Îãëàâëåíèå ôàéëà ( /INOOLD/WORDSWORD_W/wordsworth1_1.txt )
Óèëüÿì Âîðäñâîðò. Èçáðàííàÿ ëèðèêà CONTENTS ÏÅÂÅÖ ÎÇÅÐÍÎÃÎ ÊÐÀß x x x THE FEMALE VAGRANT ÑÒÐÀÍÍÈÖÀ GOODY BLAKE AND HARRY GILL ÃÓÄÈ ÁËÅÉÊ È ÃÀÐÐÈ ÄÆÈËË LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT ÑÒÈÕÈ, ÍÀÏÈÑÀÍÍÛÅ ÍÅÏÎÄÀËÅÊÓ ÎÒ ÄÎÌÀ È ÏÅÐÅÄÀÍÍÛÅ ÌÎÈÌ ÌÀËÜ×ÈÊÎÌ ÒÎÉ, SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED ÑÀÉÌÎÍ ËÈ ANECDOTE FOR FATHERS, SHEWING HOW THE ART OF LYING MAY BE TAUGHT ÈÑÒÎÐÈß ÄÍß ÎÒÖÎÂ, ÈËÈ ÊÀÊ ÌÎÆÍÎ ÂÎÑÏÈÒÀÒÜ ÏÐÈÂÛ×ÊÓ ÊÎ ËÆÈ WE ARE SEVEN ÍÀÑ ÑÅÌÅÐÎ LINES WRITTEN IN EARLY SPRING ÑÒÐÎÊÈ, ÍÀÏÈÑÀÍÍÛÅ ÐÀÍÍÅÞ ÂÅÑÍÎÉ THE THORN I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII ÒÏÐÍ I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII THE LAST OF THE FLOCK I II III IV V VI VII VIII IX X ÏÎÑËÅÄÍÈÉ ÈÇ ÑÒÀÄÀ I II III IV V VI VII VIII IX X THE MAD MOTHER I II III IV V VI VII VIII IX X ÁÅÇÓÌÍÀß ÌÀÒÜ I II III IV V VI VII VIII IX X THE IDIOT BOY ÑËÀÁÎÓÌÍÛÉ ÌÀËÜ×ÈÊ LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING ÑÒÈÕÈ, ÍÀÏÈÑÀÍÍÛÅ ÂÅ×ÅÐÎÌ Ó ÒÅÌÇÛ ÂÁËÈÇÈ ÐÈ×ÌÎÍÄÀ EXPOSTULATION AND REPLY ÓÂÅÙÅÂÀÍÜÅ È ÎÒÂÅÒ THE TABLES TURNED, AN EVENING SCENE ON THE SAME SUBJECT ÂÑÏ ÍÀÎÁÎÐÎÒ OLD MAN TRAVELLING ÑÒÐÀÍÑÒÂÓÞÙÈÉ ÑÒÀÐÈÊ THE COMPLAINT OF A FORSAKEN INDIAN WOMAN I II III IV V VI VII ÆÀËÎÁÀ ÏÎÊÈÍÓÒÎÉ ÈÍÄÈÀÍÊÈ I II III IV V VI VII LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS ÑÒÐÎÊÈ, ÍÀÏÈÑÀÍÍÛÅ ÍÀ ÐÀÑÑÒÎßÍÈÈ ÍÅÑÊÎËÜÊÈÕ ÌÈËÜ ÎÒ ÒÈÍÒÅÐÍÑÊÎÃÎ ÀÁÁÀÒÑÒÂÀ THERE WAS A BOY ÌÀËÜ×ÈÊ LUCY I II III V ËÞÑÈ I II III V LUCY GRAY, OR SOLITUDE ËÞÑÈ ÃÐÅÉ THE BROTHERS ÁÐÀÒÜß MICHAEL ÌÀÉÊË TO JOANNA ÑÊÀËÀ ÄÆÎÀÍÍÛ SONG FOR THE WANDERING JEW ÀÃÀÑÔÅÐ POEMS DEDICATED TO NATIONAL INDEPENDENCE AND LIBERTY x x x ÑÒÈÕÈ, ÏÎÑÂßÙÅÍÍÛÅ ÍÀÖÈÎÍÀËÜÍÎÉ ÍÅÇÀÂÈÑÈÌÎÑÒÈ È ÑÂÎÁÎÄÅ x x x CALAIS, AUGUST 15, 1802 x x x ON THE EXTINCTION OF THE VENETIAN REPUBLIC ÒÓÑÑÅÍÓ ËÓÂÅÐÒÞÐÓ SONNET WRITTEN IN LONDON, SEPTEMBER, 1802 ÀÍÃËÈß, 1802 LONDON, 1802 ËÎÍÄÎÍ, 1802 x x x x x x COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 ÑÎÍÅÒ, ÍÀÏÈÑÀÍÍÛÉ ÍÀ ÂÅÑÒÌÈÍÑÒÅÐÑÊÎÌ ÌÎÑÒÓ 3 ÑÅÍÒßÁÐß 1802 ÃÎÄÀ COMPOSED BY THE SEA-SIDE NEAR CALAIS, AUGUST 1802 ÍÀÏÈÑÀÍÍÎÅ ÍÀ ÌÎÐÑÊÎÌ ÏÎÁÅÐÅÆÜÅ ÁËÈÇ ÊÀËÅ, ÀÂÃÓÑÒ 1802 x x x x x x x x x x x x PERSONAL TALK x x x ÆÈÒÅÉÑÊÈÅ ÒÅÌÛ x x x x x x x x x TO SLEEP ÑÎÍ TO SLEEP x x x x x x x x x TO A BUTTERFLY Ê ÌÎÒÛËÜÊÓ x x x x x x x x x x x x WRITTEN IN MARCH ÍÀÏÈÑÀÍÍÎÅ Â ÌÀÐÒÅ TO A BUTTERFLY x x x THE GREEN LINNET ÇÅËÅÍÛÉ ÐÅÏÎËΠTHE SOLITARY REAPER ÎÄÈÍÎÊÀß ÆÍÈÖÀ TO THE CUCKOO ÊÓÊÓØÊÀ x x x x x x x x x ÍÀÐÖÈÑÑÛ THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE I II III IV V VI ÇÀÌÎÊ ÁÈÍÍÎÐÈ TO THE SPADE OF A FRIEND ËÎÏÀÒÅ ÄÐÓÃÀ ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEEL ÝËÅÃÈ×ÅÑÊÈÅ ÑÒÐÎÔÛ, ÂÍÓØÅÍÍÛÅ ÊÀÐÒÈÍÎÉ ÑÝÐÀ ÄÆÎÐÄÆÀ A COMPLAINT ÑÎÆÀËÅÍÈÅ GIPSIES ÖÛÃÀÍÛ x x x x x x A NIGHT-PIECE ÍÎ×Ü INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING ÂËÈßÍÈÅ ÏÐÈÐÎÄÛ ÍÀ ÐÀÇÂÈÒÈÅ ÂÎÎÁÐÀÆÅÍÈß Â ÄÅÒÑÒÂÅ È ÐÀÍÍÅÉ ÞÍÎÑÒÈ LAODAMIA ËÀÎÄÀÌÈß x x x x x x THE FRENCH AND THE SPANISH GUERILLAS ÔÐÀÍÖÓÇÛ È ÈÑÏÀÍÑÊÈÅ ÏÀÐÒÈÇÀÍÛ x x x x x x x x x x x x SEPTEMBER 1815 ÁËÈÇÎÑÒÜ ÎÑÅÍÈ x x x x x x x x x x x x THE RIVER DUDDON x x x ÑÎÍÅÒÛ Ê ÐÅÊÅ ÄÀÄÄÎÍ x x x x x x x x x x x x Ó ÈÑÒÎÊÀ THE PLAIN OF DONNERDALE ÄÎÍÍÅÐÄÅËÜÑÊÀß ÄÎËÈÍÀ AFTER-THOUGHT ÏÐÎÙÀËÜÍÛÉ ÑÎÍÅÒ ÐÅÊÅ ÄÀÄÄÎÍ ÑÎÍ ÏÈËÈÃÐÈÌÀ SEPTEMBER 1819 ÑÅÍÒßÁÐÜ ON SEEING A TUFT OF SNOWDROPS IN A STORM x x x SONG FOR THE SPINNING WHEEL ÏÅÑÍß ÇÀ ÏÐßËÊÎÉ THE HAUNTED TREE ÎÊÎËÄÎÂÀÍÍÛÉ ÄÓÁ MUTABILITY ÈÇÌÅÍ×ÈÂÎÑÒÜ Â ÊÀÏÅËËÅ ÊÎÐÎËÅÂÑÊÎÃÎ ÊÎËËÅÄÆÀ  ÊÅÌÁÐÈÄÆÅ LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR I II III IV V VI VII VIII IX X ÆÀËÎÁÀ ÌÝÐÈ, ÊÎÐÎËÅÂÛ ØÎÒËÀÍÄÖÅÂ,  ÊÀÍÓÍ ÍÎÂÎÃÎ ÃÎÄÀ I II III IV V VI VII VIII IX X TO -- x x x TO A SKY-LARK ÆÀÂÎÐÎÍÊÓ x x x x x x ÂÎÄÎÏÀÄ THE TROSACHS ÒÐÎÑÑÅÊÑ x x x ÂÅ×ÅÐÍÈÅ ÈÌÏÐÎÂÈÇÀÖÈÈ ÃÍÅÇÄÎ ÏÅÍÎ×ÊÈ x x x x x x x x x ÂÍÓÒÐÅÍÍÅÅ ÇÐÅÍÈÅ x x x x x x COMPOSED ON A MAY MORNING, 1838 ÑÎ×ÈÍÅÍÎ ÌÀÉÑÊÈÌ ÓÒÐÎÌ, 1838 THE SIMPLON PASS ÑÈÌÏËÎÍÑÊÈÉ ÏÅÐÅÂÀË x x x x x x ÃÀÐÐÈ-ÃÈËËÜ ÍÀÑ ÑÅÌÅÐÎ ÍÀÑ ÑÅÌÅÐÎ x x x ÏÅÑÍß ÂÅ×ÍÎÃÎ ÆÈÄÀ ÏÀÄÅÍÈÅ ÂÅÍÅÖÈÀÍÑÊÎÉ ÐÅÑÏÓÁËÈÊÈ Ê ÌÈËÜÒÎÍÓ ËÎÍÄÎÍ, 1802 ËÎÍÄÎÍ, 1802. ÌÈËÜÒÎÍ x x x x x x x x x ÁÅÑÑÎÍÍÈÖÀ ÌÎÒÛËÜÊÓ Ê ÊÓÊÓØÊÅ ÊÓÊÓØÊÀ ÆÅËÒÛÅ ÍÀÐÖÈÑÑÛ x x x x x x ÃËßÄß ÍÀ ÎÑÒÐÎÂÎÊ ÖÂÅÒÓÙÈÕ ÏÎÄÑÍÅÆÍÈÊΠ ÁÓÐÞ ÄÀËÅÊÎÌÓ ÄÐÓÃÓ ÑÒÐÎÊÈ, ÎÑÒÀÂËÅÍÍÛÅ ÍÀ ÊÀÌÍÅ Â ÐÀÇÂÅÒÂËÅÍÈÈ ÒÈÑÎÂÎÃÎ ÄÅÐÅÂÀ, ÑÒÎßÙÅÃÎ THE FEMALE VAGRANT LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT BY MY LITTLE BOY SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED ANECDOTE FOR FATHERS WE ARE SEVEN LINES WRITTEN IN EARLY SPRING THE THORN THE LAST OF THE FLOCK THE MAD MOTHER THE IDIOT BOY LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING THE COMPLAINT OF A FORSAKEN INDIAN WOMAN LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS THERE WAS A BOY "STRANGE FITS OF PASSION HAVE I KNOWN...", "SHE DWELT AMONG THE UNTRODDEN LUCY GRAY, OR SOLITUDE THE BROTHERS ÒÎ JOANNA SONG FOR THE WANDERING JEW "I GRIEVED FOR BUONAPARTE, WITH A VAIN..." "CALAIS, AUGUST 15, 1802" ON THE EXTINCTION OF THE VENETIAN REPUBLIC SONNET WRITTEN IN LONDON, SEPTEMBER, 1802 LONDON, 1802 "NUNS FRET NOT AT THEIR CONVENTS NARROW ROOM..." COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 "IT IS A BEAUTEOUS EVENING, CALM AND FREE..." "I AM NOT ONE WHO MUCH OR OFT DELIGHT..." ""BELOVED VALE!, I SAID, "WHEN I SHALL CON..."" "WITH SHIPS THE SEA WAS SPRINKLED FAR AND NIGH..." ÒÎ A BUTTERFLY "MY HEART LEAPS UP WHEN I BEHOLD..." "AMONG ALL LOVELY THINGS MY LOVE HAD BEEN..." WRITTEN IN MARCH TO A BUTTERFLY THE GREEN LINNET THE SOLITARY REAPER TO THE CUCKOO "SHE WAS A PHANTOM OF DELIGHT..." "I WANDERED LONELY AS A CLOUD..." THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE ÒÎ THE SPADE OF A FRIEND. A COMPLAINT A NIGHT-PIECE ÍÎ×Ü INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE LAODAMIA THE FRENCH AND THE SPANISH GUERILLAS "WEAK IS THE WILL OF MAN, HIS JUDGEMENT BUND..." "SURPRISED BY JOY-IMPATIENT AS THE WIND..." SEPTEMBER 1815 "HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR!.." "HOW SHALL I PAINT THEE..." AFTER-THOUGHT ON SEEING A TUFT OF SNOWDROPS IN A STORM SONG FOR THE SPINNING WHEEL THE HAUNTED TREE MUTABILITY LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR THE TROSACHS "CALM IS THE FRAGRANT AIR, AND LOTH TO LOSE..." "IF THIS GREAT WORLD OF JOY AND PAIN..." "MOST SWEET IT IS WITH UNUPLIFTED EYES..." "WHY ART THOU SILENT! IS THY LOVE A PLANT..." COMPOSED ON A MAY MORNING, 1838 THE SIMPLON PASS "THOUGH THE BOLD WINGS OF POESY AFFECT..."
Õóäîæíèêè - êàðòèííûå ãàëåðåè |
Music.lib.ru - mp3 Ëåãàëüíî! Áåñïëàòíî! | Øêîëà êîæåâåííîãî ìàñòåðñòâà |