d still as the majestic vessels of the Martians drew around and hesitated over him. "Earth man," a voice called from a high seat somewhere. A silverine mask moved. Ruby-rimmed lips glittered with the words. "I didn't do anything!" Sam looked at all the faces, one hundred in all, that surrounded him. There weren't many Martians left on Mars--one hundred, one hundred and fifty, all told. And most of them were here now, on the dead seas, in their resurrected ships, by their dead chess cities, one of which had just fallen like some fragile vase hit by a pebble. The silverine masks glinted. "It was all a mistake," he pleaded, standing out of his ship, his wife slumped behind him in the deeps of the hold, like a dead woman. "I came to Mars like any honest enterprising businessman. I took some surplus material from a rocket that crashed and I built me the finest little stand you ever saw right there on that land by the crossroads--you know where it is. You've got to admit it's a good job of building." Sam laughed, staring around. "And that Martian--I know he was a friend of yours--came. His death was an accident, I assure you. All I wanted to do was have a hot-dog stand, the only one on Mars, the first and most important one. You understand how it is? I was going to serve the best darned hot dogs there, with chili and onions and orange juice." The silver masks did not move. They burned in the moonlight. Yellow eyes shone upon Sam. He felt his stomach clench in, wither, become a rock. He threw his gun in the sand. "I give up." "Pick up your gun," said the Martians in chorus. "What?" "Your gun." A jeweled hand waved from the prow of a blue ship. "Pick it up. Put it away." Unbelieving he picked up the gun. "Now," said the voice, "turn your ship and go back to your stand." "Now?" "Now," said the voice. "We will not harm you. You ran away before we were able to explain. Come." Now the great ships turned as lightly as moon thistles. Their wing-sails flapped with a sound of soft applause on the air, The masks were coruscating, turning, firing the shadows. "Elma!" Sam tumbled into the ship. "Get up, Elma. We're going back." He was excited. He almost gibbered with relief. "They aren't going to hurt me, kill me, Elma. Get up, honey, get up." "What--what?" Elma blinked around and slowly, as the ship was sent into the wind again, she helped herself, as in a dream, back up to a seat and slumped there like a sack of stones, saying no more. The sand slid under the ship. In half an hour they were back at the crossroads, the ships planted, all of them out of the ships. The Leader stood before Sam and Elma, his mask beaten of polished bronze, the eyes only empty slits of endless blue-black, the mouth a slot out of which words drifted into the wind. "Ready your stand," said the voice. A diamond-gloved hand waved. "Prepare the viands, prepare the foods, prepare the strange wines, for tonight is indeed a great night!" "You mean," said Sam, "you'll let me stay on here?" "Yes." "You're not mad at me?" The mask was rigid and carved and cold and sightless. "Prepare your place of food," said the voice softly. "And take this." "What is it?" Sam blinked at the silver-foil scroll that was handed him, upon which, in hieroglyph, snake figures danced. "It is the land grant to all of the territory from the silver mountains to the blue hills, from the dead salt sea there to the distant valleys of moonstone and emerald," said the Leader. "M-mine?" said Sam, incredulous. "Yours." "One hundred thousand miles of territory?" "Yours." "Did you hear that, Elma?" Elma was sitting on the ground, leaning against the aluminum hot-dog stand, eyes shut. "But why, why--why are you giving me all this?" asked Sam, trying to look into the metal slots of the eyes. "That is not all. Here." Six other scrolls were produced. The names were declared, the territories announced. "Why, that's half of Mars! I own half of Mars!" Sam rattled the scrolls in his fists. He shook them at Elma, insane with laughing. "Elma, did you hear?" "I heard," said Elma, looking at the sky. She seemed to be watching for something. She was becoming a little more alert now. "Thank you, oh, thank you," said Sam to the bronze mask. "Tonight is the night," said the mask. "You must be ready." "I will be. What it is--a surprise? Are the rockets coming through earlier than we thought, a month earlier from Earth? All ten thousand rockets, bringing the settlers, the miners, the workers and their wives, all hundred thousand of them? Won't that be swell, Elma? You see, I told you. I told you, that town there won't always have just one thousand people in it. There'll be fifty thousand more coming, and the month after that a hundred thousand more, and by the end of the year five million Earth Men. And me with the only hot-dog stand staked out on the busiest highway to the mines!" The mask floated on the wind. "We leave you. Prepare. The land is yours." In the blowing moonlight, like metal petals of some ancient flower, like blue plumes, like cobalt butterflies immense and quiet, the old ships turned and moved over the shifting sands, the masks beaming and glittering, until the last shine, the last blue color, was lost among the hills. "Elma, why did they do it? Why didn't they kill me? Don't they know anything? What's wrong with them? Elma, do you understand?" He shook her shoulder. "I own half of Mars!" She watched the night sky, waiting. "Come on," he said. "We've got to get the place fixed. All the hot dogs boiling, the buns warm, the chili cooking, the onions peeled and diced, the relish laid out, the napkins in the dips, the place spotless! Hey!" He did a little wild dance, kicking his heels. "Oh boy, I'm happy; yes, sir, I'm happy," he sang off key. "This is my lucky day!" He boiled the hot dogs, cut the buns, sliced the onions in a frenzy. "Just think, that Martian said a surprise. That can only mean one thing, Elma. Those hundred thousand people coming in ahead of schedule, tonight, of all nights! We'll be flooded! We'll work long hours for days, what with tourists riding around seeing things, Elma. Think of the money!" He went out and looked at the sky. He didn't see anything. "In a minute, maybe," he said, snuffing the cool air gratefully, arms up, beating his chest. "Ah!" Elma said nothing. She peeled potatoes for French fries quietly, her eyes always on the sky. "Sam," she said half an hour later. "There it is. Look." He looked and saw it. Earth. It rose full and green, like a fine-cut stone, above the hills. "Good old Earth," he whispered lovingly. "Good old wonderful Earth. Send me your hungry and your starved. Something something--how does that poem go? Send me your hungry, old Earth. Here's Sam Parkhill, his hot dogs all boiled, his chili cooking, everything neat as a pin. Come on, you Earth, send me your rocket!" He went out to look at his place. There it sat, perfect as a fresh-laid egg on the dead sea bottom, the only nucleus of light and warmth in hundreds of miles of lonely wasteland. It was like a heart beating alone in a great dark body. He felt almost sorrowful with pride, gazing at it with wet eyes. "It sure makes you humble," he said among the cooking odors of wieners, warm buns, rich butter. "Step up," he invited the various stars in the sky. "Who'll be the first to buy?" "Sam," said Elma. Earth changed in the black sky. It caught fire. Part of it seemed to come apart in a million pieces, as if a gigantic jigsaw had exploded. It burned with an unholy dripping glare for a minute, three times normal size, then dwindled. "What was that?" Sam looked at the green fire in the sky. "Earth," said Elma, holding her hands together. "That can't be Earth, that's not Earth! No, that ain't Earth! It can't be." "You mean it couldn't be Earth," said Elma, looking at him. "That just isn't Earth. No, that's not Earth; is that what you mean?" "Not Earth--oh no, it _couldn't_ be," he wailed. He stood there, his hands at his sides, his mouth open, his eyes wide and dull, not moving. "Sam." She called his name. For the first time in days her eyes were bright. "Sam?" He looked up at the sky. "Well," she said. She glanced around for a minute or so in silence. Then briskly she flapped a wet towel over her arm. "Switch on more lights, turn up the music, open the doors, There'll be another batch of customers along in about a million years. Gotta be ready, yes, sir." Sam did not move. "What a swell spot for a hot-dog stand," she said. She reached over and picked a toothpick out of a jar and put it between her front teeth. "Let you in on a little secret, Sam," she whispered, leaning toward him. "This looks like it's going to be an off season." November 2005: THE WATCHERS They all came out and looked at the sky that night. They left their suppers or their washing up or their dressing for the show and they came out upon their now-not-quite-as-new porches and watched the green star of Earth there. It was a move without conscious effort; they all did it, to help them understand the news they had heard on the radio a moment before. There was Earth and there the coming war, and there hundreds of thousands of mothers or grandmothers or fathers or brothers or aunts or uncles or cousins. They stood on the porches and tried to believe in the existence of Earth, much as they had once tried to believe in the existence of Mars; it was a problem reversed. To all intents and purposes, Earth now was dead; they had been away from it for three or four years. Space was an anesthetic; seventy million miles of space numbed you, put memory to sleep, depopulated Earth, erased the past, and allowed these people here to go on with their work. But now, tonight, the dead were risen, Earth was reinhabited, memory awoke, a million names were spoken: What was so-and-so doing tonight on Earth? What about this one and that one? The people on the porches glanced sidewise at each other's faces. At nine o'clock Earth seemed to explode, catch fire, and burn. The people on the porches put up their hands as if to beat the fire out. They waited. By midnight the fire was extinguished. Earth was still there. There was a sigh, like an autumn wind, from the porches. "We haven't heard from Harry for a long time." "He's all right." "We should send a message to Mother." "She's all right." "_Is_ she?" "Now, don't worry." "Will she be all right, do you think?" "Of course, of course; now come to bed." But nobody moved. Late dinners were carried out onto the night lawns and set upon collapsible tables, and they picked at these slowly until two o'clock and the light-radio message flashed from Earth. They could read the great Morse-code flashes which flickered like a distant firefly: AUSTRALIAN CONTINENT ATOMIZED IN PREMATURE  EXPLOSION OF ATOMIC STOCKPILE. LOS ANGELES, LONDON BOMBED. WAR. COME HOME. COME HOME. COME HOME. They stood up from their tables. COME HOME. COME HOME. COME HOME. "Have you heard from your brother Ted this year?" "You know. With mail rates five bucks a letter to Earth, I don't write much." COME HOME. "I've been wondering about Jane; you remember Jane, my kid sister?" COME HOME. At three in the chilly morning the luggage-store proprietor glanced up. A lot of people were coming down the street. "Stayed open late on purpose. What'll it be, mister?" By dawn the luggage was gone from his shelves. December 2005: THE SILENT TOWNS There was a little white silent town on the edge of the dead Martian sea. The town was empty. No one moved in it. Lonely lights burned in the stores all day. The shop doors were wide, as if people had run off without using their keys. Magazines, brought from Earth on the silver rocket a month before, fluttered, untouched, burning brown, on wire racks fronting the silent drugstores. The town was dead. Its beds were empty and cold. The only sound was the power hum of electric lines and dynamos, still alive, all by themselves. Water ran in forgotten bathtubs, poured out into living rooms, onto porches, and down through little garden plots to feed neglected flowers. In the dark theaters, gum under the many seats began to harden with tooth impressions still in it. Across town was a rocket port. You could still smell the hard, scorched smell where the last rocket blasted off when it went back to Earth. If you dropped a dime in the telescope and pointed it at Earth, perhaps you could see the big war happening there. Perhaps you could see New York explode. Maybe London could be seen, covered with a new kind of fog. Perhaps then it might be understood why this small Martian town is abandoned. How quick was the evacuation? Walk in any store, bang the NO SALE key. Cash drawers jump out, all bright and jingly with coins. That war on Earth must be very bad. . . . Along the empty avenues of this town, now whistling softly, kicking a tin can ahead of him in deepest concentration, came a tall, thin man. His eyes glowed with a dark, quiet look of loneliness. He moved his bony hands in his pockets, which were tinkling with new dimes. Occasionally he tossed a dime to the ground. He laughed temperately, doing this, and walked on, sprinkling bright dimes everywhere. His name was Walter Gripp. He had a placer mine and a remote shack far up in the blue Martian hills and he walked to town once every two weeks to see if he could marry a quiet and intelligent woman. Over the years he had always returned to his shack, alone and disappointed. A week ago, arriving in town, he had found it this way! That day he had been so surprised that he rushed to a delicatessen, flung wide a case, and ordered a triple-decker beef sandwich. "Coming up!" he cried, a towel on his arm. He flourished meats and bread baked the day before, dusted a table, invited himself to sit, and ate until he had to go find a soda fountain, where he ordered a bicarbonate. The druggist, being one Walter Gripp, was astoundingly polite and fizzed one right up for him! He stuffed his jeans with money, all he could find. He loaded a boy's wagon with ten-dollar bills and ran lickety-split through town. Reaching the suburbs, he suddenly realized how shamefully silly he was. He didn't need money. He rode the ten-dollar bills back to where he'd found them, counted a dollar from his own wallet to pay for the sandwiches, dropped it in the delicatessen till, and added a quarter tip. That night he enjoyed a hot Turkish bath, a succulent filet carpeted with delicate mushrooms, imported dry sherry, and strawberries in wine. He fitted himself for a new blue flannel suit, and a rich gray Homburg which balanced oddly atop his gaunt head. He slid money into a juke box which played "That Old Gang of Mine." He dropped nickels in twenty boxes all over town. The lonely streets and the night were full of the sad music of "That Old Gang of Mine" as he walked, tall and thin and alone, his new shoes clumping softly, his cold hands in his pockets. But that was a week past. He slept in a good house on Mars Avenue, rose mornings at nine, bathed, and idled to town for ham and eggs. No morning passed that he didn't freeze a ton of meats, vegetables, and lemon cream pies, enough to last ten years, until the rockets came back from Earth, if they ever came. Now, tonight, he drifted up and down, seeing the wax women in every colorful shop window, pink and beautiful. For the first time he knew how dead the town was. He drew a glass of beer and sobbed gently. "Why," he said, "I'm all _alone_." He entered the Elite Theater to show himself a film, to distract his mind from his isolation. The theater was hollow, empty, like a tomb with phantoms crawling gray and black on the vast screen. Shivering, he hurried from the haunted place. Having decided to return home, he was striking down the middle of a side street, almost running, when he heard the phone. He listened. "Phone ringing in someone's house." He proceeded briskly. "Someone should answer that phone," he mused. He sat on a curb to pick a rock from his shoe, idly. "Someone!" he screamed, leaping. "Me! Good lord, what's wrong with me!" he shrieked. He whirled. Which house? That one! He raced over the lawn, up the steps, into the house, down a dark hall. He yanked up the receiver. "Hello!" he cried. _Buzzzzzzzzz_. "Hello, hello!" They had hung up. "Hello!" he shouted, and banged the phone. "You stupid idiot!" he cried to himself. "Sitting on that curb, you fool! Oh, you damned and awful fool!" He squeezed the phone. "Come on, ring again! Come _on!_" He had never thought there might be others left on Mars. In the entire week he had seen no one. He had figured that all other towns were as empty as this one. Now, staring at this terrible little black phone, he trembled. Interlocking dial systems connected every town on Mars. From which of thirty cities had the call come? He didn't know. He waited. He wandered to the strange kitchen, thawed some iced huckleberries, ate them disconsolately. "There wasn't anyone on the other end of that call," he murmured. "Maybe a pole blew down somewhere and the phone rang by itself." But hadn't he heard a click, which meant someone had hung up far away? He stood in the hall the rest of the night. "Not because of the phone," he told himself. "I just haven't anything else to do." He listened to his watch tick. "She won't phone back," he said. "She won't _ever_ call a number that didn't answer. She's probably dialing other houses in town right _now!_ And here I sit--Wait a minute!" He laughed. "Why do I keep saying 'she'?" He blinked. "It could as easily be a 'he,' couldn't it?" His heart slowed. He felt very cold and hollow. He wanted very much for it to be a "she." He walked out of the house and stood in the center of the early, dim morning street. He listened. Not a sound. No birds. No cars. Only his heart beating. Beat and pause and beat again. His face ached with strain. The wind blew gently, oh so gently, flapping his coat. "Sh," he whispered. "_Listen_." He swayed in a slow cirde, turning his head from one silent house to another. She'll phone more and more numbers, he thought. It must be a woman. Why? Only a woman would call and call. A man wouldn't. A man's independent. Did I phone anyone? No! Never thought of it. It must be a woman. It _has_ to be, by God! Listen. Far away, under the stars, a phone rang. He ran. He stopped to listen. The ringing, soft. He ran a few more steps. Louder. He raced down an alley. Louder still! He passed six houses, six more. Much louder! He chose a house and its door was locked. The phone rang inside. "Damn you!" He jerked the doorknob. The phone screamed. He heaved a porch chair through a parlor window, leaped in after it. Before he even touched the phone, it was silent. He stalked through the house then and broke mirrors, tore down drapes, and kicked in the kitchen stove. Finally, exhausted, he picked up the thin directory which listed every phone on Mars. Fifty thousand names. He started with number one. Amelia Ames. He dialed her number in New Chicago, one hundred miles over the dead sea. No answer. Number two lived in New New York, five thousand miles across the blue mountains. No answer. He called three, four, five, six, seven, eight, his fingers jerking, unable to grip the receiver. A woman's voice answered, "Hello?" Walter cried back at her, "Hello, oh lord, hello!" "This is a recording," recited the woman's voice. "Miss Helen Arasumian is not home. Will you leave a message on the wire spool so she may call you when she returns? Hello? This is a recording. Miss Arasumian is not home. Will you leave a message--" He hung up. He sat with his mouth twitching. On second thought he redialed that number. "When Miss Helen Arasumian comes home," he said, "tell her to go to hell." He phoned Mars Junction, New Boston, Arcadia, and Roosevelt City exchanges, theorizing that they would be logical places for persons to dial from; after that he contacted local city halls and other public institutions in each town. He phoned the best hotels. Leave it to a woman to put herself up in luxury. Suddenly he stopped, clapped his hands sharply together, and laughed. Of course! He checked the directory and dialed a long-distance call through to the biggest beauty parlor in New Texas City. If ever there was a place where a woman would putter around, patting mud packs on her face and sitting under a drier, it would be a velvet-soft, diamond-gem beauty parlor! The phone rang. Someone at the other end lifted the receiver. A woman's voice said, "Hello?" "If this is a recording," announced Walter Gripp, "I'll come over and blow the place up." "This isn't a record," said the woman's voice. "Hello! Oh, hello, there _is_ someone alive! Where _are_ you?" She gave a delighted scream. Walter almost collapsed. "_You!_' He stood up jerkily, eyes wild. "Good lord, what luck, what's your name?" "Genevieve Selsor!" She wept into the receiver. "Oh, I'm so glad to hear from you, whoever you are!" "Walter Gripp!" "Walter, hello, Walter!" "Hello, Genevieve!" "Walter. It's such a nice name. Walter, Walter!" "Thank you." "Walter, where _are_ you?" Her voice was so kind and sweet and fine. He held the phone tight to his ear so she could whisper sweetly into it. He felt his feet drift off the floor. His cheeks burned. "I'm in Marlin Village," he said. "I--" Buzz. "Hello?" he said. Buzz. He jiggled the hook. Nothing. Somewhere a wind had blown down a pole. As quickly as she had come, Genevieve Selsor was gone. He dialed, but the line was dead. "I know where she is, anyway." He ran out of the house. The sun was rising as he backed a bettle-car from the stranger's garage, filled its backseat with food from the house, and set out at eighty miles an hour down the highway, heading for New Texas City. A thousand miles, he thought. Genevieve Selsor, sit tight, you'll hear from me! He honked his horn on every turn out of town. At sunset, after an impossible day of driving, he pulled to the roadside, kicked off his tight shoes, laid himself out in the seat, and slid the gray Homburg over his weary eyes. His breathing became slow and regular. The wind blew and the stars shone gently upon him in the new dusk. The Martian mountains lay all around, millions of years old. Starlight glittered on the spires of a little Martian town, no bigger than a game of chess, in the blue hills. He lay in the half-place between awakeness and dreams. He whispered. Genevieve. _Oh, Genevieve, sweet Genevieve_, he sang softly, _the years may come, the years may go. But Genevieve, sweet Genevieve_. . . . . There was a warmth in him. He heard her quiet sweet cool voice singing. _Hello, oh, hello, Walter! This is no record. Where are you, Walter, where are you?_ He sighed, putting up a hand to touch her in the moonlight. Long dark hair shaking in the wind; beautiful, it was. And her lips like red peppermints. And her cheeks like fresh-cut wet roses. And her body like a clear vaporous mist, while her soft cool sweet voice crooned to him once more the words to the old sad song, _Oh, Genevieve, sweet Genevieve, the years may come, the years may go_ . . . He slept. He reached New Texas City at midnight. He halted before the Deluxe Beauty Salon, yelling. He expected her to rush out, all perfume, all laughter. Nothing happened. "She's asleep." He walked to the door. "Here I am!" he called. "Hello, Genevieve!" The town lay in double moonlit silence. Somewhere a wind flapped a canvas awning. He swung the glass door wide and stepped in. "Hey!" He laughed uneasily. "Don't hide! I know you're here!" He searched every booth. He found a tiny handkerchief on the floor. It smelled so good he almost lost his balance. "Genevieve," he said. He drove the car through the empty streets but saw nothing. "If this is a practical joke . . ." He slowed the car. "Wait a minute. We were cut off. Maybe _she_ drove to Marlin Village while I was driving here! She probably took the old Sea Road. We missed each other during the day. How'd she know I'd come get her? I didn't _say_ I would. And she was so afraid when the phone died that she rushed to Marlin Village to find me! And here I am, by God, what a fool _I_ am!" Giving the horn a blow, he shot out of town. He drove all night. He thought, What if she isn't in Marlin Village waiting, when I arrive? He wouldn't think of that. She _must_ be there. And he would run up and hold her and perhaps even kiss her, once, on the lips. _Genevieve, sweet Genevieve_, he whistled, stepping it up to one hundred miles an hour. Marlin Village was quiet at dawn. Yellow lights were still burning in several stores, and a juke box that had played steadily for one hundred hours finally, with a crackle of electricity, ceased, making the silence complete. The sun warmed the streets and warmed the cold and vacant sky. Walter turned down Main Street, the car lights still on, honking the horn a double toot, six times at one corner, six times at another. He peered at the store names. His face was white and tired, and his hands slid on the sweaty steering wheel. "Genevieve!" he called in the empty street. The door to a beauty salon opened. "Genevieve!" He stopped the car. Genevieve Selsor stood in the open door of the salon as he ran across the street. A box of cream chocolates lay open in her arms. Her fingers, cuddling it, were plump and pallid. Her face, as he stepped into the light, was round and thick, and her eyes were like two immense eggs stuck into a white mess of bread dough. Her legs were as big around as the stumps of trees, and she moved with an ungainly shuffle. Her hair was an indiscriminate shade of brown that had been made and remade, it appeared, as a nest for birds. She had no lips at all and compensated this by stenciling on a large red, greasy mouth that now popped open in delight, now shut in sudden alarm. She had plucked her brows to thin antenna lines. Walter stopped. His smile dissolved. He stood looking at her. She dropped her candy box to the sidewalk. "Are you--Genevieve Selsor?" His ears rang. "Are you Walter Griff?" she asked. "Gripp." "Gripp," she corrected herself. "How do you do," he said with a restrained voice. "How do you do." She shook his hand. Her fingers were sticky with chocolate. "Well," said Walter Gripp. "What?" asked Genevieve Selsor. "I just said, 'Well,'" said Walter. "Oh." It was nine o'clock at night. They had spent the day picnicking, and for supper he had prepared a filet mignon which she didn't like because it was too rare, so he broiled it some more and it was too much broiled or fried or something. He laughed and said, "We'll see a movie!" She said okay and put her chocolaty fingers on his elbow. But all she wanted to see was a fifty-year-old film of Clark Gable. "Doesn't he just kill you?" She giggled. "Doesn't he _kill_ you, now?" The film ended. "Run it off again," she commanded. "Again?" he asked. "Again," she said. And when he returned she snuggled up and put her paws all over him. "You're not quite what I expected, but you're nice," she admitted. "Thanks," he said, swallowing. "Oh, that Gable," she said, and pinched his leg. "Ouch," he said. After the film they went shopping down the silent streets. She broke a window and put on the brightest dress she could find. Dumping a perfume bottle on her hair, she resembled a drowned sheep dog. "How old are you?" he inquired. "Guess." Dripping, she led him down the street. "Oh, thirty," he said. "Well," she announced stiffly, "I'm only twenty-seven, so there! "Here's another candy store!" she said. "Honest, I've led the life of Reilly since everything exploded. I never liked my folks, they were fools. They left for Earth two months ago. I was supposed to follow on the last rocket, but I stayed on; you know why?" "Why?" "Because everyone picked on me. So I stayed where I could throw perfume on myself all day and drink ten thousand malts and eat candy without people saying, 'Oh, that's full of calories!' So here I _am!_" "Here you are." Walter shut his eyes. "It's getting late," she said, looking at him. "Yes." "I'm tired," she said. "Funny. I'm wide awake." "Oh," she said. "I feel like staying up all night," he said. "Say, there's a good record at Mike's. Come on, I'll play it for you." "I'm tired." She glanced up at him with sly, bright eyes. "I'm very alert," he said. "Strange." "Come back to the beauty shop," she said. "I want to show you something." She took him in through the glass door and walked him over to a large white box. "When I drove from Texas City," she said, "I brought this with me." She untied the pink ribbon. "I thought: Well, here I am, the only lady on Mars, and here is the only man, and, well . . ." She lifted the lid and folded back crisp layers of whispery pink tissue paper. She gave it a pat. "There." Walter Gripp stared. "What is it?" he asked, beginning to tremble. "Don't you know, silly? It's all lace and all white and all fine and everything." "No, I don't know what it is." "It's a wedding dress, silly!" "Is it?" His voice cracked. He shut his eyes. Her voice was still soft and cool and sweet, as it had been on the phone. But when he opened his eyes and looked at her . . . He backed up. "How nice," he said. "Isn't it?" "Genevieve." He glanced at the door. "Yes?" "Genevieve, I've something to tell you." "Yes?" She drifted toward him, the perfume smell thick about her round white face. "The thing I have to say to you is . . ." he said. "Yes?" "Good-by!" And he was out the door and into his car before she could scream. She ran and stood on the curb as he swung the car about. "Walter Griff, come back here!" she wailed, flinging up her arms. "Gripp," he corrected her. "Gripp!" she shouted. The car whirled away down the silent street, regardless of her stompings and shriekings. The exhaust from it fluttered the white dress she crumpled in her plump hands, and the stars shone bright, and the car vanished out onto the desert and away into blackness. He drove all night and all day for three nights and days. Once he thought he saw a car following, and he broke into a shivering sweat and took another highway, cutting off across the lonely Martian world, past little dead cities, and he drove and drove for a week and a day, until he had put ten thousand miles between himself and Marlin Village. Then he pulled into a small town named Holtville Springs, where there were some tiny stores he could light up at night and restaurants to sit in, ordering meals. And he's lived there ever since, with two deep freezes packed with food to last him one hundred years, and enough cigars to last ten thousand days, and a good bed with a soft mattress. And when once in a while over the long years the phone rings--he doesn't answer. April 2026: THE LONG YEARS Whenever the wind came through the sky, he and his small family would sit in the stone hut and warm their hands over a wood fire. The wind would stir the canal waters and almost blow the stars out of the sky, but Mr. Hathaway would sit contented and talk to his wife, and his wife would reply, and he would speak to his two daughters and his son about the old days on Earth, and they would all answer neatly. It was the twentieth year after the Great War. Mars was a tomb, planet. Whether or not Earth was the same was a matter for much silent debate for Hathaway and his family on the long Martian nights. This night one of the violent Martian dust storms had come over the low Martian graveyards, blowing through ancient towns and tearing away the plastic walls of the newer, American-built city that was melting down into the sand, desolated. The storm abated. Hathaway went out into the cleared weather to see Earth burning green on the windy sky. He put his hand up as one might reach to adjust a dimly burning globe in the ceiling of a dark room. He looked across the long-dead sea bottoms. Not another living thing on this entire planet, he thought. Just myself. And _them_. He looked back within the stone hut. What was happening on Earth now? He had seen no visible sign of change in Earth's aspect through his thirty-inch telescope. Well, he thought, I'm good for another twenty years if I'm careful. Someone might come. Either across the dead seas or out of space in a rocket on a little thread of red flame. He called into the hut, "I'm going to take a walk." "All right," his wife said. He moved quietly down through a series of ruins. "Made in New York," he read from a piece of metal as he passed. "And all these things from Earth will be gone long before the old Martian towns." He looked toward the fifty-centuries-old village that lay among the blue mountains. He came to a solitary Martian graveyard, a series of small hexagonal stones on a hill swept by the lonely wind. He stood looking down at four graves with crude wooden crosses on them, and names. Tears did not come to his eyes. They had dried long ago. "Do you forgive me for what I've done?" he asked of the crosses. "I was very much alone. You do understand, don't you?" He returned to the stone hut and once more, just before going in, shaded his eyes, searching the black sky. "You keep waiting and waiting and looking," he said, "and one night, perhaps--" There was a tiny red flame on the sky. He stepped away from the light of the hut. "--and you look _again_," he whispered. The tiny red flame was still there. "It wasn't there last night," he whispered. He stumbled and fell, picked himself up, ran behind the hut, swiveled the telescope, and pointed it at the sky. A minute later, after a long wild staring, he appeared in the low door of the hut. The wife and the two daughters and the son turned their heads to him. Finally he was able to speak "I have good news," he said. "I have looked at the sky. A rocket is coming to take us all home. It will be here in the early morning." He put his hands down and put his head into his hands and began to cry gently. He burned what was left of New New York that morning at three. He took a torch and moved into the plastic city and with the flame touched the walls here or there. The city bloomed up in great tosses of heat and light. It was a square mile of illumination, big enough to be seen out in space. It would beckon the rocket down to Mr. Hathaway and his family. His heart beating rapidly with.pain, he returned to the hut. "See?" He held up a dusty bottle into the light. "Wine I saved, just for tonight. I knew that some day someone would find us! We'll have a drink to celebrate!" He poured five glasses full. "It's been a long time," he said, gravely looking into his drink. "Remember the day the war broke? Twenty years and seven months ago. And all the rockets were called home from Mars. And you and I and the children were out in the mountains, doing archaeological work, research on the ancient surgical methods of the Martians. We ran our horses, almost killing them, remember? But we got here to the city a week late. Everyone was gone. America had been destroyed; every rocket had left without waiting for stragglers, remember, remember? And it turned out we were the _only_ ones left? Lord, Lord, how the years pass. I couldn't have stood it without you here, all of you. I'd have killed myself without you. But with you, it was worth waiting. Here's to us, then." He lifted his glass. "And to our long wait together." He drank. The wife and the two daughters and the son raised their glasses to their lips. The wine ran down over the chins of all four of them. By morning the city was blowing in great black soft flakes across the sea bottom. The fire was exhausted, but it had served its purpose; the red spot on the sky grew larger. From the stone hut came the rich brown smell of baked gingerbread. His wife stood over the table, setting down the hot pans of new bread as Hathaway entered. The two daughters were gently sweeping the bare stone floor with stiff brooms, and the son was polishing the silverware. "We'll have a huge breakfast for them," laughed Hathaway. "Put on your best clothes!" He hurried across his land to the vast metal storage shed. Inside was the cold-storage unit and power plant he had repaired and restored with his efficient, small, nervous fingers over the years, just as he had repaired clocks, telephones, and spool recorders in his spare time. The shed was full of things he had built, some senseless mechanisms the functions of which were a mystery even to himself now as he looked upon them. From the deep freeze he fetched rimed cartons of beans and strawberries, twenty years old. Lazarus come forth, he thought, and pulled out a cool chicken. The air was full of cooking odors when the rocket landed. Like a boy, Hathaway raced down the hill. He stopped once because of a sudden sick pain in his chest. He sat on a rock to regain his breath, then ran all the rest of the way. He stood in the hot atmosphere generated by the fiery rocket. A port opened. A man looked down. Hathaway shielded his eyes and at last said, "Captain Wilder!" "Who is it?" asked Captain Wilder, and jumped down and stood there looking at the old man. He put his hand out. "Good lord, it's Hathaway!" "That's right." They looked into each other's faces. "Hathaway, from my old crew, from the Fourth Expedition." "It's been a long time, Captain." "Too long. It's good to see you." "I'm old," said Hathaway simply. "I'm not young myself any more. I've been out to Jupiter and Saturn and Neptune for twenty years." "I heard they had kicked you upstairs so you wouldn't interfere with colonial policy here on Mars." The old man looked around. "You've been gone so long you don't know what's happened--" Wilder said, "I can guess. We've circled Mars twice. Found only one other man, name of Walter Gripp, about ten thousand miles from here, We offered to take him with us, but he said no. The last we saw of him he was sitting in the middle of the highway in a rocking chair, smoking a pipe, waving to us. Mars is pretty well dead, not even a Martian alive. What about Earth?" "You know as much as I do. Once in a while I get the Earth radio, very faintly. But it's always in some other language. I'm sorry to say I only know Latin. A few words come through. I take it most of Earth's a shambles, but the war goes on. Are you going back, sir?" "Yes. We're curious, of course. We had no radio contact so far out in space. We'll want to see Earth, no matter what." "You'll take us with you?" The captain started. "Of course, your wife, I remember her. Twenty-five years ago, wasn't it? When they opened First Town and you quit the service and brought her up here. And there were children--" "My son and two daughters." "Yes, I remember. They're here?" "Up at our hut. There's a fine breakfast waiting all of you up the hill. Will you come?" "We would be honored, Mr. Hathaway." Captain Wilder called to the rocket, "Abandon ship!" They walked up the hill, Hathaway and Captain Wilder, the twenty crew members following taking deep breaths of the thin, cool morning air. The sun rose and it was a good day. "Do you remember Spender, Captain?" "I've never forgotten him." "About once a year I walk up past his tomb. It looks like he got his way at last. He didn't want us to come here, and I suppose he's happy now that we've all gone away." "What about--what was his name?--Parkhill, Sam Parkhill?" "He opened a hot-dog stand." "It sounds just _like_ him." "And went back to Earth the next week for the war." Hathaway put his hand to his chest and sat down abruptly upon a boulder, "I'm sorry. The excitement. Seeing you again after all these years. Have to rest." He felt his heart pound. He counted the beats. It was very bad. "We've a doctor," said Wilder. "Excuse me, Hathaway, I know you are one, but we'd better check you with our own--" The doctor was summoned. "I'll be all right," insisted Hathaway. "The waiting, the excitement." He could hardly breathe. His lips were blue. "You know," he said as the doctor placed a stethoscope to him, "it's as if I kept alive all these years just for this day, and now you're here to take me back to Earth, I'm satisfied and I can just lie down and quit." "Here." The doctor handed him a yellow pellet. "We'd better let you rest." "Nonsense. Just let me sit a moment. It's good to see all of you. Good to hear new voices again." "Is the pellet working?" "Fine. Here we go!" They walked on up the hill. "Alice, come see who's here!" Hathaway frowned and bent into the hut. "Alice, did you hear?" His wife appeared. A moment later the two daughters, tall and gracious, came out, followed by an even taller son. "Alice, you remember Captain Wilder?" She hesitated and looked at Hathaway as if for instructions and then smiled. "Of course, Captain Wilder!" "I remember, we had dinner together the night before I took off for Jupiter, Mrs. Hathaway." She shook his hand vigorously. "My daughters, Marguerite and Susan. My son, John. You remember the captain, surely?" Hands were shaken amid laughter and much talk. Captain Wilder sniffed the air. "Is that _gingerbread?_" "Will you have some?" Everyone moved. Folding tables were hurried out while hot foods were rushed forth and plates and fine damask napkins and good silverware were laid. Captain Wilder stood looking first at Mrs. Hathaway and then at her son and her two tall, quiet-moving daughters. He looked into their faces as they darted past and he followed every move of their youthful hands and every expression of their wrinkleless faces. He sat upon a chair the son brought. "How old are you, John?" The son replied, "Twenty-three." Wilder shifted his silverware clumsily. His face was suddenly pale. The man next to him whispered, "Captain Wilder, that can't be right." The son moved away to bring more chairs. "What's that, Williamson?" "I'm forty-three myself, Captain. I was in school the same time as young John Hathaway there, twenty years ago. He says he's only twenty-three now; he only _looks_ twenty-three. But that's wrong. He should be forty-two, at least. What's it mean, sir?" "I don't know." "You look kind of sick, sir." "I don't feel well. The daughters, too, I saw them twenty years or so ago; they haven't changed, not a wrinkle. Will you do me a favor? I want you to run an errand, Williamson. I'll tell you where to go and what to check. Late in the breakfast, slip away. It should take you only ten minutes. The place isn't far from here. I saw it from the rocket as we landed." "Here! What are you talking about so seriously?" Mrs. Hathaway ladled quick spoons of soup into their bowls. "Smile now; we're all together, the trip's over, and it's like home!" "Yes." Captain Wilder laughed. "You certainly look very well and young Mrs. Hathaway!" "Isn't that like a man!" He watched her drift away, drift with her pink face warm, smooth as an apple, unwrinkled and colorful. She chimed her laugh at every joke, she tossed salads neatly, never once pausing for breath. And the bony son and curved daughters were brilliantly witty, like their father, telling of the long years and their secret life, while their father nodded proudly to each. Williamson slipped off down the hill. "Where's _he_ going?" asked Hathaway. "Checking the rocket," said Wilder. "But, as I was saying, Hathaway, there's nothing on Jupiter, nothing at all for men. That includes Saturn and Pluto." Wilder talked mechanically, not hearing his words, thinking only of Williamson running down the hill and climbing back to tell what he had found. "Thanks." Marguerite Hathaway was filling his water glass. Impulsively he touched her arm. She did not even mind. Her flesh was warm and soft. Hathaway, across the table, paused several times, touched his chest with his fingers, painfully, then went on listening to the murmuring talk and sudden loud chattering, glancing now and again with concern at Wilder, who did not seem to like chewing his gingerbread. Williamson returned. He sat picking at his food until the captain whispered aside to him, "Well?" "I found it, sir." "And?" Williamson's cheeks were white. He kept his eyes on the laughing people. The daughters were smiling gravely and the son was telling a joke. Williamson said, "I went into the graveyard." "The four crosses were there?" "The four crosses were there, sir. The names were still on them. I wrote them down to be sure." He read from a white paper: "Alice, Marguerite, Susan, and John Hathaway. Died of unknown virus. July 2007." "Thank you, Williamson." Wilder closed his eyes. "Nineteen years ago, sir," Williamson's hand trembled. "Yes." "Then who are _these!_" "I don't know." "What are you going to do?" "I don't know that either." "Will we tell the other men?" "Later. Go on with your food as if nothing happened." "I'm not very hungry now, sir." The meal ended with wine brought from the rocket. Hathaway arose. "A toast to all of you; it's good to be with friends again. And to my wife and children, without whom I couldn't have survived alone. It is only through their kindness in caring for me that I've lived on, waiting for your arrival." He moved his wineglass toward his family, who looked back self-consciously, lowering their eyes at last as everyone drank. Hathaway drank down his wine..He did not cry out as he fell forward onto the table and slipped to the ground. Several men eased him to rest. The doctor bent to him and listened. Wilder touched the doctor's shoulder. The doctor looked up and shook his head. Wilder knelt and took the old man's hand. "Wilder?" Hathaway's voice was barely audible. "I spoiled the breakfast." "Nonsense." "Say good-by to Alice and the children for me." "Just a moment, I'll call them." "No, no, don't!" gasped Hathaway. "They wouldn't understand. I wouldn't want them to understand! Don't!" Wilder did not move. Hathaway was dead. Wilder waited for a long time. Then he arose and walked away from the stunned group around Hathaway. He went to Alice Hathaway, looked into her face, and said, "Do you know what has just happened?" "Something about my husband?" "He's just passed away; his heart," said Wilder, watching her. "I'm sorry," she said. "How do you feel?" he asked. "He didn't want us to feel badly. He told us it would happen one day and he didn't want us to cry. He didn't teach us how, you know. He didn't want us to know. He said it was the worst thing that could happen to a man to know how to be lonely and know how to be sad and then to cry. So we're not to know what crying is, or being sad." Wilder glanced at her hands, the soft warm hands and the fine manicured nails and the tapered wrists. He saw her slender, smooth white neck and her intelligent eyes. Finally he said, "Mr. Hathaway did a fine job on you and your children." "He would have liked to hear you say that. He was so proud of us. After a while he even forgot that he had made us. At the end he loved and took us as his real wife and children. And, in a way, we _are_." "You gave him a good deal of comfort." "Yes, for years on end we sat and talked. He so much loved to talk. He liked the stone hut and the open fire. We could have lived in a regular house in the town, but he liked it up here, where he could be primitive if he liked, or modern if he liked. He told me all about his laboratory and the things he did in it. He wired the entire dead American town below with sound speakers. When he pressed a button the town lit up and made noises as if ten thousand people lived in it. There were airplane noises and car noises and the sounds of people talking. He would sit and light a cigar and talk to us, and the sounds of the town would come up to us, and once in awhile the phone would ring and a recorded voice would ask Mr. Hathaway scientific and surgical questions and he would answer them. With the phone ringing and us here and the sounds of the town and his cigar, Mr. Hathaway was quite happy. There's only one thing he couldn't make us do," she said. "And that was to grow old. He got older every day, but we stayed the same. I guess he didn't mind. I guess he wanted us this way." "We'll bury him down in the yard where the other four crosses are. I think he would like that." She put her hand on his wrist, lightly. "I'm sure he would." Orders were given. The family followed the little procession down the hill. Two men carried Hathaway on a covered stretcher. They passed the stone hut and the storage shed where Hathaway, many years before, had begun his work. Wilder paused within the workshop door. How would it be, he wondered, to live on a planet with a wife and three children and have them die, leaving you alone with the wind and silence? What would a person do? Bury them with crosses in the graveyard and then come back up to the workshop and, with all the power of mind and memory and accuracy of finger and genius, put together, bit by bit, all those things that were wife, son, daughter. With an entire American city below from which to draw needed supplies, a brilliant man might do anything. The sound of their footsteps was muffled in the sand. At the graveyard, as they turned in, two men were already spading out the earth. They returned to the rocket in the late afternoon. Williamson nodded at the stone hut. "What are we going to do about _them?_" "I don't know," said the captain. "Are you going to turn them off?" "Off?" The captain looked faintly surprised. "It never entered my mind." "You're not taking them back with us?" "No, it would be useless." "You mean you're going to leave them here, like _that_, as they _are!_" The captain handed Williamson a gun. "If you can do anything about this, you're a better man than I." Five minutes later Williamson returned from the hut, sweating. "Here, take your gun. I understand what you mean now. I went in the hut with the gun. One of the daughters smiled at me. So did the others, The wife offered me a cup of tea. Lord, it'd be murder!" Wilder nodded. "There'll never be anything as fine as them again. They're built to last; ten, fifty, two hundred years. Yes, they've as much right to--to life as you or I or any of us." He knocked out his pipe. "Well, get aboard. We're taking off. This city's done for, we'll not be using it." It was late in the day. A cold wind was rising. The men were aboard. The captain hesitated. Williamson said, "Don't tell me you're going back to say--good-by---to them?" The captain looked at Williamson coldly. "None of your business." Wilder strode up toward the hut through the darkening wind. The men in the rocket saw his shadow lingering in the stone-hut doorway. They saw a woman's shadow. They saw the captain shake her hand. Moments later he came running back to the rocket. On nights when the wind comes over the dead sea bottoms and through the hexagonal graveyard, over four old crosses and one new one, there is a light burning in the low stone hut, and in that hut, as the wind roars by and the dust whirls and the cold stars burn, are four figures, a woman, two daughters, a son, tending a low fire for no reason and talking and laughing. Night after night for every year and every year, for no reason at all, the woman comes out and looks at the sky, her hands up, for a long moment, looking at the green burning of Earth, not knowing why she looks, and then she goes back and throws a stick on the fire, and the wind comes up and the dead sea goes on being dead. August 2026: THERE WILL COME SOFT RAINS In the living room the voice-clock sang, _Tick-tock, seven o'clock, time to get up, time to get up, seven o'clock!_ as if it were afraid that nobody would. The morning house lay empty. The clock ticked on, repeating and repeating its sounds into the emptiness. _Seven-nine, breakfast time, seven-nine!_ In the kitchen the breakfast stove gave a hissing sigh and ejected from its warm interior eight pieces of perfectly browned toast, eight eggs sunnyside up, sixteen slices of bacon, two coffees, and two cool glasses of milk. "Today is August 4, 2026," said a second voice from the kitchen ceiling, "in the city of Allendale, California." It repeated the date three times for memory's sake. "Today is Mr. Featherstone's birthday. Today is the anniversary of Tilita's marriage. Insurance is payable, as are the water, gas, and light bills." Somewhere in the walls, relays clicked, memory tapes glided under electric eyes. _Eight-one, tick-tock, eight-one o'clock, off to school, off to work, run, run, eight-one!_ But no doors slammed, no carpets took the soft tread of rubber heels. It was raining outside. The weather box on the front door sang quietly: "Rain, rain, go away; rubbers, raincoats for today . . ." And the rain tapped on the empty house, echoing. Outside, the garage chimed and lifted its door to reveal the waiting car. After a long wait the door swung down again. At eight-thirty the eggs were shriveled and the toast was like stone. An aluminum wedge scraped them into the sink, where hot water whirled them down a metal throat which digested and flushed them away to the distant sea. The dirty dishes were dropped into a hot washer and emerged twinkling dry. _Nine-fifteen_, sang the clock, _time to clean_. Out of warrens in the wall, tiny robot mice darted. The rooms were acrawl with the small cleaning animals, all rubber and metal. They thudded against chairs, whirling their mustached runners, kneading the rug nap, sucking gently at hidden dust. Then, like mysterious invaders, they popped into their burrows. Their pink electric eyes faded. The house was clean. _Ten o'clock_. The sun came out from behind the rain. The house stood alone in a city of rubble and ashes. This was the one house left standing. At night the ruined city gave off a radioactive glow which could be seen for miles. _Ten-fifteen_. The garden sprinklers whirled up in golden founts, filling the soft morning air with scatterings of brightness, The water pelted windowpanes, running down the charred west side where the house had been burned evenly free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball, and opposite him a girl, hands raised to catch a ball which never came down. The five spots of paint--the man, the woman, the children, the ball--remained. The rest was a thin charcoaled layer. The gentle sprinkler rain filled the garden with falling light. Until this day, how well the house had kept its peace. How carefully it had inquired, "Who goes there? What's the password?" and, getting no answer from lonely foxes and whining cats, it had shut up its windows and drawn shades in an old-maidenly preoccupation with self-protection which bordered on a mechanical paranoia. It quivered at each sound, the house did. If a sparrow brushed a window, the shade snapped up. The bird, startled, flew off! No, not even a bird must touch the house! The house was an altar with ten thousand attendants, big, small, servicing, attending, in choirs. But the gods had gone away, and the ritual of the religion continued senselessly, uselessly. _Twelve noon_. A dog whined, shivering, on the front porch. The front door recognized the dog voice and opened. The dog, once huge and fleshy, but now gone to bone and covered with sores, moved in and through the house, tracking mud. Behind it whirred angry mice, angry at having to pick up mud, angry at inconvenience. For not a leaf fragment blew under the door but what the wall panels flipped open and the copper scrap rats flashed swiftly out. The offending dust, hair, or paper, seized in miniature steel jaws, was raced back to the burrows. There, down tubes which fed into the cellar, it was dropped into the sighing vent of an incinerator which sat like evil Baal in a dark corner. The dog ran upstairs, hysterically yelping to each door, at last realizing, as the house realized, that only silence was here. It sniffed the air and scratched the kitchen door. Behind the door, the stove was making pancakes which filled the house with a rich baked odor and the scent of maple syrup. The dog frothed at the mouth, lying at the door, sniffing, its eyes turned to fire. It ran wildly in circles, biting at its tail, spun in a frenzy, and died. It lay in the parlor for an hour. _Two o'clock_, sang a voice. Delicately sensing decay at last, the regiments of mice hummed out as softly as blown gray leaves in an electrical wind. _Two-fifteen_. The dog was gone. In the cellar, the incinerator glowed suddenly and a whirl of sparks leaped up the chimney. _Two thirty-five_. Bridge tables sprouted from patio walls. Playing cards fluttered onto pads in a shower of pips. Martinis manifested on an oaken bench with egg-salad sandwiches. Music played. But the tables were silent and the cards untouched. At four o'clock the tables folded like great butterflies back through the paneled walls. _Four-thirty_. The nursery walls glowed. Animals took shape: yellow giraffes, blue lions, pink antelopes, lilac panthers cavorting in crystal substance. The walls were glass. They looked out upon color and fantasy. Hidden films clocked through well-oiled sprockets, and the walls lived. The nursery floor was woven to resemble a crisp, cereal meadow. Over this ran aluminum roaches and iron crickets, and in the hot still air butterflies of delicate red tissue wavered among the sharp aroma of animal spoors! There was the sound like a great matted yellow hive of bees within a dark bellows, the lazy bumble of a purring lion. And there was the patter of okapi feet and the murmur of a fresh jungle rain, like other hoofs, falling upon the summer-starched grass. Now the walls dissolved into distances of parched weed, mile on mile, and warm endless sky. The animals drew away into thorn brakes and water holes. It was the children's hour. _Five o'clock_. The bath filled with clear hot water. _Six, seven, eight o'clock_. The dinner dishes manipulated like magic tricks, and in the study a _click_. In the metal stand opposite the hearth where a fire now blazed up warmly, a cigar popped out, half an inch of soft gray ash on it, smoking, waiting. _Nine o'clock_. The beds warmed their hidden circuits, for nights were cool here. _Nine-five_. A voice spoke from the study ceiling: "Mrs. McClellan, which poem would you like this evening?" The house was silent. The voice said at last, "Since you express no preference, I shall select a poem at random." Quiet music rose to back the voice. "Sara Teasdale. As I recall, your favorite. . . . "_There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pools singing at night, And wild plum trees in tremulous white; Robins will wear their feathery fire, Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree, If mankind perished utterly; And Spring herself, when she woke at dawn Would scarcely know that we were gone_." The fire burned on the stone hearth and the cigar fell away into a mound of quiet ash on its tray. The empty chairs faced each other between the silent walls, and the music played. At ten o'clock the house began to die. The wind blew. A falling tree bough crashed through the kitchen window. Cleaning solvent, bottled, shattered over the stove. The room was ablaze in an instant! "Fire!" screamed a voice. The house lights flashed, water pumps shot water from the ceilings. But the solvent spread on the linoleum, licking eating under the kitchen door, while the voices took it up in chorus: "Fire, fire, fire!" The house tried to save itself. Doors sprang tightly shut, but the windows were broken by the heat and the wind blew and sucked upon the fire. The house gave ground as the fire in ten billion angry sparks moved with flaming ease from room to room and then up the stairs. While scurrying water rats squeaked from the walls, pistoled their water, and ran for more. And the wall sprays let down showers of mechanical rain. But too late. Somewhere, sighing, a pump shrugged to a stop. The quenching rain ceased. The reserve water supply which had filled baths and washed dishes for many quiet days was gone. The fire crackled up the stairs. It fed upon Picassos and Matisses in the upper halls, like delicacies, baking off the oily flesh, tenderly crisping the canvases into black shavings. Now the fire lay in beds, stood in windows, changed the colors of drapes! And then, reinforcements. From attic trapdoors, blind robot faces peered down with faucet mouths gushing green chemical. The fire backed off, as even an elephant must at the sight of a dead snake. Now there were twenty snakes whipping over the floor, killing the fire with a clear cold venom of green froth. But the fire was clever. It had sent flames outside the house, up through the attic to the pumps there. An explosion! The attic brain which directed the pumps was shattered into bronze shrapnel on the beams. The fire rushed back into every closet and felt of the clothes hung there. The house shuddered, oak bone on bone, its bared skeleton cringing from the heat, its wire, its nerves revealed as if a surgeon had torn the skin off to let the red veins and capillaries quiver in the scalded air. Help, help! Fire! Run, run! Heat snapped mirrors like the brittle winter ice. And the voices wailed Fire, fire, run, run, like a tragic nursery rhyme, a dozen voices, high, low, like children dying in a forest, alone, alone. And the voices fading as the wires popped their sheathings like hot chestnuts. One, two, three, four, five voices died. In the nursery the jungle burned. Blue lions roared, purple giraffes bounded off. The panthers ran in cirdes, changing color, and ten million animals, running before the fire, vanished off toward a distant steaming river. . . . Ten more voices died. In the last instant under the fire avalanche, other choruses, oblivious, could be heard announcing the time, playing music, cutting the lawn by remote-control mower, or setting an umbrella frantically out and in the slamming and opening front door, a thousand things happening, like a clock shop when each clock strikes the hour insanely before or after the other, a scene of maniac confusion, yet unity; singing, screaming, a few last cleaning mice darting bravely out to carry the horrid ashes away! And one voice, with sublime disregard for the situation, read poetry aloud in the fiery study, until all the film spools burned, until all the wires withered and the circuits cracked. The fire burst the house and let it slam flat down, puffing out skirts of spark and smoke. In the kitchen, an instant before the rain of fire and timber, the stove could be seen making breakfasts at a psychopathic rate, ten dozen eggs, six loaves of toast, twenty dozen bacon strips, which, eaten by fire, started the stove working again, hysterically hissing! The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a cluttered mound deep under. Smoke and silence. A great quantity of smoke. Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaped rubble and steam: "Today is August 5, 2026, today is August 5, 2026, today is . . ." October 2026: THE MILLION-YEAR PICNIC Somehow the idea was brought up by Mom that perhaps the whole family would enjoy a fishing trip. But they weren't Mom's words; Timothy knew that. They were Dad's words, and Mom used them for him somehow. Dad shuffled his feet in a clutter of Martian pebbles and agreed. So immediately there was a tumult and a shouting, and very quickly the camp was tucked into capsules and containers, Mom slipped into traveling jumpers and blouse, Dad stuffed his pipe full with trembling hands, his eyes on the Martian sky, and the three boys piled yelling into the motorboat, none of them really keeping an eye on Mom and Dad, except Timothy. Dad pushed a stud. The water boat sent a humming sound up into the sky. The water shook back and the boat nosed ahead, and the family cried, "Hurrah!" Timothy sat in the back of the boat with Dad, his small fingers atop Dad's hairy ones, watching the canal twist, leaving the crumbled place behind where they had landed in their small family rocket all the way from Earth. He remembered the night before they left Earth, the hustling and hurrying the rocket that Dad had found somewhere, somehow, and the talk of a vacation on Mars. A long way to go for a vacation, but Timothy said nothing because of his younger brothers. They came to Mars and now, first thing, or so they said, they were going fishing. Dad had a funny look in his eyes as the boat went up-canal. A look that Timothy couldn't figure. It was made of strong light and maybe a sort of relief. It made the deep wrinkles laugh instead of worry or cry. So there went the cooling rocket, around a bend, gone. "How far are we going?" Robert splashed his hand. It looked like a small crab jumping in the violet water. Dad exhaled. "A million years." "Gee," said Robert. "Look, kids." Mother pointed one soft long arm. "There's a dead city." They looked with fervent anticipation, and the dead city lay dead for them alone, drowsing in a hot silence of summer made on Mars by a Martian weatherman. And Dad looked as if he was pleased that it was dead. It was a futile spread of pink rocks sleeping on a rise of sand, a few tumbled pillars, one lonely shrine, and then the sweep of sand again. Nothing else for miles. A white desert around the canal and a blue desert over it. Just then a bird flew up. Like a stone thrown across a blue pond, hitting, falling deep, and vanishing. Dad got a frightened look when he saw it. "I thought it was a rocket." Timothy looked at the deep ocean sky, trying to see Earth and the war and the ruined cities and the men killing each other since the day he was born. But he saw nothing. The war was as removed and far off as two flies battling to the death in the arch of a great high and silent cathedral. And just as senseless. William Thomas wiped his forehead and felt the touch of his son's hand on his arm, like a young tarantula, thrilled. He beamed at his son. "How goes it, Timmy?" "Fine, Dad." Timothy hadn't quite figured out what was ticking inside the vast adult mechanism beside him. The man with the immense hawk nose, sunburnt, peeling--and the hot blue eyes like agate marbles you play with after school in summer back on Earth, and the long thick columnar legs in the loose riding breeches. "What are you looking at so hard, Dad?" "I was looking for Earthian logic, common sense, good government, peace, and responsibility." "All that up there?" "No. I didn't find it. It's not there any more. Maybe it'll never be there again. Maybe we fooled ourselves that it was ever there." "Huh?" "See the fish," said Dad, pointing. There rose a soprano clamor from all three boys as they rocked the boat in arching their tender necks to see. They _oohed_ and _ahed_. A silver ring fish floated by them, undulating, and closing like an iris, instantly, around food partides, to assimilate them. Dad looked at it. His voice was deep and quiet. "Just like war. War swims along, sees food, contracts. A moment later--Earth is gone." "William," said Mom. "Sorry," said Dad. They sat still and felt the canal water rush cool, swift, and glassy. The only sound was the motor hum, the glide of water, the sun expanding the air. "When do we see the Martians?" cried Michael. "Quite soon, perhaps," said Father. "Maybe tonight." "Oh, but the Martians are a dead race now," said Mom. "No, they're not. I'll show you some Martians, all right," Dad said presently. Timothy scowled at that but said nothing. Everything was odd now. Vacations and fishing and looks between people. The other boys were already engaged making shelves of their small hands and peering under them toward the seven-foot stone banks of the canal, watching for Martians. "What do they look like?" demanded Michael. "You'll know them when you see them." Dad sort of laughed, and Timothy saw a pulse beating time in his cheek. Mother was slender and soft, with a woven plait of spungold hair over her head in a tiara, and eyes the color of the deep cool canal water where it ran in shadow, almost purple, with flecks of amber caught in it. You could see her thoughts swimming around in her eyes, like fish--some bright, some dark, some fast, quick, some slow and easy, and sometimes, like when she looked up where Earth was, being nothing but color and nothing else. She sat in the boat's prow, one hand resting on the side lip, the other on the lap of her dark blue breeches, and a line of sunburnt soft neck showing where her blouse opened like a white flower. She kept looking ahead to see what was there, and, not being able to see it clearly enough, she looked backward toward her husband, and through his eyes, reflected then, she saw what was ahead; and since he added part of himself to this reflection, a determined firmness, her face relaxed and she accepted it and she turned back, knowing suddenly what to look for. Timothy looked too. But all he saw was a straight pencil line of canal going violet through a wide shallow valley penned by low, eroded hills, and on until it fell over the sky's edge. And this canal went on and on, through cities that would have rattled like beetles in a dry skull if you shook them. A hundred or two hundred cities dreaming hot summer-day dreams and cool summer-night dreams . . . They had come millions of miles for this outing--to fish. But there had been a gun on the rocket. This was a vacation. But why all the food, more than enough to last them years and years, left hidden back there near the rocket? Vacation. Just behind the veil of the vacation was not a soft face of laughter, but something hard and bony and perhaps terrifying. Timothy could not lift the veil, and the two other boys were busy being ten and eight years old, respectively. "No Martians yet. Nuts." Robert put his V-shaped chin on his hands and glared at the canal. Dad had brought an atomic radio along, strapped to his wrist. It functioned on an old-fashioned principle: you held it against the bones near your ear and it vibrated singing or talking to you. Dad listened to it now. His face looked like one of those fallen Martian cities, caved in, sucked. dry, almost dead. Then he gave it to Mom to listen. Her lips dropped open. "What--" Timothy started to question, but never finished what he wished to say. For at that moment there were two titanic, marrow-jolting explosions that grew upon themselves, followed by a half dozen minor concussions. Jerking his head up, Dad notched the boat speed higher immediately. The boat leaped and jounced and spanked. This shook Robert out of his funk and elicited yelps of frightened but esctatic joy from Michael, who clung to Mom's legs and watched the water pour by his nose in a wet torrent. Dad swerved the boat, cut speed, and ducked the craft into a little branch canal and under an ancient, crumbling stone wharf that smelled of crab flesh. The boat rammed the wharf hard enough to throw them all forward, but no one was hurt, and Dad was already twisted to see if the ripples on the canal were enough to map their route into hiding. Water lines went across, lapped the stones, and rippled back to meet each other, settling, to be dappled by the sun. It all went away. Dad listened. So did everybody. Dad's breathing echoed like fists beating against the cold wet wharf stones. In the shadow, Mom's cat eyes just watched Father for some clue to what next. Dad relaxed and blew out a breath, laughing at himself. "The rocket, of course. I'm getting jumpy. The rocket." Michael said, "What happened, Dad, what happened?" "Oh, we just blew up our rocket, is all," said Timothy, trying to sound matter-of-fact. "I've heard rockets blown up before. Ours just blew." "Why did we blow up our rocket?" asked Michael. "Huh, Dad?" "It's part of the game, silly!" said Timothy. "A game!" Michael and Robert loved the word. "Dad fixed it so it would blow up and no one'd know where we landed or went! In case they ever came looking, see?" "Oh boy, a secret!" "Scared by my own rocket," admitted Dad to Mom. "I _am_ nervous. It's silly to think there'll ever be any more rockets. Except _one_, perhaps, if Edwards and his wife get through with _their_ ship." He put his tiny radio to his ear again. After two mintes he dropped his hand as you would drop a rag. "It's over at last," he said to Mom. "The radio just went off the atomic beam. Every other world station's gone. They dwindled down to a couple in the last few years. Now the air's completely silent. It'll probably remain silent." "For how long?" asked Robert. "Maybe--your great-grandchildren will hear it again," said Dad. He just sat there, and the children were caught in the center of his awe and defeat and resignation and acceptance. Finally he put the boat out into the canal again, and they continued in the direction in which they had originally started. It was getting late. Already the sun was down the sky, and a series of dead cities lay ahead of them. Dad talked very quietly and gently to his sons. Many times in the past he had been brisk, distant, removed from them, but now he patted them on the head with just a word and they felt it. "Mike, pick a city." "What, Dad?" "Pick a city, Son. Any one of these cities we pass." "All right," said Michael. "How do I pick?" "Pick the one you like the most. You, too, Robert and Tim. Pick the city you like best." "I want a city with Martians in it," said Michael. "You'll have that," said Dad. "I promise." His lips were for the children, but his eyes were for Mom. They passed six cities in twenty minutes. Dad didn't say anything more about the explosions; he seemed much more interested in having fun with his sons, keeping them happy, than anything else. Michael liked the first city they passed, but this was vetoed because everyone doubted quick first judgments. The second city nobody liked. It was an Earth Man's settlement, built of wood and already rotting into sawdust. Timothy liked the third city because it was large. The fourth and fifth were too small and the sixth brought acclaim from everyone, induding Mother, who joined in the Gees, Goshes, and Look-at-thats! There were fifty or sixty huge structures still standing, streets were dusty but paved, and you could see one or two old centrifugal fountains still pulsing wetly in the plazas. That was the only life--water leaping in the late sunlight. "This is the city," said everybody. Steering the boat to a wharf, Dad jumped out. "Here we are. This is ours. This is where we live from now on!" "From now on?" Michael was incredulous. He stood up, looking, and then turned to blink back at where the rocket used to be. "What about the rocket? What about Minnesota?" "Here," said Dad. He touched the small radio to Michael's blond head. "Listen." Michael listened. "Nothing," he said. "That's right. Nothing. Nothing at all any more. No more Minneapolis, no more rockets, no more Earth." Michael considered the lethal revelation and began to sob little dry sobs. "Wait a moment," said Dad the next instant. "I'm giving you a lot more in exchange, Mike!" "What?" Michael held off the tears, curious, but quite ready to continue in case Dad's further revelation was as disconcerting as the original. "I'm giving you this city, Mike. It's yours." "Mine?" "For you and Robert and Timothy, all three of you, to own for yourselves." Timothy bounded from the boat "Look, guys, all for _us!_ All of _that!_" He was playing the game with Dad, playing it large and playing it well. Later, after it was all over and things had settled, he could go off by himself and cry for ten minutes. But now it was still a game, still a family outing, and the other kids must be kept playing. Mike jumped out with Robert. They helped Mom. "Be careful of your sister," said Dad, and nobody knew what he meant until later. They hurried into the great pink-stoned city, whispering among themselves, because dead cities have a way of making you want to whisper, to watch the sun go down. "In about five days," said Dad quietly, "I'll go back down to where our rocket was and collect the food hidden in the ruins there and bring it here; and I'll hunt for Bert Edwards and his wife and daughters there." "Daughters?" asked Timothy. "How many?" "Four." "I can see that'll cause trouble later." Mom nodded slowly. "Girls." Michael made a face like an ancient Martian stone image. "Girls." "Are they coming in a rocket too?" "Yes. If they make it. Family rockets are made for travel to the Moon, not Mars. We were lucky we got through." "Where did you get the rocket?" whispered Timothy, for the other boys were running ahead. "I saved it. I saved it for twenty years, Tim. I had it hidden away, hoping I'd never have to use it. I suppose I should have given it to the government for the war, but I kept thinking about Mars. . . ." "And a picnic!" "Right. This is between you and me. When I saw everything was finishing on Earth, after I'd waited until the last moment, I packed us up. Bert Edwards had a ship hidden, too, but we decided it would be safer to take off separately, in case anyone tried to shoot us down." "Why'd you blow up the rocket, Dad?" "So we can't go back, ever. And so if any of those evil men ever come to Mars they won't know we're here." "Is that why you look up all the time?" "Yes, it's silly. They won't follow us, ever. They haven't anything to follow with. I'm being too careful, is all." Michael came running back. "Is this really _our_ city, Dad?" "The whole darn planet belongs to us, kids. The whole darn planet." They stood there, King of the Hill, Top of the Heap, Ruler of All They Surveyed, Unimpeachable Monarchs and Presidents, trying to understand what it meant to own a world and how big a world really was. Night came quickly in the thin atmosphere, and Dad left them in the square by the pulsing fountain, went down to the boat, and came walking back carrying a stack of paper in his big hands. He laid the papers in a clutter in an old courtyard and set them afire. To keep warm, they crouched around the blaze and laughed, and Timothy saw the little letters leap like frightened animals when the flames touched and engulfed them. The papers crinkled like an old man's skin, and the cremation surrounded innumerable words: "GOVERNMENT BONDS; Business Graph, 1999; Religious Prejudice: An Essay; The Science of Logistics; Problems of the Pan-American Unity; Stock Report for July 3, 1998; The War Digest . . ." Dad had insisted on bringing these papers for this purpose. He sat there and fed them into the fire, one by one, with satisfaction, and told his children what it all meant. "It's time I told you a few things. I don't suppose it was fair, keeping so much from you. I don't know if you'll understand, but I have to talk, even if only part of it gets over to you." He dropped a leaf in the fire. "I'm burning a way of life, just like that way of life is being burned clean of Earth right now. Forgive me if I talk like a politician. I am, after all, a former state governor, and I was honest and they hated me for it. Life on Earth never settled down to doing anything very good. Science ran too far ahead of us too quickly, and the people got lost in a mechanical wilderness, like children making over pretty things, gadgets, helicopters, rockets; emphasizing the wrong items, emphasizing machines instead of how to run the machines. Wars got bigger and bigger and finally killed Earth. That's what the silent radio means. That's what we ran away from. "We were lucky. There aren't any more rockets left. It's time you knew this isn't a fishing trip at all. I put off telling you. Earth is gone. Interplanetary travel won't be back for centuries, maybe never. But that way of life proved itself wrong and strangled itself with its own hands. You're young. I'll tell you this again every day until it sinks in." He paused to feed more papers to the fire. "Now we're alone. We and a handful of others who'll land in a few days. Enough to start over. Enough to turn away from all that back on Earth and strike out on a new line--" The fire leaped up to emphasize his talking. And then all the papers were gone except one. All the laws and beliefs of Earth were burnt into small hot ashes which soon would be carried off inawind. Timothy looked at the last thing that Dad tossed in the fire. It was a map of the World, and it wrinkled and distorted itself hotly and went--flimpf--and was gone like a warm, black butterfly. Timothy turned away. "Now I'm going to show you the Martians," said Dad. "Come on, all of you. Here, Alice." He took her hand. Michael was crying loudly, and Dad picked him up and carried him, and they walked down through the ruins toward the canal. The canal. Where tomorrow or the next day their future wives would come up in a boat, small laughing girls now, with their father and mother. The night came down around them, and there were stars. But Timothy couldn't find Earth. It had already set. That was something to think about. A night bird called among the ruins as they walked. Dad said, "Your mother and I will try to teach you. Perhaps we'll fail. I hope not. We've had a good lot to see and learn from. We planned this trip years ago, before you were born. Even if there hadn't been a war we would have come to Mars, I think, to live and form our own standard of living. It would have been another century before Mars would have been really poisoned by the Earth civilization. Now, of course--" They reached the canal. It was long and straight and cool and wet and reflective in the night. "I've always wanted to see a Martian," said Michael. "Where are they, Dad? You promised." "There they are," said Dad, and he shifted Michael on his shoulder and pointed straight down. The Martians were there. Timothy began to shiver. The Martians were there--in the canal--reflected in the water. Timothy and Michael and Robert and Mom and Dad. The Martians stared back up at them for a long, long silent time from the rippling water. . . . Origin: òÜÊ âÒÜÄÂÅÒÉ .RU http://www.raybradbury.ru ? http://www.raybradbury.ru