't move. In that instant, my plan switched to screwing up the shoot and finding something to blame it on. I couldn't stop myself. The snipers wouldn't know who else had a sight picture, and it wasn't as if we were all going to get together and have a debrief over coffee the next morning. I'd take my chances with the Yes Man. The boy moved back into the crowd, towards his dad. I could just about make out his shoulder through the crowd. The three lights went out simultaneously. Then Two's came back on. This woman wasn't giving up on her target. I guessed she wasn't a mother after all. Three seconds later it went out. Wrong or right, now was my time to act. I pushed the send press el once with my thumb, keeping my eyes glued on the boy. Then I pressed it again, and at the same time hit the detonation button. The third time, I pushed just on the send press el The explosion the other side of the Thames was like a massive, prolonged clap of thunder. I watched the boy and everyone around him react to the detonation instead of doing what I'd planned for him. The shock-wave crossed the river and rattled my window. As I listened to its last rumblings reverberate around the streets of Whitehall, the screams of the tourists below me took over. I concentrated on the boy as his father bustled him towards the door. As panic broke out on the terrace, the photographer was in a frenzy to get the shots that would pay off his mortgage. Then the Yes Man came into view and stood beside the PR women, who were helping people back inside. He had a concerned look on his face, which had nothing to do with the explosion and everything to do with seeing the target alive and being dragged to safety. The boy disappeared though the door and others followed, but the Yes Man still didn't help. Instead he looked up and across the river at me. It was weird. He didn't know exactly where I was in the building, but I felt as if he was looking straight into my eyes. I was going to be in a world of shit about this, and knew I had to have a really good story for him. But not today: it was time to head for Waterloo. My Eurostar left in an hour and five. The snipers would now be standing at their crossover point their exit door from a contaminated area to a decontaminated area peeling off their outer layers of clothing, throwing them into their sports bags, but leaving their gloves on until totally clear of the Portakabin. The weapons, binos and lunch-boxes remained in place, as did the hide. With speed but not haste, I leant over to the window and opened it a fraction to retrieve the antennas. The clamour from people outside was now much louder than the explosion had been. There were shouts of fear and confusion from men, women and children at embankment level. Vehicles on the bridge had braked to a halt and pedestrians were rooted to the spot as the cloud of black smoke billowed over the rooftop of the MoD building. I closed the window and left them to it, taking down the tripod for the binos and packing away all my gear as quickly as I could. I needed to get that train. Once all the kit was back in the bag, including the shaving-foam cap, I put the dirty coffee mug, Wayne's World coaster and telephone back exactly where they'd been before I'd cleared the desktop to make room for the binos and lunch-box, using the Polaroid I'd taken as a reference. I checked the general area pictures I'd taken as soon as I broke in. Maybe the net curtain wasn't exactly as it should have been, or a chair had been moved a foot or so to the right. It wasn't superstition. Details like that are important. I'd known something as simple as a mouse mat out of place leading to an operator being compromised. My brain started to bang against my skull. There was something strange about what I had seen outside. I hadn't been clever enough to notice, but my unconscious had. I had learnt the hard way that these feelings should never be ignored. I looked back out of the window and it hit me in an instant. Instead of looking at the column of smoke to my right, the crowd's attention was on the hospital to my left. They were looking towards the sniper positions, listening to the dull thud of six or seven short, sharp, single shots ... There were more screams below the window, mixed with the wail of fast approaching police sirens. I opened my window as far as it would go and pushed the net curtain aside, sticking out my head and looking left, towards the hospital. A fleet of police cars and vans with flashing lights had been abandoned along the embankment, just short of the sniper positions, their doors left open. At the same time I saw uniforms hastily organizing a cordon. This was wrong. This was very, very wrong. The event I was witnessing had been planned and prepared for. The frenzy of police activity down there was far too organized to be a spur-of-the-moment reaction to an explosion a few minutes earlier. We had been stitched up. Three more shots were fired, followed by a short pause, then another two. Then, from further along the riverbank, I heard the heavy thuds of a flash bang going off inside a building. They were hitting Number Three's position. Adrenaline jolted through my body. It'd be my turn soon. I slammed the window down. My mind raced. Apart from me, the only person who knew the exact sniper positions was the Yes Man, because he needed to position the target well enough for it to be identified. But he didn't know precisely where I was going to be, because I hadn't known myself. Technically, I didn't even have to have eyes on target, I just needed to have com ms with the snipers. But he knew enough. Messing up the shoot was the least of my worries now. FIVE Helicopters were now rattling overhead and police sirens were going ape shit in the street as I closed the door gently behind me and moved out into the wide, brightly lit corridor. My Timberlands squeaked on the highly polished stone floor as I headed towards the fire-exit door at the far end, maybe sixty metres away, forcing myself not to quicken my pace. I had to stay in control. I couldn't afford to make any more mistakes. There might be a time to run, but it wasn't yet. There was a turning to the right about twenty metres further down, which led to the stairwell that would take me to the ground floor. I reached it, turned and froze. Between me and the stairwell was a wall of two-metre-high black ballistic shields. Behind them were maybe a dozen police in full black assault gear, weapon barrels pointing out at me through the gaps in the shields, blue assault helmets and visors glinting in the strip-lighting. "STAND STILL! STAND STILL!" It was time to run like the wind. I squeaked on my heels and lunged the couple of paces back into the main corridor, heading for the fire exit, just willing myself to hit that crossbar to freedom. As I zeroed in on the exit door, the corridor ahead filled with more black shields and the noise of boots on stone. They held the line like Roman centurions. The last couple emerged from the offices on either side, their weapons pointing at me at far too close a range for my liking. "STAND STILL! STAND STILL NOW!" Coming to a halt, I dropped the bag to the floor and put my hands in the air. "Not armed!" I yelled. 'I'm weapons free! Weapons free!" There are times when it's an advantage just to admit to yourself that you're in the shit, and this was one of them. I just hoped these were real police. If I wasn't a threat, then in theory they shouldn't drop me. I hoped, too, that my black cotton bomber jacket had ridden up enough to show them there wasn't a pistol attached to my belt or tucked into my jeans. "Not armed," I yelled. "Weapons free!" Orders were screamed at me. I wasn't too sure what it was all too loud and too close, a confusion of echoes along the hallway. I pivoted slowly so they could see my back and check for themselves that I wasn't lying. As I faced the corridor junction, I heard more boots thundering towards me from the stairwell corridor, closing the trap. A shield moved out of the corner then slammed into position on the floor at the corridor junction. A muzzle of an MP5 came round the side of it, and I could see a sliver of the user's face as he took aim on me. "Weapons free!" My voice was almost a scream. "I'm weapons free!" Keeping my hands in the air I stared at the single, unblinking eye behind the weapon. He was a left-handed firer, taking advantage of the left side of the shield for cover, and the eye didn't move from my chest. I looked down as a red laser spot the size of a shirt button splashed on it dead centre. It wasn't moving either. Fuck knew how many splashes there were on my back from the fire-exit crew. Frenzied shouts finished bouncing off the walls as a loud, estuary-English voice took command and shouted orders that I could now understand. "Stand still! Stand still! Keep your -hands up ... keep them up!" No more turning, I did what he wanted. "Down on your knees! Get down on your knees. Now!" Keeping my hands up, I lowered myself slowly, no longer trying for any eye contact, just looking down. The left-handed firer in front of me followed my every move with the laser splash. The voice shouted more orders from behind. "Lie down, with your arms spread out to your side. Do it now." I did as I was told. There was total, scary silence. The cold of the stone floor seeped through my clothes. Minute pinpricks of grit pressed into my right cheek as I snorted up a lungful of freshly laid wax. I found myself staring at the bottom of one of the stairwell group's ballistic shields. It was dirty with age and chipped on the corners, so that the layers of Kevlar that gave protection from even heavy-calibre ammunition were peeling back like the pages of a well-thumbed book. The silence was broken by the shuffle and squeak of rubber-soled boots approaching me from behind. My only thought was how lucky I was to be arrested. The boots arrived at their destination, and heavy breathing from their owners filled the air around me. One old black creased-leather size ten landed by my face and my hands were gripped and pulled up in front of me. I felt the cold, hard metal bite into my wrists as the handcuffs were ratcheted tight. I just let them get on with it; the more I struggled the more pain I would have to put up with. The handcuffs were the newer style, police issue: instead of a chain between them they had a solid metal spacer. Once these things are on, just one tap against the spacer with a baton is enough to have you screaming in agony as the metal gives the good news to your wrist bones. I was in enough pain already as one man pulled at the cuffs to keep my arms straight, and someone else's knee was forced down between my shoulder blades. My nose got banged against the floor, making my eyes water, and all the oxygen was forced out of my lungs. A pair of hands, their owner's boots each side of me now that he'd removed his knee from my back, were making their way over my body. My wallet, containing my Eurostar ticket and my Nick Somerhurst passport, was taken from the inside pocket of my bomber jacket. I felt suddenly naked. I turned my head, trying to get as comfortable as possible during the once-over, and rested my face on the cold stone. Through blurred vision I made out three pairs of jeans emerging from behind the shield at the junction and heading my way. One pair of jeans moved out of vision as they passed me by, but the other two moved in close: a set of trainers and a pair of light tan boots, their Caterpillar label now just inches from my nose. I started to feel more depressed than worried about what was coming next. Men in jeans just don't ponce about during an armed arrest. Behind me I heard the zip of my holdall being pulled back and the contents given a quick once-over. At the same time I felt my Leatherman being pulled out from its pouch. There was still no talking as hands ran down my legs to check for concealed weapons. My face acted like a cushion for my cheekbone as I was hauled around like a sack of spuds. Hands forced themselves around the front of my stomach and into my waistband, then extracted the three or four pounds' worth of change in my jeans. The same set of hands went under each armpit and hauled me up on to my knees, to the accompaniment of laboured grunts and the squeak of leather belt-kit. My cuff-holder let go and my hands dropped down by my knees as if I was begging. The cold stone floor was hurting my knees, but I forgot about them instantly when I saw the face of the man wearing the Cats. His hair wasn't looking so neat today: the Sundance Kid had been running about a bit. Above his jeans he was wearing a green bomber jacket and heavy blue body armour with a protective ceramic plate tucked into the pouch over his chest. He was taking no chances with me today. There wasn't the slightest trace of emotion in his face as he stared down at me, probably trying to hide from the others that his part of the job hadn't gone too well. I was still alive; he hadn't been able to make entry into the office with the help of his new mates here and claim self-defence as he shot me. My documents were handed to him and they went into his back pocket. He played with the coins in his cupped palms, chinking as they poured from one to the other. Sundance and his mate, Trainers, were joined by the third pair of jeans, who had my bag over his right shoulder. I kept my eyes down at calf level now, not wishing to provoke him. It was pointless appealing to the uniforms for help. They'd have heard it all before from drunks claiming to be Jesus and people like me ranting that they'd been stitched. Sundance spoke for the first time. "Good result, Sarge." His thick Glasgow accent was directed to someone behind me, before he turned away with the other two. I watched them walk towards the stairwell, to the sound of Velcro being ripped apart as they started to peel off their body armour. As they disappeared past the corridor junction I was dragged up on to my feet by two policemen. With their strong grip under each of my armpits, I followed them towards the stairs. We passed the shields at the corridor junction, as the armed teams started to break ranks, and made our way down the stone stairs. Sundance and the boys were about two floors below. I kept catching glimpses of them as they turned on the stone and iron-railed landings, and wondered why I hadn't been blindfolded. Maybe it was to make sure I didn't trip on the stairs. No, it would be because they didn't care if I saw their faces. I wasn't going to live long enough to see them again. We exited the building via the glass and metal-framed doors I'd made entry through earlier. At once the noise of boots on the stairs and the policemen's laboured breathing from the effort of hauling me about was drowned out by the confusion on the street. Sweat-stained, white-shirted police officers were running about, their radios crackling, yelling at pedestrians to follow their directions and clear the area. Sirens blared. A helicopter chopped the air loudly overhead. We were on the private entry road to the Marriott Hotel, part of the County Hall building. To my left was its turning circle, bordered by a smart decorative hedge. Police were preventing guests from coming out of the main entrance as they tried to see what was happening or to run away, I wasn't sure which. In front of me, at the kerb side was a white Mercedes estate, engine running, all doors open. One of the pairs of jeans was in the driver's seat ready to go. As a hand pushed down on top of my head and I was quickly bundled into the back, my feet connected with something in the foot well It was my holdall, still unzipped. The guy with the trainers sat on my left and attached one end of a pair of handcuffs to the D ring of the centre set of seat-belts. He then flicked the free end around the pair that gripped my wrists. I wasn't going anywhere until these boys were good and ready. Sundance appeared on the pavement and said his goodbyes to the uniforms. Thanks again, lads." I kept trying to make eye contact with the guys who had dragged me down here, who were now standing by the entrance to the office block. Sundance got into the front passenger seat and closed his door, obviously aware of what I was doing. He bent down into his foot well That isn't going to help you, boy." Retrieving a blue light from the floor and slapping it on to the dashboard, he plugged the lead into the cigarette-lighter socket. The light started flashing as the car moved off. We came out of the hotel's approach road and on to the main drag at the south end of the bridge, directly opposite the hospital buildings. The road was cordoned off and surrounded by every police vehicle in the Greater London area. The windows of the hospital were crammed with patients and nurses trying to get a grandstand view of the commotion. We wove around the obstacles in the road and through the cordon. Once over the large roundabout, we passed under the Eurostar track a hundred metres further down. I could see the slick, aerodynamic trains waiting in the glass terminal above me, and felt sick that one of them should be leaving soon without me on it. Sundance removed the flashing light from the dashboard. We were heading south towards the Elephant and Castle and, no doubt, into a world of shit. I looked at Sundance's face in the wing mirror. He didn't return eye contact or acknowledge me in any way. Behind the stony face he was probably working out what he had to do next. So was I, and started to work on him straight away. This isn't going to work. I've got on tape the orders you drove for and I-' There was an explosion of pain as Trainers put all his force behind his elbow and rammed it into my thigh, dead legging me. Sundance turned in his seat. "Don't wind me up, boy." I took a deep, deep breath and kept going for it. "I've got proof of everything that's happened. Everything." He didn't even bother to look round this time. "Shut it." Trainers' hand chopped down on the spacer bar between the cuffs. The metal jarred agonizingly on my wrists, but I knew it was nothing compared with what would happen if I didn't buy myself some time. "Look!" I gasped, 'it's me stitched today, it could be you lot next. No one gives a fuck about people like us. That's why I keep records. For my own security." We were approaching the Elephant and Castle roundabout, passing the pink shopping centre. I nodded to give Trainers the message that I was going to shut up. I wasn't a fool, I knew when to shut up or talk. I wanted to make the little I knew go a long way. I wanted them to feel I was confident and secure, and that they would be making a big mistake if they didn't pay attention. I just hoped it wasn't me making the mistake. I looked in the mirror again. It was impossible to tell whether this was having any effect on Sundance. I was just feeling that maybe I should get in another instalment when he sparked up. "What do you know, then, boy?" I shrugged. "Everything, including those three hits just now." Fuck it, I might as well go right to the top of the bullshit stakes. Trainers' brown, bloodshot eyes and broken nose faced me without emotion. It was impossible to tell whether he was going to hurt me or not. I decided to try to save my skin big-time before he made up his mind. "I taped the briefing that you drove for." Which was a lie. "I've got pictures of the locations." Which was true. "And pictures and serial numbers of the weapons. I've got all the dates, all diaried, even pictures of the snipers." We turned down towards the Old Kent Road, and as I shifted position slightly I glimpsed Sundance's face in the wing mirror. He was looking dead ahead, his expression giving nothing away. "Show me." That was easy enough. "Sniper Two is a woman, she's in her early thirties and she has brown hair." I resisted the temptation to say more. I needed to show him I knew a lot, but without running out of information too early. There was silence. I got the impression that Sundance had started to listen carefully, which I took as my chance to carry on. 'You need to tell him," I said. "Just think about the shit you'll be in if you don't. Frampton won't be first in the queue for taking the blame. It'll be you lot who get that for sure." The message had at least got through to Trainers. He was swapping glances with Sundance in the mirror: my cue not even to look up now, but let them get on with it. We stopped at a set of lights, level with carloads of families swigging from cans of Coke and doing the bored-in-the-back-seat stuff. The four of us just sat there as if we were on our way to a funeral. It was pointless me trying to raise the alarm with any of these people as they smoked or picked their noses waiting for the green. I just had to depend on Sundance to make a decision soon. If he didn't, I'd try again, and keep on until they silenced me. I'd been trying hard not to think about that too much. We approached a large retail park, with signs for B&Q, Halford's and McDonald's. Sundance pointed at the entrance sign. "In there for five." The indicator immediately started clicking and we cut across the traffic. I tried not to show my elation, and let my eyes concentrate hard on the lunchbox of tricks at the top of the sports bag as I felt the Merc lurch over a speed bump. We stopped near a bacon roll and stewy tea van, and Sundance immediately got out. Trolleys filled with pot plants, paint and planks of wood trundled past on the tarmac as he walked out of sight somewhere behind us, dialling into a StarT ac that he'd pulled from his jacket. The rest of us sat in silence. The driver just looked ahead through his sunglasses and Trainers turned round in his seat to try to see what Sundance was up to, taking care to cover my handcuffs so the DIYers couldn't see that we weren't there for the kitchen sale. I wasn't really thinking or worrying about anything, just idly watching a young shell-suited couple load up their ancient XRi with boxes of wall tiles and grout. Maybe I was trying to avoid the fact that the call he was making meant life or death for me. Sundance shook me out of my dreamlike state as he slumped back into the Merc and slammed the door. The other two looked at him expectantly probably hoping to be told to drive me down to Beachy Head and give me a helping hand in my tragic suicide. There was nothing from him for twenty seconds or so while he put his seat-belt on. It was like waiting for the doctor to tell me if I had cancer or not. He sat for a while and looked disturbed; I didn't know what to think but took it as a good sign, without really knowing why. Eventually, after putting the StarT ac away, he looked at the driver. "Kennington." I knew where Kennington was, but didn't know what it meant to them. Not that it really mattered: I just felt a surge of relief about the change of plan. Whatever had been going to happen to me had been postponed. At length Sundance muttered, "If you're fucking with me, things will get hurtful." I nodded into the rear-view mirror as he gave me the thousand-metre stare. There was no need for further conversation as we drove back up the Old Kent Road. I was going to save all that for later, for the Yes Man. Leaning against the window to rest my arms and ease the tension of the handcuffs on my wrists, I gazed like a child at the world passing by, the glass steaming around my face. Somebody turned on the radio and the soothing sound of violins filled the Merc. It struck me as strange; I wouldn't have expected these boys to be into classical music any more than I was. I knew the area we were driving through like the back of my hand. As a ten-year old I had played there while bunking school. In those days the place was one big mass of minging council estates, dodgy secondhand-car dealers and old men in pubs drinking bottles of light ale. But now it looked as if every available square metre was being gentrified. The place was crawling with luxury developments and 911 Caireras, and all the pubs had been converted into wine bars. I wondered where all the old men went now to keep out of the cold. We were approaching Elephant and Castle again. The music finished and a female voice came on with an update on the incident that had shaken London. There were unconfirmed reports, she said, that three people had been killed in a gun battle with police, and that the bomb blast in Whitehall had produced between ten and sixteen minor casualties, who were being treated in hospital. Tony Blair had expressed his absolute outrage from his villa in Italy, and the emergency services were on full alert as further explosions could not be ruled out. No one as yet had claimed responsibility for the blast. We rounded the Elephant and Castle and headed towards Kennington, pulling over as two police vans sirened their way past. Sundance turned to me and shook his head in mock disapproval. Tut-tut-rut. See you you're a menace to society, you are." As the news finished and the music returned I continued to look out of the window. I was a menace to myself, not society. Why couldn't I steer clear of shit for a change, instead of heading straight for it like a light-drunk moth? We passed Kennington tube station, then took a right into a quiet residential street. The street name had been ripped from its post and the wooden backing was covered in graffiti. We turned again and the driver had to brake as he came across six or seven kids in the middle of the road, kicking a ball against the gable end of a turn-of-the-century terrace. They stopped and let us through, then immediately got back to trying to demolish the wall. We drove about forty metres further, then stopped. Sundance hit his key fob and a graffiti-covered double garage shutter started to roll up. Left and right of it was a pitted brown brick wall; above was a rusty metal frame that had probably once held a neon sign. Empty drinks cans littered the ground. Inside was completely empty. As we drove in, I saw that all around the old brick walls were tool boards with faded, red-painted shapes of what was supposed to be hanging there. Years ago it had probably been a one-man garage set-up. A faded Chelsea FC team poster was pinned to a door. Judging by the long haircuts, sideburns and very tight shorts, it was seventies vintage. The shutter door rattled and squeaked its way down behind me, gradually cutting off the noise of the kids kicking the ball. The engine was cut and the three of them started to get out. Sundance disappeared through the football poster door, leaving it open behind him, with luck for me to get dragged through. Anything to be out of the car and have the pressure off my wrists. Maybe I'd even get given a brew. I hadn't eaten or drunk anything since the night before: there'd been too much to do and I'd simply forgotten. Just placing the bomb on the hotel roof had taken the best part of four hours, and an Egg McMuffin had been the last thing on my mind. While I was watching the door swing back slowly to reveal the Chelsea mop heads again, Trainers leant down and undid the cuffs pinning me to the seat. Then he and the driver got hold of me and dragged me out. We headed towards the door; I was beginning to feel that maybe I'd get away with this after all. Then I gave myself a good mental slapping: every time I had this feeling I came unstuck. What was happening here meant nothing until I saw the Yes Man and told him my piece. I decided to do my best not to annoy these boys while we waited. They were doing their best to intimidate me; things are always more worrying when there is no verbal contact and no information, and it was working a little, that was for sure. Not a lot, but enough. They dragged me through the door and into a windowless, rectangular space with pitted, dirty whitewashed brick walls. The room was airless, hot and humid, and to add to the mix somebody had been smoking roll-ups. A harsh, double fluorescent unit in the ceiling gave the impression there was nowhere to hide. On the floor in the left-hand corner was a steam-powered TV with a shiny new swordfish aerial hanging from a nail on the wall. It was the only thing in the room that looked as if it hadn't been purchased from a junk shop. Facing it was a worn-out brown velour three-piece suite. The arms were threadbare, and the seats sagged and were dotted with cigarette burns. Plugged into adaptors in the same socket as the TV were a green upright plastic kettle, a toaster, and battery chargers for three mobiles. The place reminded me of a minicab office, with old newspapers and Burger King drinks cups providing the finishing touches. Sundance was standing by the TV, finishing another call on his mobile. He looked at me and gestured towards the corner. "Keep it shut, boy." The other two gave me a shove to help me on my way. As I slid down the wall I tried my hardest not to push against the cuffs and ratchet them up even tighter than they already were. I finally slumped on to the floor and ended up facing the TV. SIX I guessed this place had been just a temporary set-up for the duration of the job and the job, of course, was planning and preparing to kill me. No doubt there was a similar set-up somewhere else in London where a whole lot of the boys and girls had prepared themselves for the hit on the snipers. Trainers went over to the TV as the other two headed back into the garage. I watched as he crouched down by the brew kit, opening the kettle to check for water. His light brown nylon jacket had ridden up to expose part of a black leather pancake holster sitting on a leather belt, just behind his right hip, and a green T-shirt dark with sweat. Even the back of his belt was soaking, and had turned a much darker brown than the rest. I could still hear the kids in the background, kicking their ball and yelling at each other. The pitch of their voices changed as one probably mis-kicked and was treated to squeals of derision. My hands, still stuck in the surgical gloves, were pruning up in the heat. Trainers lined up three not-too-healthy-looking Simpsons mugs, Bart, Marge and Homer, which pissed me off. Maggie was missing. There obviously wasn't going to be any brew for me. He threw a tea bag into each, splashed milk on top, then dug a spoon into a crumpled, half-empty bag of sugar, tipping heaps of it into two of the mugs. A toilet flushed in the garage area, and the sound got louder then softer as a door opened and closed. I could hear Sundance and the driver mumbling to each other but couldn't make out what was said. The Merc door slammed, the engine turned over, and there was more squeaking and grinding as the shutter lifted. Thirty seconds later the car backed out into the road and drove away. Maybe one K of the mugs was for me after all. | Sundance appeared at the office door, his back to us, checking |that the shutter had fully closed. As the steel banged on to the I floor, he walked to the settee and threw his green cotton bomber jacket on to the armrest of the nearest chair, revealing a wet maroon polo shirt and a chunky Sig 9mm, holstered just behind his right hip. On his left hip sat a light brown leather mag-carrier, with three thick pieces of elastic holding a magazine apiece. The first brass round of each glinted in the ceiling's white light. I almost laughed: three full mags, and just for little old me. I'd heard of overkill but this was something out of the last five minutes of Butch Cassidy. It was obvious where this boy had got his best ideas. He stripped off his polo shirt and used it to wipe the sweat from his face, exposing a badly scarred back. Two indentations were clearly gunshot wounds: I recognized them because I had one myself. Someone had also given him the good news with a knife, some of the slashes running the whole length of his back, with stitch marks either side. All in all, it looked quite a lot like an aerial photo of Clapham Junction. I Trainers, who'd just finished squeezing and fishing out the tea bags lifted up a brew for Sundance. "Still want one?" His accent was 100 per cent Belfast. If the driver turned out to be Welsh we'd be able to put together a joke book. "Right enough." Wiping his neck and shoulders, Sundance sat down in the chair nearest the TV, avoiding resting his wet, bare back against the velour by sitting upright on the edge. He took a tentative sip from Bart, the mug without sugar. He had been hitting the weights, but didn't have the chiselled look of a bodybuilder. He had the physique of a con who'd been pumping iron: the diet in prisons is so bad that when the lads take to the weights they end up barrel-chested and bulked up, rather than well honed. He glanced at me for the first time and caught me studying his back. "Belfast when you was just a wee soldier-boy." He treated himself to a little giggle, then nodded at the third Simpsons mug still on the floor by Trainers. "D'you want a tea, then, boy?" Trainers held up Marge. I nodded. Teah, I would, thanks." There was a pause for a couple of seconds while they exchanged a look, then both roared with laughter as Trainers did a bad Cockney accent. "Gor blimey, guy, I would, fan ks Trainers sat himself down on the settee with Homer, still laughing as he took the piss. "Strike a light, guvnor, yeah, I would, cheers. Luv a duck." At least someone was having fun. Trainers put his own brew on the cracked tiled floor and took off his jacket. He'd obviously had a tattoo removed by laser recently; there was the faintest red scar just visible on his forearm, but the outstretched Red Hand of Ulster was still plain to see. He had been, maybe still was, a member of the UDA (Ulster Defence Association). Maybe they'd both pumped their iron in one of the H blocks. Trainers' triceps rippled under his tanned, freckled skin as he felt behind the cushions and pulled out a packet of Drum. Resting it on his knees, he took out some Rizlas and started to make himself a roll-up. Sundance didn't like what he saw. "You know he hates that -just wait." "Right enough." The Drum packet was folded and returned beneath the cushions. It made me very happy indeed to hear that: the Yes Man must be on his way. Even though I'd never smoked I'd never been a tobacco Nazi, but Frampton certainly was. My arse was getting numb on the hard floor so I shifted very slowly into another position, trying not to draw attention to myself. Sundance got up, mug in hand, walked the three paces to the TV, and hit the power button then each of the station buttons till he got a decent picture. Trainers sparked up, 'I like this one. It's a laugh." Sundance shuffled backwards to his chair, eyes glued to the box. Both were now ignoring me as they watched a woman, whose voice was straight off the Radio Four news, talk to the show's china expert about her collection of Pekinese dog teacups. I couldn't hear the kids any more over the TV as I waited for the Merc to return. On the screen, the woman tried not to show how pissed off she was when the expert told her the china was only worth fifty quid. Whoever had christened Frampton the Yes Man was a genius: it was the only word he said to any of his superiors. In the past this had never worried me because I had nothing to do with him directly, but all that changed when he was promoted to run the UK Ks Desk in SIS (Secret Intelligence Service). The Firm used some ex-SAS people like me, in fact anyone, probably even my new friends here, as deniable operators. The Ks Desk had traditionally been run by an IB (member of Intelligence Branch), the senior branch of the service. In fact the whole service is run by IBs for IBs; these are the boys and girls we read about in the papers, recruited from university, working from embassies and using mundane Foreign Office appointments as cover. Their real work, however, starts at six in the evening when the conventional diplomats begin their round of cocktail parties, and the IBs start gathering intelligence, spreading disinformation and recruiting sources. That's when the low-life like me come into the picture, carrying out, or in some cases cleaning up, the dirty work that they create while throwing the odd crab paste sandwich and After Eight down their necks. I envied them that, at times like this. The Yes Man did, too. He had been to university, but not one of the right two. He had never been one of the elite, an IB, yet had probably always wanted to be. But he just wasn't made of the right stuff. His background was the Directorate of Special Support, a branch of wild-haired technicians and scientists working on electronics, signals, electronic surveillance and explosive devices. He'd run the signals department of the UK Ks, but had never been in the field. I didn't know why the Firm had suddenly changed the system and let a non-IB take command. Maybe with the change of government they thought they should look a bit more meritocratic, give a tweak or two to the system to make them look good and keep the politicians happy as they skipped back to Whitehall, instead of interfering too much with what really goes on. So, who better to run the Desk than someone who wasn't an IB, arse licked his way from breakfast to dinnertime, and would do whatever he was told? Whatever, I didn't like him and never would. He certainly wasn't on my speed dial, that was for sure. On the one occasion that I'd had direct contact with him, the job had fouled up because he'd supplied insufficient com ms kit. He'd only been in the job since Colonel Lynn had 'taken early retirement' about seven months ago, but he'd already proved his incompetence more than once. The only thing he was good at was issuing threats; he had neither the personality nor the management skills to do it any other way. Lynn might have been just as much of an arse hole but at least you knew where you stood with him. I was adjusting my position some more when the shutter rattled and I heard an engine rev outside. They both stood up and put their wet shirts back on. Sundance walked over to turn off the TV. Neither of them bothered to look at me. It was still as if I wasn't there. The engine noise got louder. Doors slammed and the shutter came down again. The Yes Man appeared at the door, still in his suit and looking severely pissed off. Trainers slipped dutifully out of the room, like the family Labrador. I wouldn't have thought it possible but the Yes Man's face was an even brighter red than usual. He was under pressure. Yet again, C and his mates weren't too pleased with their non-IB experiment. He stopped just three or four feet away from me, looking like an irate schoolteacher, legs apart, hands on hips. "What happened, Stone?" he shouted. "Can't you get anything right?" What was he on about? Only two hours ago he'd wanted me killed, and now he was telling me off like a naughty schoolboy. But it wasn't the moment to point this out. It was the moment to creep big-time. "I just don't know, Mr. Frampton. As soon as I had three lights up I sent the fire commands. I don't know what happened after that. It should have worked, all four of us had com ms up until then but-' "But nothing!" he exploded. "The task was a complete failure." His voice jumped an octave. "I'm holding you personally responsible, you do know that, don't you?" I did now. But what was new? He took a deep breath. "You don't understand the importance of this operation that you have completely scuppered, do you?" Scuppered? I tried not to smile but couldn't help it. "Fucked up' was how Lynn would have put it. The Yes Man was still playing the school-teacher. There's nothing to smile about, Stone. Who, in heaven's name, do you think you are?" It was time for a bit of damage limitation. "Just someone trying to keep alive," I said. That's why I taped our conversation, Mr. Frampton." He was silent for a few seconds while that sank in, breathing heavily, eyes bulging. Ah, yes, the tape and pictures. He must have just remembered why I was still alive and he was here. But not for long; his brain switch was set to Transmit rather than Receive. 'You've no idea of the damage you've done. The Americans were adamant that this had to be done today. I gave my word to them, and others, that it would." He was starting to feel sorry for himself. "I can't believe I had so much confidence in you." So it was an American job. No wonder he was flapping. The senior Brits had been trying to heal a number of rifts in their relationship with the USA for quite a while now especially as some of the US agencies just saw the UK as a route to extend its reach into Europe, and not as any sort of partner. The 'special relationship' was, in effect, history. But the big picture wasn't exactly top of my agenda right now. I didn't care what had been scuppered. I didn't even care who had sponsored the job and why it had had to happen. I just wanted to get out of this room in one piece. "As I said, Mr. Frampton, the lights were up and I ordered the shoot. Maybe if the three snipers were debriefed they could ..." He looked at my lips but my words seemed not to register. "You have let a serious problem develop in Central America, Stone. Do you not realize the implications?" "No, sir' he always liked that. "I don't, sir." His right hand came off his hip and he stared at the face of his watch. "No, sir, that's right, you don't, sir. Because of you, we, the Service, are not influencing events in a direction favourable to Britain." He was starting to sound like a party political broadcast. I couldn't have cared less what was happening in Central America. All I was worried about was now, here. The Yes Man sighed as he loosened his scarlet tie and opened his collar. Some beads of sweat dribbled down the side of his flushed face. He thumbed behind him in the direction of Sundance. "Now, go with this man to collect the tape and all the other material that you claim to have on this operation, and I'll see about trying to save your backside." "I can't do that, sir!" He stiffened. He was starting to lose it. "Can't do that, sir?" I'd have thought it was perfectly obvious, but I didn't want to sound disrespectful. "I'm sorry, Mr. Frampton, but I need to make sure you don't have a change of heart about me." I chanced a smile. "I like being alive. I understand the reasons why the snipers were killed. I just don't want to join them." The Yes Man crouched down so that his eyes were level with mine. He was struggling to control a rage that was threatening to burst out of his face. "Let me tell you something, Stone. Things are changing in my department. A new permanent cadre is being installed, and very soon all the dead wood will be cleared away. People like you will cease to exist." He was nearly shaking with anger. He knew I had him by the bollocks, for now. Fighting his rage, he kept his voice very low. "You've always been nothing but trouble, haven't you?" I was averting my gaze, trying to look frightened and I was a bit. But unfortunately I caught sight of a large, freshly squeezed zit below his collar line. He didn't like that. He stood up abruptly, and stormed from the room. Sundance shot me a threatening glare and followed him. I tried to listen to the mumbling going on between the four of them in the garage, but with no luck. A few seconds later car doors slammed, the shutter went up, and the car reversed out. The shutter hit the floor once more, and then everything went quiet. Except in my head. One half was telling me everything was OK. No way would he chance the job being exposed. The other was telling me that maybe he really didn't care what I was saying. I tried to make myself feel better by running through what had happened, convincing myself that I'd said the right things in the right way at the right time. Then I threw my hand in. It was too late now to worry about it. I'd just have to wait and see. Trainers and Sundance reap