äÖÅË ëÅÒÕÁË. âÉÇ óÉÒ (engl) Big Sur, Unmistakably Autobiographical, Big Sur, Jack Kerouac's Ninth Novel, Was Written As The "king Of The Beats" Was Ap-, Proaching Middle-age And Re- flects His Struggle To Come To Terms With His Own Myth. The Magnificent And Moving Story. Of jack duluoz, a man blessed by great talent and cursed with an urge towards self-destruction, big sur is at once ker Unmistakably autobiographical, Big Sur, Jack Kerouac's ninth novel, was written as the "King of the beats" was approaching middle-age and reflects his struggle to come to terms with his own myth. The magnificent and moving story. Of jack duluoz, a man blessed by great talent and cursed with an urge towards self-destruction, big sur is at once kerouac's toughest and his most humane work. JACK KEROUAC was born in 1922 in Lowell, Massachusetts, the youngest of three children in a French-Canadian family. In high school he was a star player on the local football team, and went on to win football scholarships to Horace Mann (a New York prep school) and Columbia College. He left Columbia and football in his sophomore year, joined the Merchant Marines and began the restless wanderings that were to continue for the greater part of his life. His first novel, The Town and the City, was published in 1950. On the Road, although written in 1951 (in a few hectic days on a scroll of newsprint), was not published until 1957 -- it made him one of the most controversial and bestknown writers of his time. Publication of his many other books, among them The Subterraneans, Doctor Sax and Desolation Angels, followed. Jack Kerouac died in 1969, in St Petersburg, Florida, at the age of forty-seven. My work comprises one vast book like Proust's except that my remembrances are written on the run instead of afterwards in a sick bed. Because of the objections of my early publishers I was not allowed to use the same personae names in each work. On the Road, The Subterraneans, The Dharma Bums, Doctor Sax, Maggie Cassidy, Tristessa, Desolation Angels, Visions of Cody and the others including this book Big Sur are just chapters in the whole work which I call The Duluoz Legend. In my old age I intend to collect all my work and re-insert my pantheon of uniform names, leave the long shelf full of books there, and die happy. The whole thing forms one enormous comedy, seen through the eyes of poor Ti Jean (me), otherwise known as Jack Duluoz, the world of raging action and folly and also of gentle sweetness seen through the keyhole of his eye. JACK KEROUAC 1 The church is blowing a sad windblown "Kathleen" on the bells in the skid row slums as I wake up all woebegone and goopy, groaning from another drinking bout and groaning most of all because I'd ruined my "secret return" to San Francisco by getting silly drunk while hiding in the alleys with bums and then marching forth into North Beach to see everybody altho Lorenz Monsanto and I'd exchanged huge letters outlining how I would sneak in quietly, call him on the phone using a code name like Adam Yulch or Lalagy Pulvertaft (also writers) and then he would secretly drive me to his cabin in the Big Sur woods where I would be alone and undisturbed for six weeks just chopping wood, drawing water, writing, sleeping, hiking, etc., etc. -- But instead I've bounced drunk into his City Lights bookshop at the height of Saturday night business, everyone recognized me (even tho" I was wearing my disguise-like fisherman's hat and fishermen coat and pants waterproof) and "t'all ends up a roaring drunk in all the famous bars the bloody "King of the Beatniks" is back in town buying drinks for everyone -- Two days of that, including Sunday the day Lorenzo is supposed to pick me up at my "secret" skid row hotel (the Mars on 4th and Howard) but when he calls for me there's no answer, he has the clerk open the door and what does he see but me out on the floor among bottles, Ben Fagan stretched out partly beneath the bed, and Robert Browning the beatnik painter out on the bed, snoring... So says to himself "I'll pick him up next weekend, I guess he wants to drink for a week in the city (like he always does, I guess)" so off he drives to his Big Sur cabin without me thinking he's doing the right thing but my God when I wake up, and Ben and Browning are gone, they've somehow dumped me on the bed, and I hear "I'll Take You Home Again Kathleen" being bellroped so sad in the fog winds out there that blow across the rooftops of eerie old hangover Frisco, wow, I've hit the end of the trail and cant even drag my body any more even to a refuge in the woods let alone stay upright in the city a minute -- It's the first trip I've taken away from home (my mother's house) since the publication of "Road" the book that "made me famous" and in fact so much so I've been driven mad for three years by endless telegrams, phonecalls, requests, mail, visitors, reporters, snoopers (a big voice saying in my basemerit window as I prepare to write a story: ARE YOU BUSY? ) or the time the reporter ran upstairs to my bedroom as I sat there in my pajamas trying to write down a dream -- Teenagers jumping the six-foot fence I'd had built around my yard for privacy -- Parties with bottles yelling at my study window "Come on out and get drunk, all work and no play makes Jack a dull boy! "... A woman coming to my door and saying "I'm not going to ask you if you're Jack Duluoz because I know he wears a beard, can you tell me where I can find him, I want a real beatnik at my annual Shindig party" -- Drunken visitors puking in my study, stealing books and even pencils... Uninvited acquaintances staying for days because of the clean beds and good food my mother provided... Me drunk practically all the time to put on a jovial cap to keep up with all this but finally realizing I was surrounded and outnumbered and had to get away to solitude again or die -- So Lorenzo Monsanto wrote and said "Come to my cabin, no one'll know, " etc., so I had sneaked into San Francisco as I say, coming 3000 miles from my home in Long Island (Northport) in a pleasant roomette on the California Zephyr train watching America roll by outside my private picture window, really happy for the first time in three years, staying in the roomette all three days and three nights with my instant coffee and sandwiches -- Up the Hudson Valley and over across New York State to Chicago and then the Plains, the mountains, the desert, the final mountains of California, all so easy and dreamlike compared to my old harsh hitch hikings before I made enough money to take transcontinental trains (all over America high school and college kids thinking "Jack Duluoz is 26 years old and on the road all the time hitch hiking" while there I am almost 40 years old, bored and jaded in a roomette bunk crashin across that Salt Flat) -- But in any case a wonderful start towards my retreat so generously offered by sweet old Monsanto and instead of going thru smooth and easy I wake up drunk, sick, disgusted, frightened, in fact terrified by that sad song across the roofs mingling with the lachrymose cries of a Salvation Army meeting on the corner below "Satan is the cause of your alcoholism, Satan is the cause of your immorality, Satan is everywhere workin to destroy you unless you repent now" and worse than that the sound of old drunks throwing up in rooms next to mine, the creak of hall steps, the moans everywhere Including the moan that had awakened me, my own moan in the lumpy bed, a moan caused by a big roaring Whoo Whoo in my head that had shot me out of my pillow like a ghost. 2 And I look around the dismal cell, there's my hopeful rucksack all neatly packed with everything necessary to live in the woods, even unto the minutest first aid kit and diet details and even a neat little sewing kit cleverly reinforced by my good mother (like extra safety pins, buttons, special sewing needles, little aluminum scissors)... The hopeful medal of St Christopher even which she'd sewn on the flap... The survival kit all in there down to the last little survival sweater and handkerchief and tennis sneakers (for hiking) -- But the rucksack sits hopefully in a strewn mess of bottles all empty, empty poor boys of white port, butts, junk, horror... "One fast move or I'm gone, " I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you cant learn in school no matter how many books on existentialism or pessimism you read, or how many jugs of vision producing Ayahuasca you drink, or Mescaline take, or Peyote goop up with -- That feeling when you wake up with the delirium tremens with the fear of eerie death dripping from your ears like those special heavy cobwebs spiders weave in the hot countries, the feeling of being a bent back mudman monster groaning underground in hot steaming mud pulling a long hot burden nowhere, the feeling of standing ankledeep in hot boiled pork blood, ugh, of being up to your waist in a giant pan of greasy brown dishwater not a trace of suds left in it... The face of yourself you see in the mirror with its expression of unbearable anguish so haggard and awful with sorrow you cant even cry for a thing so ugly, so lost, no connection whatever with early perfection and therefore nothing to connect with tears or anything: it's like William Seward Burroughs" "Stranger" suddenly appearing in your place in the mirror -- Enough! "One fast move or I'm gone" so I jump up, do my headstand first to pump blood back into the hairy brain, take a shower in the hall, new T-shirt and socks and underwear, pack vigorously, hoist the rucksack and run out throwing the key on the desk and hit the cold street and walk fast to the nearest little grocery store to buy two days of food, stick it in the rucksack, hike thru lost alleys of Russian sorrow where bums sit head on knees in foggy doorways in the goopy eerie city night I've got to escape or die, and into the bus station In a half hour into a bus seat, the bus says "Monterey" and off we go down the clean neon hiway and I sleep all the way, waking up amazed and well again smelling sea air the bus driver shaking me "End of the line, Monterey. " -- And by God it is Monterey, I stand sleepy in the 2 A. M. seeing vague little fishing masts across the street from the bus driveway. Now all I've got to do to complete my escape is get 14 miles down the coast to the Raton Canyon bridge and hike in. 3 "One fast move or I'm gone" so I blow $8 on a cab to drive me down that coast, it's foggy night tho sometimes you can see stars in the sky to the right where the sea is, tho you cant see the sea you can only hear about it from the cabdriver -- "What kinda country is it around here? I've never seen it. " 'Well, you cant see it tonight -- Raton Canyon you say, you better be careful walkin around there in the dark. " 'Why? " "Well, just use your lamp like you say... " And sure enough when he lets me off at the Raton Canyon bridge and counts the money I sense something wrong somehow, there's an awful roar of surf but it isnt coming from the right place, like you'd expect it to come from "over there" but it's coming from "under there" -- I can see the bridge but I can see nothing below it -- The bridge continues the coast highway from one bluff to another, it's a nice white bridge with white rails and there's a white line runnin down the middle familiar and highway like but something's wrong -- Besides the headlights of the cab just shoot out over a few bushes into empty space in the direction where the canyon's supposed to be, it feels like being up in the air somewhere tho I can see the dirt road at our feet and the dirt overhang on the side "What in the hell is this? " -- I've got the directions all memorized from a little map Monsanto's mailed me but in my imagination dreaming about this big retreat back home there'd been something larkish, bucolic, all homely woods and gladness instead of all this aerial roaring mystery in the dark -- When the cab leaves I therefore turn on my railroad lantern for a timid peek but its beam gets lost just like the car lights in a void and in fact the battery is fairly weak and I can hardly see the bluff at my left -- As for the bridge I cant see it anymore except for graduating series of luminous shoulder buttons going off further into the low sea roar... The sea roar is bad enough except it keeps bashing and barking at me like a dog in the fog down there, sometimes it booms the earth but my God where is the earth and how can the sea be underground! -- "The only thing to do, " I gulp, "is to put this lantern shinin right in front of your feet, kiddo, and follow that lantern and make sure it's shinin on the road rut and hope and pray it's shinin on the ground that's gonna be there when it's shinin, " in other words I actually fear that even my lamp will carry me astray if I dare to raise it for a minute from the ruts in the dirt road -- The only satisfaction I can glean from this roaring high horror of darkness is that the lamp wobbles huge dark shadows of its little rim stays on the overhanging bluff at the left of the road, because to the right (where the bushes are wiggling in the wind from the sea) there aint no shadows because there aint no light can take hold -- So I start my trudge, pack aback, just head down following my lamp spot, head down but eyes suspiciously peering a little up, like a man in the presence of a dangerous idiot he doesn't want to annoy The dirt road starts up a little, curves to the right, starts down a little, then suddenly up again, and up By now the sea roar is further back and at one point I even stop and look back to see nothing -- "I'm gonna put out my light and see what I can see" I stay rooted to my feet where they're rooted to that road Fat lotta good, when I put out the light I see nothing but the dim sand at my feet. Trudging up and getting further away from the sea roar I get to feel more confident but suddenly I come to a frightening thing in the road, I stop and hold out my hand, edge forward, it's only a cattle crossing (iron bars imbedded across the road) but at the same time a big blast of wind comes from the left where the bluff should be and I spot that way and see nothing. "What the hell's going on! " "Fol-low the road, " says the other voice trying to be calm so I do but the next instant I hear a rattling to my right, throw my light there, see nothing but bushes wiggling dry and mean and just the proper high canyonwall kind of bushes fit for rattlesnakes too -- (which it was, a rattlesnake doesnt like to be awakened in the middle of the night by a trudging humpback monster with a lamp). But now the road's going down again, the reassuring bluff reappears on my left, and pretty soon according to my memory of Lorry's map there she is, the creek, I can hear her lappling and gabbing down there at the bottom of the dark where at least I'll be on level ground and done with booming airs somewhere above -- But the closer I get to the creek as the road dips steeply, suddenly, almost making me trot forward, the louder it roars, I begin to think I'll fall right into it before I can notice it... It's screaming like a raging flooded river right below me -- Besides it's even darker down there than anywhere! There are glades down there, ferns of horror and slippery logs, mosses, dangerous plashings, humid mists rise coldly like the breath of death, big dangerous trees are beginning to bend over my head and brush my pack -- There's a noise I know can only grow louder as I sink down and for fear how loud it can grow I stop and listen, it rises up crashing mysteriously at me from a raging battle among dark things, wood or rock or something cracked, all smashed, all wet black sunken earth danger -- I'm afraid to go down there -- I am affrayed in the old Edmund Spenser sense of being frayed by a whip, and a wet one at that -- A slimy green dragon racket in the bush -- An angry war that doesnt want me pokin around -- It's been there a million years and it doesnt want me clashing darkness with it -- It comes snarling from a thousand crevasses and monster redwood roots all over the map of creation -- It is a dark clangoror in the rain forest and doesnt want no skid row bum to carry to the sea which is bad enough and waitin back there -- I can almost feel the sea pulling at that racket in the trees but there's my spotlamp so all I gotta do is follow the lovely sand road which dips and dips in rising carnage and suddenly a flattening, a sight of bridge logs, there's the bridge rail, there's the creek just four feet below, cross the bridge you woken bum and see what's on the other shore. Take one quick peek at the water as you cross, just water over rocks, a small creek at that. And now before me is a dreamy meadowland with a good old corral gate and a barbed wire fence the road running right on left but this where I get off at last. Then I crawl thru the barbed wire and find myself trudging a sweet little sand road winding right thru fragrant dry heathers as tho I'd just popped thru from hell into familiar old Heaven on Earth, yair and Thank God (tho a minute later my heart's in my mouth again because I see black things in the white sand ahead but it's only piles of good old mule dung in Heaven). 4 And in the morning (after sleeping by the creek in the white sand) I do see what was so scary about my canyon road walk -- The road's up there on the wall a thousand feet with a sheer drop sometimes, especially at the cattle crossing, way up highest, where a break in the bluff shows fog pouring through from another bend of the sea beyond, scary enough in itself anyway as tho one hole wasnt enough to open into the sea... And worst of all is the bridge! I go ambling seaward along the path by the creek and see this awful thin white line of bridge a thousand unbridgeable sighs of height above the little woods I'm walking in, you just cant believe it, and to make things heart-thumpingly horrible you come to a little bend in what is now just a trail and there's the booming surf coming at you whitecapped crashing down on sand as tho it was higher than where you stand, like a sudden tidal wave world enough to make you step back or run back to the hills -- And not only that, the blue sea behind the crashing high waves is full of huge black rocks rising like old ogresome castles dripping wet slime, a billion years of woe right there, the moogrus big clunk of it right there with its slaverous lips of foam at the base -- So that you emerge from pleasant little wood paths with a stem of grass in your teeth and drop it to see doom... And you look up at that unbelievably high bridge and feel death and for a good reason: because underneath the bridge, in the sand right beside the sea cliff, hump, your heart sinks to see it: the automobile that crashed thru the bridge rail a decade ago and fell 1000 feet straight down and landed upside-down, is still there now, an upside-down chassis of rust in a strewn skitter of sea-eaten tires, old spokes, old car seats sprung with straw, one sad fuel pump and no more people... Big elbows of Rock rising everywhere, sea caves within them, seas plollocking all around inside them crashing out foams, the boom and pound on the sand, the sand dipping quick (no Malibu Beach here) -- Yet you turn and see the pleasant woods winding upcreek like a picture in Vermont -- But you look up into the sky, bend way back, my God you're standing directly under the aerial bridge with its thin white line running from rock to rock and witless cars racing across it like dreams! From rock to rock! All the way down the raging coast! So that when later I heard people say "Oh Big Sur must be beautiful! " I gulp to wonder why it has the reputation of being beautiful above and beyond its fearfulness, its Blakean groaning roughrock Creation throes, those vistas when you drive the coast highway on a sunny day opening up the eye for miles of horrible washing sawing. 5 It was even frightening at the other peaceful end of Raton Canyon, the east end, where Alf the pet mule of local settlers slept at night such sleepfull sleeps under a few weird trees and then got up in the morning to graze in the grass then negotiated the whole distance slowly to the sea shore where you saw him standing by the waves like an ancient sacred myth character motionless in the sand -- Alf the Sacred Burro" I later called him -- The thing that was frightening was the mountain that rose up at the east end, a strange Burmese like mountain with levels and moody terraces and a strange ricepaddy hat on top that I kept staring at with a sinking heart even at first when I was healthy and feeling good (and I would be going mad in this canyon in six weeks on the fullmoon night of 3 September) -- The mountain reminded me of my recent recurrent nightmares in New York about the "Mountain of Mien Mo" with the swarms of moony flying horses lyrically sweeping capes over their shoulders as they circled the peak a "thousand miles high" (in the dream it said) and on top of the mountain in one haunted nightmare I'd seen the giant empty stone benches so silent in the topworld moonlight as tho once inhabited by Gods or giants of some kind but long ago vacated so that they were all dusty and cobwebby now and the evil lurked somewhere inside the pyramid nearby where there was a monster with a big thumping heart but also, even more sinister, just ordinary seedy but muddy janitors cooking over small woodfires... Narrow dusty holes through which I'd tried to crawl with a bunch of tomato plants tied around my neck -- Dreams -- Drinking nightmares -- A recurrent series of them all swirling around that mountain, seen the very first time as a beautiful but somehow horribly green verdant mist enshrouded jungle peak rising out of green tropical country in 'Mexico" so called but beyond which were pyramids, dry rivers, other countries full of infantry enemy and yet the biggest danger being just hoodlums out throwing rocks on Sundays -- So that the sight of that simple sad mountain, together with the bridge and that car that had flipped over twice or so and landed flump in the sand with no more sign of human elbows or shred neckties (like a terrifying poem about America you could write), agh, HOO HOO of Owls living in old evil hollow trees in that misty tangled further part of the canyon where I was always afraid to go anyhow -- That unclimbably tangled steep cliff at the base of Mien Mo rising to gawky dead trees among bushes so dense and up to heathers God knows how deep with hidden caves no one not even I spose the Indians of the roth century had ever explored -- And those big gooky rainforest ferns among lightningstruck conifers right beside sudden black vine cliff faces rising right at your side as you walk the peaceful path... And as I say that ocean coming at you higher than you are like the harbors of old woodcuts always higher than the towns (as Rimbaud pointed out shuddering) -- So many evil combinations even unto the bat who would come at me later while I slept on the outdoor cot on the porch of Lorenzo's cabin, come circle my head coming real low sometimes filling me with the traditional fear it'll get tangled in my hair, and such silent wings, how would you like to wake up in the middle of the night and see silent wings beating over you and you ask yourself "Do I really believe in Vampires? "... In fact, flying silently around my lamplit cabin at 3 o'clock in the morning as I'm reading (of all things) (shudder) Doctor Jekyll and Mister Hyde -- Small wonder maybe that I myself turned from serene Jekyll to hysterical Hyde in the short space of six weeks, losing absolute control of the peace mechanisms of my mind for the first time in my life. But Ah, at first there were fine days and nights, right after Monsanto drove me to Monterey and back with two boxes of a full grub list and left me there alone for three weeks of solitude, as we'd agreed -- So fearless and happy I even spotted his powerful flashlight up at the bridge the first night, right thru the fog the eerie finger reaching the pale bottom of that high monstrosity, and even spotted it out over the farmless sea as I sat by caves in the crashing dark in my fisherman's outfit writing down what the sea was saying -- Worst of all spotting it up at those tangled mad cliffsides 'where owls hooted ooraloo -- becoming acquainted and swallowing fears and settling down to life in the little cabin with its warm glow of woodstove and kerosene lamp and let the ghosts fly their asses off... The Bhikku's home in his woods, he only wants peace, peace he will get -- Tho why after three weeks of perfect happy peace and adjustment in these strange woods my soul so went down the drain when I came back with Dave Wain and Romana and my girl Billie and her kid, I'll never know -- Worth the telling only if I dig deep into everything. Because it was so beautiful at first, even the circumstance of my sleeping bag suddenly erupting feathers in the middle of the night as I turned over to sleep on, so I curse and have to get up and sew it by lamplight or in the morning it might be empty of feathers... And as I bend poor mother head over my needle and thread in the cabin, by the fresh fire and in the light of the kerosene lamp, here come those damned silent black wings flapping and throwing shadows all over my little home, the bloody bat's come in my house -- Trying to sew a poor patch on my old crumbly sleepingbag (mostly ruined by my having to sweat out a fever inside of it in a hotel room in Mexico City in 1957 right after the gigantic earthquake there), the nylon all rotten almost from all that old sweat, but still soft, tho so soft I had to cut out a piece of old shirt flap and patch over the rip -- I remember looking up from my middle of the night chore and saying bleakly "They, yes, have bats in Mien Mo valley'... But the fire crackles, the patch gets sewn, the creek gurgles and thumps outside -- A creek having so many voices it's amazing, from the kettledrum basin deep bumpbumps to the little gurgly feminine crickles over shallow rocks, sudden choruses of other singers and voices from the log dam, dibble dabble all night long and all day long the voices of the creek amusing me so much at first but in the later horror of that madness night becoming the babble and rave of evil angels in my head -- So not minding the bat or the rip finally, ending up cant sleep because too awake now and it's 3 A. M. so the fire I stoke and I settle down and read the entire Doctor Jekyll and Mister Hyde novel in the wonderful little handsized leather book left there by smart Monsanto who also must've read it with wide eyes on a night like that -- Ending the last elegant sentences at dawn, time to get up and fetch water from gurgly creek and start breakfast of pancakes and syrup And saying to myself "So why fret when something goes wrong like your sleepingbag breaking in the night, use self reliance'... "Screw the bats" I add. Marvelous opening moment in fact of the first afternoon I'm left alone in the cabin and I make my first meal, wash my first dishes, nap, and wake up to hear the rapturous ring of silence or Heaven even within and throughout the gurgle of the creek -- When you say AM ALONE and the cabin is suddenly home only because you made one meal and washed your firstmeal dishes -- Then nightfall, the religious vestal lighting of the beautiful kerosene lamp after careful washing of the mantle in the creek and carefuldrying with toilet paper, which spoils it by specking it so you again wash it in the creek this time just let the mantle drip dry in the sun, the late afternoon sun that disappears so quickly behind those giant high steep canyon walls... Nightfall, the kerosene lamp casts a glow in the cabin, I go out and pick some ferns like the ferns of the Lankavatara Scripture, those hairnet ferns, "Look sirs, a beautiful hairnet! " -- Late afternoon fog pours in over the canyon walls, sweep, cover the sun, it gets cold, even the flies on the porch are as so sad as the fog on the peaks -- As daylight retreats the flies retreat like polite Emily Dickinson flies and when it's dark they're all asleep in trees or someplace -- At high noon they're in the cabin with you but edging further towards the open doorsill as the afternoon lengthens, how. "strangely gracious -- There's the hum of the bee drone two blocks away the racket of it you'd think it was right over the roof, when the bee drone swirls nearer and nearer (gulp again) you retreat into the cabin and wait, maybe they got a message to come and see you all two thousand of em -- But getting used to the bee drone finally which seems to happen like a big party once a week... And so everything eventually marvelous. Even the first frightening night on the beach in the fog with my notebook and pencil, sitting there crosslegged in the sand facing all the Pacific fury flashing on rocks that rise like gloomy sea shroud towers out of the cove, the bingbang cove with its seas booming inside caves and slapping out, the cities of seaweed floating up and down you can even see their dark leer in the phosphorescent seabeach nightlight... That first night I sit there and all I know, as I look up, is the kitchen light is on, on the cliff, to the right, where somebody's just built a cabin overlooking all the horrible Sur, somebody up there's having a mild and tender supper that's all I know... The lights from the cabin kitchen up there go out like a little weak lighthouse beacon and ends suspended a thousand feet over the crashing shore -- Who would build a cabin up there but some bored but hoary old adventurous architect maybe got sick of running for congress and one of these days a big Orson Welles tragedy with screaming ghosts a woman in a white nightgown'll go flying down that sheer cliff -- But actually in my mind what I really see is the kitchen lights of that mild and tender maybe even romantic supper up there, in all that howling fog, and here I am way below in the Vulcan's Forge itself looking up with sad eyes -- Blanking my little Camel cigarette on a billion year old rock that rises behind my head to a height unbelievable -- The little kitchen light on the cliff is only on the end of it, behind it the shoulders of the great sea hound cliff go rising up and back and seeping inland higher and higher till I gasp to think "Looks like a reclining dog, big friggin shoulders on that sonofabitch" -- Riseth and sweepeth and scareth men to death but what is death anyway in all this water and rock. I fix up my sleeping bag on the porch of the cabin but at 2 A. M. the fog starts dripping all wet so I have to go indoors with wet sleepingbag and make new arrangements but who cant sleep like a log in a solitary cabin in the woods, you wake up in the late morning so refreshed and realizing the universe namelessly: the universe is an Angel -- But easy enough to say when you've had your escape from the gooky city turn into a success -- And it's finally only in the woods you get that nostalgia for "cities" at last, you dream of long gray journeys to cities where soft evenings'll unfold like Paris but never seeing how sickening it will be because of the primordial innocence of health and stillness in the wilds ... So I tell myself "Be Wise. " 6 Though there are faults to Monsanto's cabin like no screened windows to keep the flies out in the daytime just big board windows, so that also on foggy days when it's damp if you leave them open it's too cold, if you leave them closed you cant see anything and have to light the lamp at noon -- And but for that no other faults -- It's all marvelous -- And at first it's so amazing to be able to enjoy dreamy afternoon meadows of heather up the other end of the canyon and just by walking less than a half mile you can suddenly also enjoy wild gloomy sea coast, or if you're sick of either of these just sit by the creek in a gladey spot and dream over snags -- So easy in the woods to daydream and pray to the local spirits and say "Allow me to stay here, I only want peace" and those foggy peaks answer back mutely Yes... And to say to yourself (if you're like me with theological preoccupations) (at least at that time, before I went mad I still had such preoccupations) "God who is everything possesses the eye of awakening, like dreaming a long dream of an impossible task and you wake up in a flash, oops, No Task, it's done and gone'... And in the flush of the first few days of joy I confidently tell myself (not expecting what I'll do in three weeks only) "no more dissipation, it's time for me to quietly watch the world and even enjoy it, first in woods like these, then just calmly walk and talk among people of the world, no booze, no drugs, no binges, no bouts with beatniks and drunks and junkies and everybody, no more I ask myself the question O why is God torturing me, that's it, be a loner, travel, talk to waiters only, in fact, in Milan, Paris, just talk to waiters, walk around, no more self-imposed agony... it's time to think and watch and keep concentrated on the fact that after all this whole surface of the world as we know it now will be covered with the silt of a billion years in time.. . Yay, for this, more aloneness" -- "Go back to childhood, just eat apples and read your Cathechism -- sit on curbstones, the hell with the hot lights of Hollywood" (remembering that awful time only a year earlier when I had to rehearse my reading of prose a third time under the hot lights of the Steve Alien Show in the Burbank studio, one hundred technicians waiting for me to start reading, Steve Alien watching me expectant as he plunks the piano, I sit there on the dunce's stool and refuse to read a word or open my mouth, "I dont have to R E H E A R S E for God's sake Steve! " -- "But go ahead, we just wanta get the tone of your voice, just this last time, I'll let you off the dress rehearsal" and I sit there sweating not saying a word for a whole minute as everybody watches, finally I say, "No I cant do it, " and I go across the street to get drunk) (but surprising everybody the night of the show by doing my job of reading just fine, which surprises the producers and so they take me out with a Hollywood starlet who turns out to be a big bore trying to read me her poetry and wont talk love because in Hollywood man love is for sale)... So even that marvelous, long remembrances of life all the time in the world to just sit there or lie there or walk about slowly remembering all the details of life which now because a million lightyears away have taken on the aspect (as they must've for Proust in his sealed room) of pleasant movies brought up at will and projected for further study -- And pleasure -- As I imagine God to be doing this very minute, watching his own movie, which is us. Even when one night I'm so happy sighin to turn over to resume my sleep but a rat suddenly runs over my head, it's marvelous because I then take the folding cot and put a big wide board on it that covers both sides, so I wont sink into the canvas confines there, and place two old sleepingbags over the board, then my own on top, I have the most marvelous and rat free and in fact healthy-for-theback bed in the world. I also take long curious hikes to see what's what in the other direction inland, going up a few miles along the dirt road that leads to isolated ranches and logging camps -- I come to giant sad quiet valleys where you see 150 foot tall redwood trees with sometimes one little bird right on the topmost peaktwig sticking straight up -- The bird balances up there surveying the fog and the great trees -- You see one single flower nodding on a cliff side far across the canyon, or a huge knot in a redwood tree looking like Zeus" face, or some of God's little crazy creations goofing around in creek pools (zigzag bugs), or a sign on a lonely fence saying "M. P. Passey. No Trespassing', or terraces of fern in the dripping redwood shade, and you think "A long way from the beat generation, in this rain forest'... So I angle back down to the home canyon and down the path past the cabin and out to the sea where the mule is on the sea shore, nibbling under that one thousand foot bridge or sometimes just standing staring at me with big brown Garden of Eden eyes -- The mule being a pet of one of the families who have a cabin in the canyon and it, as I say Alf by name, just wanders from one end of the canyon where the corral fence stops him, to the wild seashore where the sea stops him but a strange Gauguinesque mule when you first see him, leaving his black dung on the perfect white sand, an immortal and primordial mule owning a whole valley -- I even finally later find out where Alf sleeps which is like a sacred grove of trees in that dreaming meadow of heather -- So I feed Alf the last of my apples which he receives with big faroff teeth inside his soft hairy muzzle, never biting, just muffing up my apple from my outstretched palm, and chomping away sadly, turning to scratch his behind against a tree with a big erotic motion that gets worse and worse till finally he's standing there with erectile dong that would scare the Whore of Babylon let alone me. All kinds of strange and marvelous things like the weird Ripley situation of a huge tree that's fallen across a creek maybe 500 years ago and's made a bridge thereby, the other end of its trunk is now buried in ten feet of silt and foliage, strange enough but out of the middle trunk over the water rises straight another redwood tree looking like it's been planted in the treetrunk, or stuck down into it by a God hand, I cant figure it out and stare at this chewing furiously on big choking handfulls of peanuts like a college boy -- (and only weeks before falling on my head in the Bowery) -- Even when a rancher car goes by I daydream mad ideas like, here comes Farmer Jones and his two daughters and here I am with a 6o-foot redwood tree under my arm walking slowly pulling it along, they are amazed and scared, "Are we dreaming? can anybody be that strong? " they even ask me and my big Zen answer is "You only think I'm strong" and I go on down the road carrying my tree -- This has me laughing in clover fields for hours... I pass a cow which turns to look at me as it takes a big dreamy crap -- Back in the cabin I light the fire and sit sighing and there are leaves skittering on the tin roof, it's August in Big Sur -- I fall asleep in the chair and when I wake up I'm facing the thick little tangled woods outside the door and I suddenly remember them from long ago, even to the particular clumpness of the thickets, stem by stem, the twist of them, like an old home place, but just as I'm wondering what all this mess is, bang, the wind closes the cabin door on my sight of it! So I conclude "I see as much as doors'll allow, open or shut" -- Adding, as I get up, in a loud English Lord voice nobody can hear anyway, "An issue broached is an issue smote, Sire, " pronouncing 'issue" like "iss-yew" -- And this has me laughing all through supper -- Which is potatoes wrapped in foil and thrown on the fire, and coffee, and hunks of Spam roasted on a spit, and applesauce and cheese -- And when I light the lamp of after-supper reading, here comes the nightly moth to his nightly death at my lamp... After I put out the lamp temporarily, there's the moth sleeping on the wall not realizing I've put it on again. Meanwhile by the way and however, every day is cold and cloudy, or damp, not cold in the eastern sense, and every night is absolutely fog: no stars whatever to be seen... But this too turns out to be a marvelous circumstance as I find out later, it's the "damp season" and the other dwellers (weekenders) of the canyon don't come out on weekends, I'm absolutely alone for weeks on end (because later in August when the sun conquered the fog suddenly I was amazed to hear laughing and scratching all up and down the valley which had been mine only mine, and when I tried to go to the beach to squat and write there were whole families having outings, some of them younger people who'd simply parked their cars up on the high bridge bluff and climbed down) (some of them in fact gangs of yelling hoodlums)... So the rainforest summer fog was grand and besides when the sun prevailed in August a horrible development took place, huge blasts of frightening gale like wind came pouring into the canyon making all the trees roar with a really frightening intensity that sometimes built up to a booming war of trees that shook the cabin and woke you up -- And was in fact one of the things that contributed to my mad fit. But the most marvelous day of all when I completely forgot who I was where I was or the time of day just with my pants rolled up above my knees wading in the creek rearranging the rocks and some of the snags so that the water where I stooped (near the sandy shore) to get jugfuls would, instead of just sluggishly passing by shallow over mud, with bugs in it, now come rushing in a pure gurgly clear stream and deep too -- I dug into the white sand and arranged underground rocks so now I could stick a jug in there and tilt the opening to the stream and it would fill up instantly with clear rushing unstagnated bugless drinking water -- Making a mill race, is what it's called -- And because now the water rushed so fast and deep right by the sandy stooping place I had to build a kind of seawall of rocks against that rush so that the shore would not be silted away by the race -- Doing that, fortifying the outside of the seawall with smaller rocks and finally at sundown with bent head over my sniffling endeavors (the way a kid sniffles when he's been playing all day) I start inserting tiny pebbles in the spaces between the stones so that no water can sneak over to wash away the shore, even down to the tiniest sand, a perfect sea wall, which I top with a wood plank for everybody to kneel on when they come there to fetch their holy water -- Looking up from this work of an entire day, from noon till sundown, amazed to see where I was, who I was, what I'd done -- The absolute innocence like of Indian fashioning a canoe all alone in the woods -- And as I say only weeks earlier I'd fallen flat on my head in the Bowery and everybody thought I'd hurt myself- So I make supper with a happy song and go out in the foggy moonlight (the moon sent its white luminescence through) and marveled to watch the new swift gurgling clear water run with its pretty flashes of light -- 'And when the fog's over and the stars and the moon come out at night it'll be a beautiful sight. " And such things -- A whole mess of little joys like that amazing me when I came back in the horror of later to see how they'd all changed and become sinister, even my poor little wooden platform and mill race when my eyes and stomach nauseous and my soul screaming a thousand babbling words, oh -- It's hard to explain and best thing to do is not be false. 7 Because on the fourth day I began to get bored and noted it in my diary with amazement, "Already bored? " -- Even tho the handsome words of Emerson would shake me out of that where he says (in one of those little redleather books, in the essay on "Self Reliance" a man "is relieved and gay when he has put his heart into his work and done his best') (applicable both to building simple silly little millraces and writing big stupid stories like this) Words from the trumpet of the morning in America, Emerson, he who announced Whitman and also said "Infancy conforms to nobody" -- The infancy of the simplicity of just being happy in the woods, conforming to nobody's idea about what to do, what should be done -- "Life is not an apology" -- And when a vain and malicious philanthropic abolitionist accused him of being blind to the issues of slavery he said "Thy love afar is spite at home" (maybe the philanthropist had Negro help anyway) -- So once again I'm Ti Jean the Child, playing, sewing patches, cooking suppers, washing dishes (always kept the kettle boiling on the fire and anytime dishes needed to be washed I just pour hot hot water into pan with Tide soap and soak them good and then wipe them clean after scouring with little 5-&-10 wire scourer) -- Long nights simply thinking about the usefulness of that little wire scourer, those little yellow copper things you buy in supermarkets for 10 cents, all to me infinitely more interesting than the stupid and senseless "Steppenwolf novel in the shack which I read with a shrug, this old fart reflecting the "conformity" of today and all the while he thought he was a big Nietzsche, old imitator of Dostoevsky fifty years too late (he feels tormented in a "personal hell" he calls it because he doesnt like what other people like! ) -- Better at noon to watch the orange and black Princeton colors on the wings of a butterfly -- Best to go hear the sound of the sea at night on the shore. Maybe I shouldna gone out and scared or bored or belabored myself so much, tho, on that beach at night which would scare any ordinary mortal -- Every night around eight after supper I'd put on my big fisherman coat and take the notebook, pencil and lamp and start down the trail (sometimes passing ghostly Alf on the way) and go under that frightful high bridge and see through the dark fog ahead the white mouths of ocean coming high at me -- But knowing the terrain I'd walk right on, jump the beach creek, and go to my corner by the cliff not far from one of the caves and sit there like an idiot in the dark writing down the sound of the waves in the notebook page (secretarial notebook) which I could see white in the darkness and therefore without benefit of lamp scrawl on -- I was afraid to light my lamp for fear I'd scare the people way up there on the cliff eating their nightly tender supper -- (later found out there was nobody up there eating tender suppers, they were overtime carpenters finishing the place in bright lights) -- And I'd get scared of the rising tide with its 15 foot waves yet sit there hoping in faith that Hawaii warnt sending no tidal wave I might miss seeing in the dark coming from miles away high as Groomus -- One night I got scared anyway so sat on top of 10-foot cliff at the foot of the big cliff and the waves are going "Rare, he rammed the gate rare" -- "Raw roo roar" -- "Crowsh'- the way waves sound especially at night -- The sea not speaking in sentences so much as in short lines: "Which one?... the one ploshed?... the same, ah Boom'... Writing down these fantastic inanities actually but yet I felt I had to do it because James Joyce wasn't about to do it now he was dead (and figuring "Next year I'll write the different sound of the Atlantic crashing say on the night shores of Cornwall, or the soft sound of the Indian Ocean crashing at the mouth of the Ganges maybe') -- And I just sit there listening to the waves talk all up and down the sand in different tones of voice 'Ka bloom, kerplosh, ah ropey otter barnacled be crowsh, are rope the angels in all the sea? " and such -- Looking up occasionally to see rare cars crossing the high bridge and wondering what they'd see on this drear foggy night if they knew a madman was down there a thousand feet below in all that windy fury sitting in the dark writing in the dark -- Some sort of sea beatnik, tho anybody wants to call me a beatnik for THIS better try it if they dare -- The huge black rocks seem to move -- The bleak awful roaring isolateness, no ordinary man could do it I'm telling you -- / am a Breton! I cry and the blackness speaks back "Les poissons de la mer parlent Breton" (the fishes of the sea speak Breton) -- Nevertheless I go there every night even tho I dont feel like it, it's my duty (and probably drove me mad), and write these sea sounds, and all the whole insane poem "Sea'. Always so wonderful in fact to get away from that and back to the more human woods and come to the cabin where the fire's still red and you can see the Bodhisattva's lamp, the glass of ferns on the table, the box of Jasmine tea nearby, all so gentle and human after that rocky deluge out there -- So I make an excellent pan of muffins and tell myself 'Blessed is the man can make his own bread" -- Like that, the whole three weeks, happiness -- And I'm rolling my own cigarettes, too -- And as I say sometimes I meditate how wonderful the fantastic use I've gotten out of cheap little articles like the scourer, but in this instance I think of the marvelous belongings in my rucksack like my 25-cent plastic shaker with which I've just made the muffin batter but also I've used it in the past to drink hot tea, wine, coffee, whiskey and even stored clean handkerchiefs in it when I traveled -- The top part of the shaker, my holy cup, and had it for five years now -- And other belongings so valuable compared to the worthlessness of expensive things I'd bought and never used -- Like my black soft sleeping sweater also five years which I was now wearing in the damp Sur summer night and day, over a flannel shirt in the cold, and just the sweater for the night's sleep in the bag -- Endless use and virtue of it! -- And because the expensive things were of ill use, like the fancy pants I'd bought for recent recording dates in New York and other television appearances and never even wore again, useless things like a $40 raincoat I never wore because it didn't have slits in the side pockets (you pay for the label and the so called "tailoring') -- Also an expensive tweed jacket bought for TV and never worn again -- Two silly sports shirts bought for Hollywood never worn again and were 9 bucks each! -- And it's almost tearful to realize and remember the old green T-shirt I'd found, mind you, eight years ago, mind you, on the DUMP in Watsonville California mind you, and got fantastic use and comfort from it -- Like working to fix that new stream in the creek to flow through the convenient deep new waterhole near the wood platform on the bank, and losing myself in this like a kid playing, it's the little things that count (cliches are truisms and all truisms are true) -- On my deathbed I could be remembering that creek day and forgetting the day MGM bought my book, I could be remembering the old lost green dump T-shirt and forgetting the sapphired robes -- Mebbe the best way to get into Heaven. I go back to the beach in the daytime to write my "Sea', I stand there barefoot by the sea stopping to scratch one ankle with one toe, I hear the rhythm of those waves, and they're saying suddenly "Is Virgin you trying to fathom me" -- I go back to make a pot of tea. Summer afternoon... Impatiently chewing The Jasmine leaf At high noon the sun always coming out at last, strong, beating down on my nice high porch where I sit with books and coffee and the noon I thought about the ancient Indians who must have inhabited this canyon for thousands of years, how even as far back as the loth century this valley must have looked the same, just different trees: these ancient Indians simply the ancestors of the Indians of only recently say 1860... How they've all died and quietly buried their grievances and excitements How the creek may have been an inch deeper since logging operations of the last sixty years have removed some of the watershed in the hills back there... How the women pounded the local acorns, acorns or shmacorns, I finally found the natural nuts of the valley and they were sweet tasting -- And men hunted deer -- In fact God knows what they did because I wasn't here -- But the same valley, a thousand years of dust more or less over their footsteps of A. D. 960 -- And as far as I can see the world is too old for us to talk about it with our new words -- We will pass just as quietly through life (passing through, passing through) as the 10th century people of this valley only with a little more noise and a few bridges and dams and bombs that wont even last a million years -- The world being just what it is, moving and passing through, actually alright in the long view and nothing to complain about -- Even the rocksof the valley had earlier rock ancestors, a billion billion years ago, have left no howl of complaint -- Neither the bee, or the first sea urchins, or the clam, or the severed paw -- All said So-Is sight of the world, right there in front of my nose as I look, -- And looking at that valley in fact I also realize I have to make lunch and it wont be any different than the lunch of those olden men and besides it'll taste good -- Everything is the same, the fog says "We are fog and we fly by dissolving like ephemera, " and the leaves say "We are leaves and we jiggle in the wind, that's all, we come and go, grow and fall" -- Even the paper bags in my garbage pit say "We are man transformed paper bags made out of wood pulp, we are kinda proud of being paper bags as long as that will be possible, but we'll be mush again with our sisters the leaves come rainy season" -- The tree stumps say "We are tree stumps torn out of the ground by men, sometimes by wind, we have big tendrils full of earth that drink out of the earth'... Men say "We are men, we pull out tree stumps, we make paper bags, we think wise thoughts, we make lunch, we look around, we make a great effort to realize everything is the same" -- While the sand says "We are sand, we already know, " and the sea says "We are always come and go, fall and plosh. " -- The empty blue sky of space says "All this comes back to me, then goes again, and comes back again, then goes again, and I don't care, it still belongs to me" -- The blue sky adds "Dont call me eternity, call me God if you like, all of you talkers are in paradise: the leaf is paradise, the tree stump is paradise, the paper bag is paradise, the man is paradise, the fog is paradise" -- Can you imagine a man with mar-velous insights like these can go mad within a month? (because you must admit all those talking paper bags and sands were telling the truth) -- But I remember seeing a mess of leaves suddenly go skittering in the wind and into the creek, then floating rapidly down the creek toward the sea, making me feel a nameless horror even then of "Oh my God, we're all being swept away to sea no matter what we know or say or do" -- And a bird who was on a crooked branch is suddenly gone without my even hearing him. 8 But there's moonlit fognight, the blossoms of the fire flames in the stove -- There's giving an apple to the mule, the big lips taking hold... There's the bluejay drinking my canned milk by throwing his head back with a miffle of milk on his beak -- There's the scratching of the raccoon or of the rat out there, at night -- There's the poor little mouse eating her nightly supper in the humble corner where I've put out a little delight-plate full of cheese and chocolate candy (for my days of killing mice are over) -- There's the raccoon in his fog, there the man to his fireside, and both are lonesome for God -- There's me coming back from seaside night sittings like a muttering old Bhikku stumbling down the path -- There's me throwing my spotlight on a sudden raccoon who clambers up a tree his little heart beating with fear but I yell in French "Hello there little man" (allo ti bon-homme) -- There's the bottle of olives, 4gc, imported, pimentos, I eat them one by one wondering about the late afternoon hillsides of Greece -- And there's my spaghetti... with tomato sauce and my oil and vinegar salad and my applesauce relishe my dear, and my black coffee and Roquefort cheese and after-dinner nuts, my dear, all in the woods -- (Ten delicate olives slowly chewed at midnight is something no one's ever done in luxurious restaurants) -- There's the present moment fraught with tangled woods -- There's the bird suddenly quiet on his branch while his wife glances at him... There's the grace of an axe handle as good as an Eglevsky ballet... There's 'Mien Mo Mountain" in the fog illumined August moon mist among other heights gorgeous and misty rising in dimmer tiers somehow rosy in the night like the classic silk paintings of China and Japan -- There's a bug, a helpless little wingless crawler, drowning in a water can, I get it out and it wanders and goofs on the porch till I get sick of watching -- There's the spider in the outhouse minding his own business... There's my side of bacon hanging from a hook on the ceiling of the shack -- There's the laughter of the loon in the shadow of the moon-There's an owl hooting in weird Bodhidharma trees -- There's flowers and redwood logs -- There's the simple woodfire and the careful yet absent-minded feeding of it which is an activity that like all activities is no-activity (Wu Wei) yet it is a meditation in itself especially because all woodfires, like snowflakes, are different every time... Yes, there's the resinous purge of a flame-enveloped redwood log -- Yes the cross-sawed redwood log turns into a coal and looks like a City of the Gandharvas or like a western butte at sunset -- There's the bhikku's broom, the kettle -- There's the laced soft fud over the sand, the sea -- There's all these avid preparations for decent sleep like the night I'm looking for my sleeping socks (so's not to dirty the sleepingbag inside) and find myself singing "A donde es me sockiboos? " -- Yes, and down in the valley there's my burro, Alf, the only living being in sight -- There's in mid of sleep the moon appearing -- There's universal substance which is divine substance because where else can it be? -- There's the family of deer on the dirt road at dusk... There's the creek coughing down the glade -- There's the fly on my thumb rubbing its nose then stepping to the page of my book-There's the hummingbird swinging his head from side to side like a hoodlum -- There's all that, and all my fine thoughts, even unto my ditty written to the sea "I took a pee, into the sea, acid to acid, and me to ye" yet I went crazy inside three weeks. For who could go crazy that could be so relaxed as that: but wait: there are the signposts of something wrong. 9 The first signpost came after that marvelous day I went hiking, up the canyon road again to the highway at the bridge where there was a rancher mailbox where I could dump mail (a letter to my mother and saying in it give a kiss to Tyke, my cat, and a letter to old buddy Julien addressed to Coaly Rustnut from Runty Onenut) and as I walked way up there I could see the peaceful roof of my cabin way below and half mile away in the old trees, could see the porch, the cot where I slept, and my red handkerchief on the bench beside the cot (a simple little sight: of my handkerchief a half mile away making me unaccountably happy) -- And on the way back pausing to meditate in the grove of trees where Alf the Sacred Burro slept and seeing the roses of the unborn in my closed eyelids just as clearly as I had seen the red handkerchief and also my own footsteps in the seaside sand from way up on the bridge, saw, or heard, the words "Roses of the Unborn" as I sat crosslegged in soft meadow sand, heard that awful stillness at the heart of life, but felt strangely low, as tho premonition of the next day... When I went to the sea in the afternoon and suddenly took a huge deep Yogic breath to get all that good sea air in me but somehow just got an overdose of iodine, or of evil, maybe the sea caves, maybe the seaweed cities, something, my heart suddenly beating -- Thinking I'm gonna get the local vibrations instead here I am almost fainting only it isn't an ecstatic swoon by St Francis, it comes over me in the form of horror of an eternal condition of sick mortality in me -- In me and in everyone... I felt completely nude of all poor protective devices like thoughts about life or meditations under trees and the "ultimate" and all that shit, in fact the other pitiful devices of making supper or saying "What I do now next? chop wood? " -- I see myself as just doomed, pitiful -- An awful realization that I have been fooling myself all my life thinking there was a next thing to do to keep the show going and actually I'm just a sick clown and so is everybody else... All all of it, pitiful as it is, not even really any kind of commonsense animate effort to ease the soul in this horrible sinister condition (of mortal hopelessness) so I'm left sitting there in the sand after having almost fainted and stare at the waves which suddenly are not waves at all, with I guess what must have been the goopiest downtrodden expression God if He exists must've ever seen in His movie career -- Eh vache, I hate to write -- All my tricks laid bare, even the realization that they're laid bare itself laid bare as a lotta bunk -- The sea seems to yell to me GO TO YOUR DESIRE DONT HANG AROUND HERE -- For after all the sea must be like God, God isn't asking us to mope and suffer and sit by the sea in the cold at midnight for the sake of writing down useless sounds, he gave us the tools of self reliance after all to make it straight thru bad life mortality towards Paradise maybe I hope... But some miserables like me don't even know it, when it comes to us we're amazed -- Ah, life is a gate, a way, a path to Paradise anyway, why not live for fun and joy and love or some sort of girl by a fireside, why not go to your desire and LAUGH... but I ran away from the seashore and never came back again without that secret knowledge: that it didnt want me there, that I was a fool to sit there in the first place, the sea has its waves, the man has his fireside, period. That being the first indication of my later flip -- But also on the day of leaving the cabin to hitch hike back to Friscoand see everybody and by now I'm tired of my food (forgot to bring jello, you need jello after all that bacon fat and cornmeal in the woods, every woodsman needs jello) (or cokes) (or something) But it's time to leave, I'm now so scared by that iodine blast by the sea and by the boredom of the cabin I take 20 dollars worth of perishable food left and spread it out on a big board below the cabin porch for the bluejays and the raccoon and the mouse and the whole lot, pack up, and go -- But before I go I realize this isn't my own cabin (here's the second signpost of my madness), I have no right to hide Monsanto's rat poison, as I've been doing, feeding the mouse instead, as I said -- So like a dutiful guest in another man's cabin I take the cover off the rat poison but compromise by simply leaving the box on the top shelf, so nobody can complain -- And go off like that -- But during my absence, but -- You'll see. 10 With my mind even and upright and abiding nowhere, as Hui Neng would say, I go dancing off like a fool from my sweet retreat, rucksack on back, after only three weeks and really after only three or four days of boredom, and go hankering back for the city -- "You go out in joy and in sadness you return, " says Thomas a Kempis talking about all the fools who go forth for pleasure like high schoolboys on Saturday night hurrying clacking down the sidewalk to the car adjusting their ties and rubbing their hands with anticipatory zeal, only to end up Sunday morning groaning in blearly beds that Mother has to make anyway -- It's a beautiful day as I come out of that ghostly canyon road and step out on the coast highway, just this side of Raton Canyon bridge, and there they are, thousands and thousands of tourists driving by slowly on the high curves all oo ing and aa ing at all that vast blue panorama of sea washing and raiding at the coast of California -- I figure I'll get a ride into Monterey real easy and take the bus there and be in Frisco by nightfall for a big ball of wino yelling with the gang, I feel in fact Dave Wain oughta be back by now, or Cody will be ready for a ball, and there'll be girls, and such and such, forgetting entirely that only three weeks previous I'd been sent fleeing from that gooky city by the horrors -- But hadn't the sea told me to flee back to my own reality? But it is beautiful especially to see up ahead north a vast expanse of curving seacoast with inland mountains dreaming under slow clouds, like a scene of ancient Spain, or properly really like a scene of the real essentially Spanish California, the old Monterey pirate coast right there, you can see what the Spaniards must've thought when they came around the bend in their magnificent sloopies and saw all that dreaming fatland beyond the seashore whitecap doormat -- Like the land of gold -- The old Monterey and Big Sur and Santa Cruz magic -- So I confidently adjust my pack straps and start trudging down the road looking back over my shoulder to thumb. This is the first time I've hitch hiked in years and I soon begin to see things have changed in America, you cant get a ride any more (but of course especially on a strictly tourist road like this coast highway with no trucks or business)... Sleek long stationwagon after wagon comes sleering by smoothly, all colors of the rainbow and pastel at that, pink, blue, white, the husband is in the driver's seat with a long ridiculous vacationist hat with a long baseball visor making him look witless and idiot -- Besides him sits wifey, the boss of America, wearing dark glasses and sneering, even if he wanted to pick me up or anybody up she wouldn't let him -- But in the two deep backseats are children, children, millions of children, all ages, they're fighting and screaming over ice cream, they're spilling vanilla all over the Tartan seatcovers -- There's no room anymore anyway for a hitch hiker, tho conceivably the poor bastard might be allowed to ride like a meek gunman or silent murderer in the very back platform of the wagon, but here no, alas! here is ten thousand racks of drycleaned and perfectly pressed suits and dresses of all sizes for the family to look like millionaires every time they stop at a roadside dive for bacon and eggs -- Every time the old man's trousers start to get creased a little in the front he's made to take down a fresh pair of slacks from the back rack and go on, like that, bleakly, tho he might have secretly wished just a good oldtime fishing trip alone or with his buddies for this year's vacation -- But the PTA has prevailed over every one of his desires by now, 1960s, it's no time for him to yearn for Big Two Hearted River and the old sloppy pants and string of fish in the tent, or the woodfire with Bourbon at night -- It's time for motels, roadside driveins, bringing napkins to the gang in the car, having the car washed before the return trip -- And if he thinks he wants to explore any of the silent secret roads of America it's no go, the lady in the sneering dark glasses has now become the navigator and sits there sneering over her previously printed blue-lined roadmap distributed by happy executives in neckties to the vacationists of America who would also wear neckties (after having come along so far) but the vacation fashion is sports shirts, long visored hats, dark glasses, pressed slacks and baby's first shoes dipped in gold oil dangling from the dashboard -- So here I am standing in that road with that big woeful rucksack but also probably with that expression of horror on my face after all those nights sitting in the seashore under giant black cliffs, they see in me the very apotheosical opposite of their every vacation dream and of course drive on -- That afternoon I say about five thousand cars or probably three thousand passed me not one of them ever dreamed of stopping -- Which didnt bother me anyway because at first seeing that gorgeous long coast up to Monterey I thought "Well I'll just hike right in, it's only fourteen miles, I oughta do that easy" -- And on the way there's all kindsa interesting things to see anyway like the seals barking on rocks below, or quiet old farms made of logs on the hills across the highway, or sudden upstretches that go along dreamy seaside meadows where cows grace and graze in full sight of endless blue Pacific -- But because I'm wearing desert boots with their fairly thin soles, and the sun is beating hot on the tar road, the heat finally gets through the soles and I begin to deliver heat blisters inmy sockiboos -- I'm limping along wondering what's the matter with me when I realize I've got blisters -- I sit by the side of the road and look -- I take out my first aid kit from the pack and apply unguents and put on cornpads and carry on -- But the combination of the heavy pack and the heat of the road increases the pain of the blisters until finally I realize I've got to hitch hike a ride or never make it to Monterey at all. But the tourists bless their hearts after all, they couldnt know, only think I'm having a big happy hike with my rucksack and they drive on, even tho I stick out my thumb -- I'm in despair because I'm really stranded now, and by the time I've walked seven miles I still have seven to go but I cant go on another step -- I'm also thirsty and there are absolutely no filling stations or anything along the way -- My feet are ruined and burned, it develops now into a day of complete torture, from nine o'clock in the morning till four in the afternoon I negotiate those nine or so miles when I finally have to stop and sit down and wipe the blood off my feet -- And then when I fix the feet and put the shoes on again, to hike on, I can only do it mincingly with little twinkletoe steps like Babe Ruth, twisting footsteps every way I can think of not to press too hard on any particular blister -- So that the tourists (lessening now as the sun starts to go down) can now plainly see that there's a man on the highway limping under a huge pack and asking for a ride, but still they're afraid he may be the Hollywood hitch hiker with the hidden gun and besides he's got a rucksack on his back as tho he'd just escaped from the war in Cuba... Or's got dismembered bodies in the bag anyway -- But as I say I dont blame them. The only car that passes that might have given me a ride is going in the wrong direction, down to Sur, and it's a rattly old car of some kind with a big bearded "South Coast Is the Lonely Coast" folksinger in it waving at me but finally a little truck pulls up and waits for me 50 yards ahead and I limprun that distance on daggers in my feet -- It's a guy with a dog -- He'll drive me to the next gas station, then he turns off -- But when he learns about my feet he takes me clear to the bus station in Monterey -- Just as a gesture of kindness -- No particular reason, and I've made no particular plea about my feet, just mentioned it. I offer to buy him a beer but he's going on home for supper so I go into the bus station and clean up and change and pack things away, stow the bag in the locker, buy the bus ticket, and go limping quietly in the blue fog streets of Monterey evening feeling lights as feather and happy as a millionaire -- The last time I ever hitch hiked -- And NO RIDES a sign. 11 The next sign is in Frisco itself where after a night of perfect sleep in an old skid row hotel room I go to see Monsanto at his City Lights bookstore and he's smiling and glad to see me, says "We were coming out to see you next weekend you should have waited, " but there's something else in his expression -- When we're alone he says "Your mother wrote and said your cat is dead. " Ordinarily the death of a cat means little to most men, a lot to fewer men, but to me, and that cat, it was exactly and no lie and sincerely like the death of my little brother -- I loved Tyke with all my heart, he was my baby who as a kitten just slept in the palm of my hand with his little head hanging down, or just purring, for hours, just as long as I held him that way, walking or sitting -- He was like a floppy fur wrap around my wrist, I just twist him around my wrist or drape him and he just purred and purred and even when he got big I still held him that way, I could even hold this big cat in both hands with my arms outstretched right over my head and he'd just purr, he had complete confidence in me -- And when I'd left New York to come to my retreat in the woods I'd carefully kissed him and instructed him to wait for me, 'Attends pour mue kitigingoo" -- But my mother said in the letter he had died the NIGHT AFTER I LEFT! -- But maybe you'll understand me by seeing for yourself by reading the letter: "Sunday 20 July 1960, Dear Son, I'm afraid you wont like my letter because I only have sad news for you right now. I really dont know how to tell you this but Brace up Honey. I'm going through hell myself. Little Tyke is gone. Saturday all day he was fine and seemed to pick up strength, but late at night I was watching TV a late movie. Just about 1: 30 A. M. when he started belching and throwing up. I went to him and tried to fix him up but to no availe. He was shivering like he was cold so I rapped him up in a Blanket then he started to throw up all over me. And that was the last of him. Needless to say how I feel and what I went through. I stayed up till "day Break" and did all I could to revive him but it was useless. I realized at 4 A. M. he was gone so at six I wrapped him up good in a clean blanket -- and at 7 A. M. went out to dig his grave. I never did anything in my whole life so heart breaking as to bury my beloved little Tyke who was as human as you and I. I buried him under the Honeysuckle vines, the corner, of the fence. I just cant sleep or eat. I keep looking and hoping to see him come through the cellar door calling Ma Wow. I'm just plain sick and the weirdest thing happened when I buried Tyke, all the black Birds I fed all Winter seemed to have known what was going on. Honest Son this is no lies. There was lots and lots of em flying over my head and chirping, and settling on the fence, for a whole hour after Tyke was laid to rest -- that's something I'll never forget -- I wish I had a camera at the time but God and Me knows it and saw it. Now Honey I know this is going to hurt you but I had to tell you somehow... I'm so sick not physically but heart sick... I just cant believe or realize that my Beautiful little Tyke is no more -- and that I wont be seeing him come through his little "Shanty" or Walking through the green grass ... PS. I've got to dismantle Tyke's shanty, I just cant go out there and see it empty -- as is. Well Honey, write soon again and be kind to yourself. Pray the real "God" -- Your old Mom XXXXXX. " So when Monsanto told me the news and I was sitting there smiling with happiness the way all people feel when they come out of a long solitude either in the woods or in a hospital bed, bang, my heart sank, it sank in fact with the same strange idiotic helplessness as when I took the unfortunate deep breath on the seashore -- All the premonitions tying in together. Monsanto sees that I'm terribly sad, he sees my little smile (the smile that came over me in Monterey just so glad to be back in the world after the solitudes and I'd walked around the streets just bemusedly Mona Lisa'ing at the sight of everything) -- He sees now how that smile has slowly melted away into a mawk of chagrin -- Of course he cant know since I didn't tell him and hardly wanta tell it now, that my relationship with my cat and the other previous cats has always been a little dotty: some kind of psychological identification of the cats with my dead brother Gerard who'd taught me to love cats when I was 3 and 4 and we used to lie on the floor on our bellies and watch them lap up milk -- The death of "little brother" Tyke indeed -- Monsanto seeing me so downcast says "Maybe you oughta go back to the cabin for a few more weeks -- or are you just gonna get drunk again" -- "I'm gonna get drunk yes" -- Because anyway there are so many things brewing, everybody's waiting, I've been daydreaming a thousand wild parties in the woods -- In fact it's fortunate I've heard of the death of Tyke in my favorite exciting city of San Francisco, if I had been home when he died I might have gone mad in a different way but tho I now ran out to get drunk with the boys and still once in a while that funny little smile of joy came back as I drank, and melted away again because now the smile itself was a reminder of death, the news made me go mad anyway at the end of the three week binge, creeping up on me finally on that terrible day of St Carolyn By The Sea as I can also call it -- All, all confusing till I explain. Meanwhile anyway poor Monsanto a man of letters wants to enjoy big new swappings with me about writing and what everybody's doing, and then Fagan comes into the store (downstairs to Monsanto's old rolltop desk making me also feel chagrin because it always was the ambition of my youth to end up a kind of literary businessman with a rolltop desk, combining my father's image with the image of myself as a writer, which Monsanto without even thinking about it has accomplished at the drop of a hat) -- Monsanto with his husky shoulders, big blue eyes, twinkling rosy skin, that perpetual smile of his that earned him the name Smiler in college and a smile you often wondered "Is it real? " until you realized if Monsanto should ever stop using that smile how could the world go on anyway -- It was that kind of smile too inseparable from him to be believably allowed to disappear -- Words words words but he is a grand guy as I'll show and now with real manly sympathy he really felt I should not go on big binges if I felt so bad, "At any rate, " sez he, "you can go back a little later huh" -- "Okay Lorry" -- "Did you write anything? " -- "I wrote the sounds of the sea, I'll tell you all about it -- It was the most happy three weeks of my life dammit and now this has to happen, poor little Tyke -- You should have seen him a big beautiful yellow Persian the kind they call calico" -- "Well you still have my dog Homer, and how was Alf out there? " -- "Alf the Sacred Burro, he ha, he stands in groves of trees in the afternoon suddenly you see him it's almost scarey, but I fed himapples and shredded wheat and everything" (and animals are so sad and patient I thought as I remembered Tyke's eyes and Alf's eyes, ah death, and to think this strange scandalous death comes also to human beings, yea to Smiler even, poor Smiler, and poor Homer his dog, and all of us) -- I'm also depressed because I know how horrible my mother now feels all alone without her little chum in the house back there three thousand miles (and indeed by Jesus it turns out later some silly beatniks trying to see me broke the windowpane in the front door trying to get in and scared her so much she barricaded the door with furniture all the rest of that summer). But there's old Ben Fagan puffing and chuckling over his pipe so what the hell, why bother grownup men and poets at that with your own troubles -- So Ben and I and his chum Jonesy also a chuckly pipesmoker go out to the bar (Mike's Place) and sip a few beers, at first I vow I'm not going to get drunk after all, we even go out to the park to have a long talk in the warm sun that always turns to delightful cool foggy dusk in that town of towns -- We're sitting in the park of the big Italian white church watching kids play and people go by, for some reason I'm bemused by the sight of a blonde woman hurrying somewhere "Where's she going? does she have a secret sailor lover? is she only going to finish her typing afterhours in the office? what if we knew Ben what every one of these people goin by is headed for, some door, some restaurant, some secret romance" -- "You sound like you stored up a lot of energy and innerest in life in those woods" -- And Ben knows that for sure because he's been months in the wilderness too, alone -- Old Ben, much thinner than he used to be in our madder Dharma Bum days of five years ago, a little gaunt in fact, but still the same old Ben who stays up late at night chuckling over the Lankavatara Scripture and writing poems about raindrops -- And he knows me very well, he knows I'll get drunk tonight and for weeks on end just on general principles and that a day will come in a few weeks when I'll be so exhausted I wont be able to talk to anybody and he'll come and visit me and just silently at my side be puffing his pipe, as I sleep -- The kind of guy he is -- I trying to explain about Tyke to him but some people are cat lovers and some ain't, tho Ben always has a little kitty around his pad -- His pad usually has a straw rug on the floor, with a pillow "pon which he sits crosslegged by a smoking teapot, his bookshelves full of Stein and Pound and Wallace Stevens -- A strange quiet poet who was only beginning to be recognized as a big rosy secret sage (one of his lines "When I leave town all my friends go back on the sauce') -- And I'm on my way to the sauce right now. Because anyway old Dave Wain is back and Dave I can see him rubbing his hands in anticipation of another big wild binge with me like we had the year before when he drove me back to New York from the west coast, with George Baso the little Japanese Zen master hepcat sitting crosslegged on the back mattress of Dave's jeepster (Willie the Jeep), a terrific trip through Las Vegas, St Louis, stopping off at expensive motels and drinking nothing but the best Scotch out of the bottle all the way -- And what better way to go back to New York, I could have blown 190 dollars on an airplane -- And Dave's never met the great Cody and will be looking forward to that -- So me and Ben leave the park and slowly walk to the bar on Columbus Street and I order my first double bourbon and gingerale. The lights are twinkling on outside in that fantastic toy street, I can feel the joy rise in my soul -- I now remember Big Sur with a clear piercing love and agony and even the death of Tyke fits in with everything but I don't realize the enormity of what's yet to come -- We call up Dave Wain who's back from Reno and he comes blattin downto the bar in his jeepster driving that marvelous way he does (once he was a cab-driver) talking all the time and never making a mistake, in fact as good a driver as Cody altho I cant imagine anybody being that good and asked Cody about it the next day -- But old jealous drivers always point out faults and complain, "Ah well that Dave Wain of yours doesnt take his curves right, he eases up and sometimes even pokes the brake a little instead of just ridin that old curve around on increased power, man you gotta work those curves" -- Obvious at this time now, by the way and parenthetically, that there's so much to tell about the fateful following three weeks it's hardly possible to find anyplace to begin. Like life, actually -- And how multiple it all is! -- "And what happened to little old George Baso, boy? " -- "Little old George Baso is probably dyin of TB in a hospital outside Tulare" -- "Gee, Dave, we gotta go see him" -- "Yessir, let's do that tomorrow" -- As usual Dave has no money whatever but that doesn't bother me at all, I've got plenty, I go out the following day and cash 500 dollars worth of travelers checks just so's me and old Dave can really have a good time... Dave likes good food and drink and so do I... But he's got this young kid he brought back from Reno called Ron Blake who is a goodlooking teenager with blond hair who wants to be a sensational new Chet Baker singer and comes on with that tiresome hipster approach that was natural five or ten and even twenty five years ago but now in 1960 is a pose, in fact I dug him as a con man conning Dave (tho for what, I don't know) -- But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate -- For one thing is one of the world's best talkers, and funny too -- As I'll show -- It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism -- Says Dave "People in America have all these racks of dry-cleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles -- Isnt that amazing? give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walking around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasnt occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles? " -- The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one -- In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip -- Monsanto hadn't heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that? " -- "Let's go tell him right now! " -- "Why of course if we wait another minute ... and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they don't know just what! " -- We rush to tell Monsanto at once in the book store around the corner. By now we're beginning to feel great... Fagan has retired saying typically "Okay you guys go ahead and get drunk, I'm goin home and spend a quiet evening in a hot bath with a book" "Home" is also where Dave Wain and Ron Blake live -- It's an old rooming house of four stories on the edge of the Negro district of San Francisco where Dave, Ben, Jonesy, a painter called Lanny Meadows, a mad French Canadian drinker called Pascal and a Negro called Johnson all live in different rooms with their clutter of rucksacks and floor mattresses and books and gear, each one taking turns one day a week to go out and do all the shopping and come back and cook up a big communal dinner in the kitchen -- All ten or twelve of them sharing the rent, and with that rotation of dinner, they end up living comfortable lives with wild parties and girls rushing in, people bringing bottles, all at about a minimum of seven dollars a week say -- It's a wonderful place but at the same time a little maddening, in fact a whole lot maddening because the painter Lanny Meadows loves music and has installed his Hi Fi speaker in the kitchen altho he applies the records in a back room so the daily cook may be concentrating on his Mulligan stew and all of a sudden Stravinsky's dinosaurs start dining overhead And at night there are bottlecrashing parties usually supervised by wild Pascal who is a sweet kid but crazy when he drinks A regular nuthouse actually and just exactly the image of what the journalists want to say about the Beat Generation nevertheless a harmless and pleasant agreement for young bachelors and a good idea in the long run -- Because you can rush into any room and find the expert, like say Ben's room and ask "Hey what did Bodhidharma say to the Second Patriarch? " -- "He said go fuck yourself, make your mind like a wall, dont pant after outside activities and dont bug me with your outside plans" -- "So the guy goes out and stands on his head in the snow? " "No that was Fubar" -- Or you go runnin into Dave Wain's room and there he is sitting crosslegged on his mattress on the floor reading Jane Austen, you ask "What's the best way to make beef Stroganoff? "... "Beef Stroganoff is very simple, "t'aint nothin but a good well cooked beef and onion stew that you let cool afterwards then you throw in mushrooms and lotsa sour cream, I'll come down and show way soon's I finish this chapter in this marvelous novel, I wanta find out what happens next" -- Or you go into the Negro's room and ask if you can borrow his tape recorder because right at the moment some funny things are being said in the kitchen by Duluoz and McLear and Monsanto and some newspaperman -- Because the kitchen was also the main talking room where everybody sat in a cluster of dishes and ashtrays and all kinds of visitors came... The year before a beautiful 16 year old Japanese girl had come there just to interview me, for instance, but chaperoned by a Chinese painter The phone rang consistently -- Even wild Negro hepcats from around the corner came in with bottles (Edward Kool and several others) -- There was Zen, jazz, booze, pot and all the works but it was somehow obviated (as a supposedly degenerate idea) by the sight of a "beatnik" carefully painting the wall of his room and clean white with nice little red borders around the door and windowframes -- Or someone is sweeping out the livingroom. Itinerant visitors like me or Ron Blake always had an extra mattress to sleep on. 12 But Dave is anxious and so am I to see great Cody who is always the major part of my reason for journeying to the west coast so we call him up to Los Gatos fifty miles away down the Santa Clara Valley and I hear his dear sad voice saying "Been waitin for ya old buddy, come on down right away, but I'll be goin to work at midnight so hurry up and you can visit me at work soon's the boss leaves round two and I'll show you my new job of tire recappin and see if you cant bring a little somethin like a girl or sumptin, just kiddin, come on down pal... " So there's old Willie waiting for us down on the street parked across from the little pleasant Japanese liquor store where as usual, according to our ritual, I run and get Pernod or Scotch or anything good while Dave wheels around to pick me up at the store door, and I get in the front seat at Dave's right where I belong all the time like old Honored Samuel Johnson while everybody else that wants to come along has to scramble back there on the mattress (a full mattress, the seats are out) and squat there or lie down there and also generally keep silent because when Dave's got the wheel of Willie in his hand and I've got the bottle in mine and we're off on a trip the talking all comes from the front seat... "By God" yells Dave all glad again, "it's just like old times Jack, gee old Willie's been sad for ya, waiting for ya to come back -- So now I'm gonna show ya how old Willie's even improved with age, had him reconditioned in Reno last month, here he goes, are you ready Willie? " and off we go and the beauty of it allthis particular summer is that the front right seat is broken and just rocks back and forth gently to every one of Dave's driving moves -- It's like sitting in a rocking chair on a porch only this is a moving porch and a porch to talk on at that -- And insteada watching old men pitch horseshoes from this here talking porch it's all that fine white clean line in the middle of the road as we go flying like birds over the Harrison ramps and whatnot Dave always uses to sneak out of Frisco real fast and avoid all the traffic... Soon we're set straight and pointed head on down beautiful fourlane Bayshore Highway to that lovely Santa Clara Valley... But I'm amazed that after only a few years the damn thing no longer has prune fields and vast beet fields like at Lawrence when I was a brakeman on the Southern Pacific and even after) it's one long row of houses right down the line fifty miles to San Jose like a great monstrous Los Angeles beginning to grow south of Frisco. At first it's beautiful to just watch that white line reel in to Willie's snout but when I start looking around out the window there's just endless housing tracts and new blue factories everywhere -- Sez Dave "Yes that's right, the population explosion is gonna cover every bit of backyard dirt in America someday in fact they'll even have to start piling up friggin levels of houses and others over that like your city City CITY till the houses reach a hundred miles in the air in all directions of the map and people looking at the earth from another planet with super telescopes will see a prickly ball hanging in space -- It's like real horrible when you come to think of it, even us with our fancy talks, shit man it's all millions of people and events piling up almost unimaginable now, like raving baboons we'll all be piled on top of each other or one another or whatever you're sposed to say -- Hundreds of millions of hungry mouths raving for more more more -- And the sadness of it all is that the world hasn't any chance to produce say a writer whose life could really actually touch all this life in every detail like you always say, some writers could bring you sobbing thru the bed fuckin bedcribs of the moon to see it all even unto the goddamned last gory detail of some dismal robbery of the heart at dawn when no one cares like Sinatra sings" ('When no one cares, " he sings in his low baritone but resumes): "Some strict sweeper sweeping it all up. I mean the incredible helplessness I felt Jack when Celine ended his Journey To The End Of The Night by pissing in the Seine River at dawn there I am thinkin my God there's probably somebody pissing in the Trenton River at dawn right now, the Danube, the Ganges, the frozen Obi, the Yellow, the Parana, the Willamette, the Merrimac in Missouri too, the Missouri itself, the Yuma, the Amazon, the Thames, the Po, and so and so, it's so friggin endless it's like poems endless everywhere and no one knows any bettern old Buddha you know where he says it's like "There are immeasurable star misty aeons of universes more numerous than the sands in all the galaxies, multiplied by a billion lightyears of multiplication, in fact if I were to go on you'd be scared and couldn't comprehend and you'd despair so much you'd drop dead, " that's what he just about said in one of those sutras -- Macrocosms and microcosms and chillicosms and microbes and finally you get all these marvelous books a man aint even got time to read em all, what you gonna do in this already piled up multiple world when you have to think of the Book of Songs, Faulkner, Cesar Birotteau, Shakespeare, Satyricons, Dantes, in fact long stories guys tell you in bars, in fact the sutras themselves, Sir Philip Sidney, Sterne, Ibn El Arabi, the copious Lope de Vega and the uncopious goddamn Cervantes, shoo, then there's all those Catulluses and Davids and radio listening skid row sages to contend with because they've all got a million stories too and you too Ron Blake in the backseat shut up! down to everything which is so much that it is of necessity dont you think Nothing anyway, huh? " (expressing exactly the way I feel, of course). And to corroborate all that about the too-much-ness of the world, in fact, there's Stanley Popovich also in the back mattress next to Ron, Stanley Popovich of New York suddenly arrived in San Francisco with Jamie his Italian beauty girl but's going to leave her in a few days to go work for the circus, a big tough Yugoslav kid who ran the Seven Arts Gallery in New York with big bearded beatnik readings but now comes the circus and a whole big on-the-road of his own -- It's too much, in fact right this minute he's started telling us about circus work -- On top of all that old Cody is up ahead with HIS thousand stories -- We all agree it's1 too big to keep up with, that we're surrounded by life, that we'll never understand it, so we center it all in by swigging Scotch from the bottle and when it's empty I run out of the car and buy another one, period. 13 But on the way to Cody's my madness already began to manifest itself in a stranger way, another one of those signposts of something wrong I mentioned a ways back: I thought I saw a flying saucer in the sky over Los Gatos -- From five miles away -- I look and I see this thing flying along and mention it to Dave who takes one brief look and says 'Ah it's only the top of a radio tower" -- It reminds me of the time I took a mescaline pill and thought an airplane was a flying saucer (a strange story this, a man has to be crazy to write it anyway). But there's old Cody in the livingroom of his fine ranchito home sittin over his chess set pondering a problem and right by the fresh woodfire in the fireplace his wife's set out because she knows I love fireplaces -- She a good friend of mine too... The kids are sleeping in the back, it's about eleven, and good old Cody shakes my hand again -- Havent seen him for several years because mainly he's just spent two years in San Quentin on a stupid charge of possession of marijuana... He was on his way to work on the railroad one night and was short on time and his driving license had been already revoked for speeding so he saw two bearded bluejeaned beatniks parked, asked them to trade a quick ride to work at the railroad station for two sticks of tea, they complied and arrested him -- They were disguised policemen... For this great crime he spent two years in San Quentin in the same cell with a murderous gunman -- His job was sweeping out the cotton mill room -- I expect him to be all