and opened them." "What did he find?" I asked. Don Juan glanced at me and I had the feeling he was aware of my mental gymnastics. He shook his head and chuckled. "Well, " I urged him. "Were the gourds empty?" "There was only food and water inside the gourds," he said. "And the young man, in a fit of anger, smashed them against the rocks." I said that his reaction was only natural-anyone in his position would have done the same. Don Juan's reply was that the young man was a fool who did not know what he was looking for. He did not know what "power" was, so he could not tell whether or not he had found it. He had not taken responsibility for his decision, therefore he was angered by his blunder. He expected to gain something and got nothing instead. Don Juan speculated that if I were the young man and if I had followed my inclinations I would have ended up angry and remorseful, and would, no doubt, have spent the rest of my life feeling sorry for myself for what I had lost. Then he explained the behavior of the old man. He had cleverly fed the young man so as to give him the "daring of a satisfied stomach, " thus the young man upon finding only food in the gourds smashed them in a fit of anger. "Had he been aware of his decision and assumed responsibility for it, " don Juan said, "he would have taken the food and would've been more than satisfied with it. And perhaps lie might even have realized that the food was power too." BECOMING A HUNTER Friday, June 23, 1961 As soon as I sat down I bombarded don Juan with questions. He did not answer me and made an impatient gesture with his hand to be quiet. He seemed to be in a serious mood. "I was thinking that you haven't changed at all in the time you've been trying to learn about plants, " he said in an accusing tone. He began reviewing in a loud voice all the changes of personality he had recommended I should undertake. I told him that I had considered the matter very seriously and found that I could not possibly fulfill them because each of them ran contrary to my core. He replied that to merely consider them was not enough, and that whatever he had said to me was not said just for fun. I again insisted that, although I had done very little in matters of adjusting my personal life to his ideas, I really wanted to learn the uses of plants. After a long, uneasy silence I boldly asked him, "Would you teach me about peyote, don Juan?" He said that my intentions alone were not enough, and that to know about peyote-he called it "Mescalito" for the first time-was a serious matter. It seemed that there was nothing else to say. In the early evening, however, he set up a test for me; he put forth a problem without giving me any clues to its solution: to find a beneficial place or spot in the area right in front of his door where we always sat to talk, a spot where I could allegedly feel perfectly happy and invigorated. During the course of the night, while I attempted to find the "spot" by rolling on the ground, I twice detected a change of coloration on the uniformly dark dirt floor of the designated area. The problem exhausted me and I fell asleep on one of the places where I had detected the change in color. In the morning don Juan woke me up and announced that I had had a very successful experience. Not only had I found the beneficial spot I was looking for, but I had also found its opposite, an enemy or negative spot and the colors associated with both. Saturday, June 24, 1961 We went into the desert chaparral in the early morning. As we walked, don Juan explained to me that finding a "beneficial" or an "enemy" spot was an important need for a man in the wilderness. I wanted to steer the conversation to the topic of peyote, but he flatly refused to talk about it. He warned me that there should be no mention of it, unless he himself brought up the subject. We sat down to rest in the shade of some tall bushes in an area of thick vegetation. The desert chaparral around us was not quite dry yet; it was a warm day and the flies kept on pestering me but they did not seem to bother don Juan. I wondered whether he was just ignoring them but then I noticed they were not landing on his face at all. "Sometimes it is necessary to find a beneficial spot quickly, out in the open, " don Juan went on. "Or maybe it is necessary to determine quickly whether or not the spot where one is about to rest is a bad one. One time, we sat to rest by some hill and you got very angry and upset. That spot was your enemy. A little crow gave you a warning, remember?" I remembered that he had made a point of telling me to avoid that area in the future. I also remembered that I had become angry because he had not let me laugh. "I thought that the crow that flew overhead was an omen for me alone, " he said. "I would never have suspected that the crows were friendly towards you too." "What are you talking about?" "The crow was an omen, " he went on. "If you knew about crows you would have avoided the place like the plague. Crows are not always available to give warning though, and you must learn to find, by yourself, a proper place to camp or to rest." After a long pause don Juan suddenly turned to me and said that in order to find the proper place to rest all I had to do was to cross my eyes. He gave me a knowing look and in a confidential tone told me that I had done precisely that when I was rolling on his porch, and thus I had been capable of finding two spots and their colors. He let me know that he was impressed by my accomplishment. "I really don't know what I did, " I said. "You crossed your eyes, " he said emphatically. "That's the technique; you must have done that, although you don't remember it." Don Juan then described the technique, which he said took years to perfect, and which consisted of gradually forcing the eyes to see separately the same image. The lack of image conversion entailed a double perception of the world; this double perception, according to don Juan, allowed one the opportunity of judging changes in the surroundings, which the eyes were ordinarily incapable of perceiving. Don Juan coaxed me to try it. He assured me that it was not injurious to the sight. He said that I should begin by looking in short glances, almost with the corners of my eyes. He pointed to a large bush and showed me how. I had a strange feeling, seeing don Juan's eyes taking incredibly fast glances at the bush. His eyes reminded me of those of a shifty animal that cannot look straight. We walked for perhaps an hour while I tried not to focus my sight on anything. Then don Juan asked me to start separating the images perceived by each of my eyes. After another hour or so I got a terrible headache and had to stop. "Do you think you could find, by yourself, a proper place for us to rest?" he asked. I had no idea what the criterion for a "proper place" was. He patiently explained that looking in short glances allowed the eyes to pick out unusual sights. "Such as what?" I asked. "They are not sights proper, " he said. "They are more like feelings. If you look at a bush or a tree or a rock where you may like to rest, your eyes can make you feel whether or not that's the best resting place." I again urged him to describe what those feelings were but he either could not describe them or he simply did not want to. He said that I should practice by picking out a place and then he would tell me whether or not my eyes were working. At one moment I caught sight of what I thought was a pebble which reflected light. I could not see it if I focused my eyes on it, but if I swept the area with fast glances I could detect a sort of faint glitter. I pointed out the place to don Juan. It was in the middle of an open unshaded flat area devoid of thick bushes. He laughed uproariously and then asked me why I had picked that specific spot. I explained that I was seeing a glitter. "I don't care what you see, " he said. "You could be seeing an elephant. How you feel is the important issue." I did not feel anything at all. He gave me a mysterious look and said that he wished he could oblige me and sit down to rest with me there, but he was going to sit somewhere else while I tested my choice. I sat down while he looked at me curiously from a distance of thirty or forty feet away. After a few minutes he began to laugh loudly. Somehow his laughter made me nervous. It put me on edge. I felt he was making fun of me and I got angry. I began to question my motives for being there. There was definitely something wrong in the way my total endeavor with don Juan was proceeding. I felt that I was just a pawn in his clutches. Suddenly don Juan charged at me, at full speed, and pulled me by the arm, dragging me bodily for ten or twelve feet. He helped me to stand up and wiped some perspiration from his forehead. I noticed then that he had exerted himself to his limit. He patted me on the back and said that I had picked the wrong place and that he had had to rescue me in a real hurry, because he saw that the spot where I was sitting was about to take over my entire feelings. I laughed. The image of don Juan charging at me was very funny. He had actually run like a young man. His feet moved as if he were grabbing the soft reddish dirt of the desert in order to catapult himself over me. I had seen him laughing at me and then in a matter of seconds he was dragging me by the arm. After a while he urged me to continue looking for a proper place to rest. We kept on walking but I did not detect or "feel" anything at all. Perhaps if I had been more relaxed I would have noticed or felt something. I had ceased, however, to be angry with him. Finally he pointed to some rocks and we came to a halt. "Don't feel disappointed, " don Juan said. "It takes a long time to train the eyes properly." I did not say anything. I was not going to be disappointed about something I did not understand at all. Yet, I had to admit that three times already since I had begun to visit don Juan I had become very angry and had been agitated to the point of being nearly ill while sitting on places that he called bad. "The trick is to feel with your eyes, " he said. "Your problem now is that you don't know what to feel. It'll come to you, though, with practice." "Perhaps you should tell me, don Juan, what I am supposed to feel." "That's impossible." "Why?" "No one can tell you what you are supposed to feel. It is not heat, or light, or glare, or color. It is something else." "Can't you describe it?" "No. All I can do is give you the technique. Once you learn to separate the images and see two of everything, you must focus your attention in the area between the two images. Any change worthy of notice would take place there, in that area." "What kind of changes are they?" "That is not important. The feeling that you get is what counts. Every man is different. You saw glitter today, but that did not mean anything, because the feeling was missing. I can't tell you how to feel. You must learn that yourself." We rested in silence for some time. Don Juan covered his face with his hat and remained motionless as if he were asleep. I became absorbed in writing my notes, until he made a sudden movement that made me jolt. He sat up abruptly and faced me, frowning. "You have a knack for hunting, " he said. "And that's what you should learn, hunting. We are not going to talk about plants any more." He puffed out his jaws for an instant, then candidly added, "I don't think we ever have, anyway, have we?" and laughed. We spent the rest of the day walking in every direction while he gave me an unbelievably detailed explanation about rattlesnakes. The way they nest, the way they move around, their seasonal habits, their quirks of behavior. Then he proceeded to corroborate each of the points he had made and finally he caught and killed a large snake; he cut its head off, cleaned its viscera, skinned it, and roasted the meat. His movements had such a grace and skill that it was a sheer pleasure just to be around him. I had listened to him and watched him, spellbound. My concentration had been so complete that the rest of the world had practically vanished for me. Eating the snake was a hard reentry into the world of ordinary affairs. I felt nauseated when I began to chew a bite of snake meat. It was an ill founded queasiness, as the meat was delicious, but my stomach seemed to be rather an independent unit. I could hardly swallow at all. I thought don Juan would have a heart attack from laughing so hard. Afterwards we sat down for a leisurely rest in the shade of some rocks. I began to work on my notes, and the quantity of them made me realize that he had given me an astonishing amount of information about rattlesnakes. "Your hunter's spirit has returned to you, " don Juan said suddenly and with a serious face. "Now you're hooked." "I beg your pardon?" I wanted him to elaborate on his statement that I was hooked, but he only laughed and repeated it. "How am I hooked?" I insisted. "Hunters will always hunt, " he said. "I am a hunter myself." "Do you mean you hunt for a living?" "I hunt in order to live. I can live off the land, anywhere." He indicated the total surroundings with his hand. "To be a hunter means that one knows a great deal, " he went on. "It means that one can see the world in different ways. In order to be a hunter one must be in perfect balance with everything else, otherwise hunting would become a meaningless chore. For instance, today we took a little snake. I had to apologize to her for cutting her life off so suddenly and so definitely; I did what I did knowing that my own life will also be cut off someday in very much the same fashion, suddenly and definitely. So, all in all, we and the snakes are on a par. One of them fed us today." "I had never conceived a balance of that kind when I used to hunt, " I said. "That's not true. You didn't just kill animals. You and your family all ate the game." His statements carried the conviction of someone who had been there. He was, of course, right. There had been times when I had provided the incidental wild meat for my family. After a moment's hesitation I asked, "How did you know that?" "There are certain things that I just know, " he said. "I can't tell you how though." I told him that my aunts and uncles would very seriously call all the birds I would bag "pheasants." Don Juan said he could easily imagine them calling a sparrow a "tiny pheasant" and added a comical rendition of how they would chew it. The extraordinary movements of his jaw gave me the feeling that he was actually chewing a whole bird, bones and all. "I really think that you have a touch for hunting, " he said, staring at me. "And we have been barking up the wrong tree. Perhaps you will be willing to change your way of life in order to become a hunter." He reminded me that I had found out, with just a little exertion on my part, that in the world there were good and bad spots for me; he added that I had also found out the specific colors associated with them. "That means that you have a knack for hunting, " he declared. "Not everyone who tries would find their colors and their spots at the same time." To be a hunter sounded very nice and romantic, but it was an absurdity to me, since I did not particularly care to hunt. "You don't have to care to hunt or to like it, " he replied to my complaint. "You have a natural inclination. I think the best hunters never like hunting; they do it well, that's all." I had the feeling don Juan was capable of arguing his way out of anything, and yet he maintained that he did not like to talk at all. "It is like what I have told you about hunters, " he said. "I don't necessarily like to talk. I just have a knack for it and I do it well, that's all." I found his mental agility truly funny. "Hunters must be exceptionally tight individuals, " he continued. "A hunter leaves very little to chance. I have been trying all along to convince you that you must learn to live in a different way. So far I have not succeeded. There was nothing you could've grabbed on to. Now it's different. I have brought back your old hunter's spirit, perhaps through it you will change." I protested that I did not want to become a hunter. I reminded him that in the beginning I had just wanted him to tell me about medicinal plants, but he had made me stray so far away from my original purpose that I could not clearly recall any more whether or not I had really wanted to learn about plants. "Good, " he said. "Really good. If you don't have such a clear picture of what you want, you may become more humble. "Let's put it this way. For your purposes it doesn't really matter whether you learn about plants or about hunting. You've told me that yourself. You are interested in anything that anyone can tell you. True?" I had said that to him in trying to define the scope of anthropology and in order to draft him as my informant. Don Juan chuckled, obviously aware of his control over the situation. "I am a hunter, " he said, as if he were reading my thoughts. "I leave very little to chance. Perhaps I should explain to you that I learned to be a hunter. I have not always lived the way I do now. At one point in my life I had to change. Now I'm pointing the direction to you. I'm guiding you. I know what I'm talking about; someone taught me all this. I didn't figure it out for myself." "Do you mean that you had a teacher, don Juan?" "Let's say that someone taught me to hunt the way I want to teach you now, " he said and quickly changed the topic. "I think that once upon a time hunting was one of the greatest acts a man could perform, " he said. "All hunters were powerful men. In fact, a hunter had to be powerful to begin with in order to withstand the rigors of that life." Suddenly I became curious. Was he referring to a time perhaps prior to the Conquest? I began to probe him. "When was the time you are talking about?" "Once upon a time." "When? What does 'once upon a time' mean?" "It means once upon a time, or maybe it means now, today. It doesn't matter. At one time everybody knew that a hunter was the best of men. Now not everyone knows that, but there are a sufficient number of people who do. I know it, someday you will. See what I mean?" "Do the Yaqui Indians feel that way about hunters? That's what I want to know." "Not necessarily." "Do the Pima Indians?" "Not all of them. But some." I named various neighboring groups. I wanted to commit him to a statement that hunting was a shared belief and practice of some specific people. But he avoided answering me directly, so I changed the subject. "Why are you doing all this for me, don Juan?" I asked. He took off his hat and scratched his temples in feigned bafflement. "I'm having a gesture with you, " he said softly. "Other people have had a similar gesture with you; someday you yourself will have the same gesture with others. Let's say that it is my turn. One day I found out that if I wanted to be a hunter worthy of self-respect I had to change my way of life. I used to whine and complain a great deal. I had good reasons to feel shortchanged. I am an Indian and Indians are treated like dogs. There was nothing I could do to remedy that, so all I was left with was my sorrow. But then my good fortune spared me and someone taught me to hunt. And I realized that the way I lived was not worth living ... so I changed it." "But I am happy with my life, don Juan. Why should I have to change it?" He began to sing a Mexican song, very softly, and then hummed the tune. His head bobbed up and down as he followed the beat of the song. "Do you think that you and I are equals?" he asked in a sharp voice. His question caught me off guard. I experienced a peculiar buzzing in my ears as though he had actually shouted his words, which he had not done; however, there had been a metallic sound in his voice that was reverberating in my ears. I scratched the inside of my left ear with the small finger of my left hand. My ears itched all the time and I had developed a rhythmical nervous way of rubbing the inside of them with the small finger of either hand. The movement was more properly a shake of my whole arm. Don Juan watched my movements with apparent fascination. "Well . . . are we equals?" he asked. "Of course we're equals, " I said. I was, naturally, being condescending. I felt very warm towards him even though at times I did not know what to do with him; yet I still held in the back of my mind, although I would never voice it, the belief that I, being a university student, a man of the sophisticated Western world, was superior to an Indian. "No, " he said calmly, "we are not." "Why, certainly we are, " I protested. "No, " he said in a soft voice. "We are not equals. I am a hunter and a warrior, and you are a pimp." My mouth fell open. I could not believe that don Juan had actually said that. I dropped my notebook and stared at him dumbfoundedly and then, of course, I became furious. He looked at me with calm and collected eyes. I avoided his gaze. And then he began to talk. He enunciated his words clearly. They poured out smoothly and deadly. He said that I was pimping for someone else. That I was not fighting my own battles but the battles of some unknown people. That I did not want to learn about plants or about hunting or about anything. And that his world of precise acts and feelings and decisions was infinitely more effective than the blundering idiocy I called "my life." After he finished talking I was numb. He had spoken without belligerence or conceit but with such power, and yet such calmness, that I was not even angry any more. We remained silent. I felt embarrassed and could not think of anything appropriate to say. I waited for him to break the silence. Hours went by. Don Juan became motionless by degrees, until his body had acquired a strange, almost frightening rigidity; his silhouette became difficult to make out as it got dark, and finally when it was pitch black around us he seemed to have merged into the blackness of the stones. His state of motionlessness was so total that it was as if he did not exist any longer. It was midnight when I finally realized that he could and would stay motionless there in that wilderness, in those rocks, perhaps forever if he had to. His world of precise acts and feelings and decisions was indeed superior. I quietly touched his arm and tears flooded me. BEING INACCESSIBLE Thursday, June 29, 1961 Again don Juan, as he had done every day for nearly a week, held me spellbound with his knowledge of specific details about the behavior of game. He first explained and then corroborated a number of hunting tactics based on what he called "the quirks of quails." I became so utterly involved in his explanations that a whole day went by and I had not noticed the passage of time. I even forgot to eat lunch. Don Juan made joking remarks that it was quite unusual for me to miss a meal. By the end of the day he had caught five quail in a most ingenious trap, which he had taught me to assemble and set up. "Two are enough for us, " he said and let three of them loose. He then taught me how to roast quail. I had wanted to cut some shrubs and make a barbecue pit, the way my grandfather used to make it, lined with green branches and leaves and sealed with dirt, but don Juan said that there was no need to injure the shrubs, since we had already injured the quail. After we finished eating we walked very leisurely towards a rocky area. We sat on a sandstone hillside and I said jokingly that if he would have left the matter up to me I would have cooked all five of the quail, and that my barbecue would have tasted much better than his roast. "No doubt, " he said. "But if you would have done all that we might have never left this place in one piece." "What do you mean?" I asked. "What would have prevented us?" "The shrubs, the quail, everything around would have pitched in." "I never know when you are talking seriously, " I said. He made a gesture of feigned impatience and smacked his lips. "You have a weird notion of what it means to talk seriously, " he said. "I laugh a great deal because I like to laugh yet everything I say is deadly serious, even if you don't understand it. Why should the world be only as you think it is? Who gave you the authority to say so?" "There is no proof that the world is otherwise, " I said. It was getting dark. I was wondering if it was time to go back to his house, but he did not seem to be in a hurry and I was enjoying myself. The wind was cold. Suddenly he stood up and told me that we had to climb to the hilltop and stand up on an area clear of shrubs. "Don't be afraid, " he said. "I'm your friend and I'll see that nothing bad happens to you." "What do you mean?" I asked, alarmed. Don Juan had the most insidious facility to shift me from sheer enjoyment to sheer fright. "The world is very strange at this time of the day, " he said. "That's what I mean. No matter what you see, don't be afraid." "What am I going to see?" "I don't know yet, " he said, peering into the distance towards the south. He did not seem to be worried. I also kept on looking in the same direction. Suddenly he perked up and pointed with his left hand towards a dark area in the desert shrubbery. "There it is, " he said, as if he had been waiting for something which had suddenly appeared. "What is it?" I asked. "There it is, " he repeated. "Look! Look!" I did not see anything, just the shrubs. "It is here now, " he said with great urgency in his voice. "It is here." A sudden gust of wind hit me at that instant and made my eyes burn. I stared towards the area in question. There was absolutely nothing out of the ordinary. "I can't see a thing, " I said. "You just felt it, " he replied. "Right now. It got into your eyes and kept you from seeing." "What are you talking about?" "I have deliberately brought you to a hilltop, " he said. "We are very noticeable here and something is coming to us." "What? The wind?" "Not just the wind, " he said sternly. "It may seem to be wind to you, because wind is all you know." I strained my eyes staring into the desert shrubs. Don Juan stood silently by me for a moment and then walked into the nearby chaparral and began to tear some big branches from the surrounding shrubs; he gathered eight of them and made a bundle. He ordered me to do the same and to apologize to the plants in a loud voice for mutilating them. When we had two bundles he made me run with them to the hilltop and lie down on my back between two large rocks. With tremendous speed he arranged the branches of my bundle to cover my entire body, then he covered himself in the same manner and whispered through the leaves that I should watch how the so-called wind would cease to blow once we had become unnoticeable. At one moment, to my utter amazement, the wind actually ceased to blow as don Juan had predicted. It happened so gradually that I would have missed the change had I not been deliberately waiting for it. For a while the wind had hissed through the leaves over my face and then gradually it became quiet all around us. I whispered to don Juan that the wind had stopped and he whispered back that I should not make any overt noise or movement, because what I was calling the wind was not wind at all but something that had a volition of its own and could actually recognize us. I laughed out of nervousness. In a muffled voice don Juan called my attention to the quietness around us and whispered that he was going to stand up and I should follow him, putting the branches aside very gently with my left hand. We stood up at the same time. Don Juan stared for a moment into the distance towards the south and then turned around-abruptly and faced the west. "Sneaky. Really sneaky, " he muttered, pointing to an area towards the southwest. "Look! Look!" he urged me. I stared with all the intensity I was capable of. I wanted to see whatever he was referring to, but I did not notice anything at all. Or rather I did not notice anything I had not seen before; there were just shrubs which seemed to be agitated by a soft wind; they rippled. "It's here, " don Juan said. At that moment I felt a blast of air in my face. It seemed that the wind had actually begun to blow after we stood up. I could not believe it; there had to be a logical explanation for it. Don Juan chuckled softly and told me not to tax my brain trying to reason it out. "Let's go gather the shrubs once more, " he said. "I hate to do this to these little plants, but we must stop you." He picked up the branches we had used to cover ourselves and piled small rocks and dirt over them. Then, repeating the same movements we had made before, each of us gathered eight new branches. In the meantime the wind kept on blowing ceaselessly. I could feel it ruffling the hair around my ears. Don Juan whispered that once he had covered me I should not make the slightest movement or sound. He very quickly put the branches over my body and then he lay down and covered himself. We stayed in that position for about twenty minutes and during that time a most extraordinary phenomenon occurred; the wind again changed from a hard continuous gust to a mild vibration. I held my breath, waiting for don Juan's signal. At a given moment he gently shoved off the branches. I did the same and we stood up. The hilltop was very quiet. There was only a slight, soft vibration of leaves in the surrounding chaparral. Don Juan's eyes were fixedly staring at an area in the shrubs south of us. "There it is again!" he exclaimed in a loud voice. I involuntarily jumped, nearly losing my balance, and he ordered me in a loud imperative voice to look. "What am I supposed to see?" I asked desperately. He said that it, the wind or whatever, was like a cloud or a whorl that was quite a ways above the shrubs, twirling its way to the hilltop where we were. I saw a ripple forming on the bushes in the distance. "There it comes, " don Juan said in my ear. "Look how it is searching for us." Right then a strong steady gust of wind hit my face, as it had hit it before. This time, however, my reaction was different. I was terrified. I had not seen what don Juan had described, but I had seen a most eerie wave rippling the shrubs. I did not want to succumb to my fear and deliberately sought any kind of suitable explanation. I said to myself that there must be continuous air currents in the area, and don Juan, being thoroughly acquainted with the whole region, was not only aware of that but was capable of mentally plotting their occurrence. All he had to do was to lie down, count, and wait for the wind to taper off; and once he stood up he had only to wait again for its reoccurrence. Don Juan's voice shook me out of my mental deliberations. He was telling me that it was time to leave. I stalled; I wanted to stay to make sure that the wind would taper off. "I didn't see anything, don Juan, " I said. "You noticed something unusual though." "Perhaps you should tell me again what I was supposed to see." "I've already told you, " he said. "Something that hides in the wind and looks like a whorl, a cloud, a mist, a face that twirls around." Don Juan made a gesture with his hands to depict a horizontal and a vertical motion. "It moves in a specific direction, " he went on. "It either tumbles or it twirls. A hunter must know all that in order to move correctly." I wanted to humor him, but he seemed to be trying so hard to make his point that I did not dare. He looked at me for a moment and I moved my eyes away. "To believe that the world is only as you think it is, is stupid, " he said. "The world is a mysterious place. Especially in the twilight." He pointed towards the wind with a movement of his chin. "This can follow us, " he said. "It can make us tired or it might even kill us." "That wind?" "At this time of the day, in the twilight, there is no wind. At this time there is only power." We sat on the hilltop for an hour. The wind blew hard and constantly all that time. Friday, June 30, 1961 In the late afternoon, after eating, don Juan and I moved to the area in front of his door. I sat on my "spot" and began working on my notes. He lay down on his back with his hands folded over his stomach. We had stayed around the house all day on account of the "wind." Don Juan explained that we had disturbed the wind deliberately and that it was better not to fool around with it. I had even had to sleep covered with branches. A sudden gust of wind made don Juan get up in one incredibly agile jump. "Damn it, " he said. "The wind is looking for you." "I can't buy that, don Juan, " I said, laughing. "I really can't." I was not being stubborn, I just found it impossible to endorse the idea that the wind had its own volition and was looking for me, or that it had actually spotted us and rushed to us on top of the hill. I said that the idea of a "willful wind" was a view of the world that was rather simplistic. "What is the wind then?" he asked in a challenging tone. I patiently explained to him that masses of hot and cold air produced different pressures and that the pressure made the masses of air move vertically and horizontally. It took me a long while to explain all the details of basic meteorology. "You mean that all there is to the wind is hot and cold air?" he asked in a tone of bafflement. "I'm afraid so, " I said and silently enjoyed my triumph. Don Juan seemed to be dumbfounded. But then he looked at me and began to laugh uproariously. "Your opinions are final opinions, " he said with a note of sarcasm. "They are the last word, aren't they? For a hunter, however, your opinions are pure crap. It makes no difference whether the pressure is one or two or ten; if you would live out here in the wilderness you would know that during the twilight the wind becomes power. A hunter that is worth his salt knows that, and acts accordingly." "How does he act?" "He uses the twilight and that power hidden in the wind." "How?" "If it is convenient to him, the hunter hides from the power by covering himself and remaining motionless until the twilight is gone and the power has sealed him into its protection." Don Juan made a gesture of enveloping something with his hands. "Its protection is like a ..." He paused in search of a word and I suggested "cocoon." "That is right, " he said. "The protection of the power seals you like in a cocoon. A hunter can stay out in the open and no puma or coyote or slimy bug could bother him. A mountain lion could come up to the hunter's nose and sniff him, and if the hunter does not move, the lion would leave. I can guarantee you that. "If the hunter, on the other hand, wants to be noticed all he has to do is to stand on a hilltop at the time of the twilight and the power will nag him and seek him all night. Therefore, if a hunter wants to travel at night or if he wants to be kept awake he must make himself available to the wind. "Therein lies the secret of great hunters. To be available and unavailable at the precise turn of the road." I felt a bit confused and asked him to recapitulate his point. Don Juan very patiently explained that he had used the twilight and the wind to point out the crucial importance of the interplay between hiding and showing oneself. "You must learn to become deliberately available and unavailable, " he said. "As your life goes now, you are unwittingly available at all times." I protested. My feeling was that my life was becoming increasingly more and more secretive. He said I had not understood his point, and that to be unavailable did not mean to hide or to be secretive but to be inaccessible. "Let me put it in another way, " he proceeded patiently. "It makes no difference to hide if everyone knows that you are hiding. "Your problems right now stem from that. When you are hiding, everyone knows that you are hiding, and when you are not, you are available for everyone to take a poke at you." I was beginning to feel threatened and hurriedly tried to defend myself. "Don't explain yourself, "don Juan said dryly. "There is no need. We are fools, all of us, and you cannot be different. At one time in my life I, like you, made myself available over and over again until there was nothing of me left for anything except perhaps crying. And that I did, just like yourself." Don Juan sized me up for a moment and then sighed loudly. "I was younger than you, though, " he went on, "but one day I had enough and I changed. Let's say that one day, when I was becoming a hunter, I learned the secret of being available and unavailable." I told him that his point was bypassing me. I truly could not understand what he meant by being available. He had used the Spanish idioms "ponerse al alcance" and "ponerse en el del camino, "to put oneself within reach, and to put oneself in the middle of a trafficked way. "You must take yourself away, " he explained. "You must retrieve yourself from the middle of a trafficked way. Your whole being is there, thus it is of no use to hide; you would only imagine that you are hidden. Being in the middle of the road means that everyone passing by watches your comings and goings." His metaphor was interesting, but at the same time it was also obscure. "You are talking in riddles, " I said. He stared at me fixedly for a long moment and then began to hum a tune. I straightened my back and sat attentively. I knew that when don Juan hummed a Mexican tune he was about to clobber me. "Hey, " he said, smiling, and peered at me. "Whatever happened to your blond friend? That girl that you used to really like." I must have looked at him like a confounded idiot. He laughed with great delight. I did not know what to say. "You told me about her, " he said reassuringly. "But I did not remember ever telling him about anybody, much less about a blond girl. "I've never mentioned anything like that to you, " I said. "Of course you have, " he said as if dismissing the argument. I wanted to protest, but he stopped me, saying that it did not matter how he knew about her, that the important issue was that I had liked her. I sensed a surge of animosity towards him building up within myself. "Don't stall, " don Juan said dryly. "This is a time when you should cut off your feelings of importance. "You once had a woman, a very dear woman, and then one day you lost her." I began to wonder if I had ever talked about her to don. Juan. I concluded that there had never been an opportunity. Yet I might have. Every time he drove with me we had always talked incessantly about everything. I did not remember everything we had talked about because I could not take notes while driving. I felt somehow appeased by my conclusions. I told him that he was right. There had been a very important blond girl in my life. "Why isn't she with you?" he asked. "She left." "Why?" "There were many reasons;" "There were not so many reasons. There was only one. You made yourself too available." I earnestly wanted to know what he meant. He again had touched me. He seemed to be cognizant of the effect of his touch and puckered up his lips to hide a mischievous smile. "Everyone knew about you two, " he said with unshaken conviction. "Was it wrong?" "It was deadly wrong. She was a fine person." I expressed the sincere feeling that his fishing in the dark was odious to me, especially the fact that he always made his statements with the assurance of someone who had been at the scene and had seen it all. "But that's true, " he said with a disarming candor. "I have seen it all. She was a fine person." I knew that it was meaningless to argue, but I was angry with him for touching that sore spot in my life and I said that the girl in question was not such a fine person after all, that in my opinion she was rather weak. "So are you, " he said calmly. "But that is not important. What counts is that you have looked for her everywhere; that makes her a special person in your world, and for a special person one should have only fine words." I felt embarrassed; a great sadness had begun to engulf me. "What are you doing to me, don Juan?" I asked. "You always succeed in making me sad. Why?" "You are now indulging in sentimentality, " he said accusingly. "What is the point of all this, don Juan?" "Being inaccessible is the point, " he declared. "I brought up the memory of this person only as a means to show you directly what I couldn't show you with the wind. "You lost her because you were accessible; you were always within her reach and your life was a routine one." "No!" I said. "You're wrong. My life was never a routine." "It was and it is a routine, " he said dogmatically. "It is an unusual routine and that gives you the impression that it is not a routine, but I assure you it is." I wanted to sulk and get lost in moroseness, but somehow his eyes made me feel restless; they seemed to push me on and on. "The art of a hunter is to become inaccessible, " he said. "In the case of that blond girl it would've meant that you had to become a hunter and meet her sparingly. Not the way you did. You stayed with her day after day, until the only feeling that remained was boredom. True?" I did not answer. I felt I did not have to. He was right. "To be inaccessible means that you touch the world around you sparingly. You don't eat five quail; you eat one. You don't damage the plants just to make a barbecue pit. You don't expose yourself to the power of the wind unless it is mandatory. You don't use and squeeze people until they have shriveled to nothing, especially the people you love." "I have never used anyone, " I said sincerely. But don Juan maintained that I had, and thus I could bluntly state that I became tired and bored with people. "To be unavailable means that you deliberately avoid exhausting yourself and others, " he continued. "It means that you are not hungry and desperate, like the poor bastard that feels he will never eat again and devours all the food he can, all five quail!" Don Juan was definitely hitting me below the belt. I laughed and that seemed to please him. He touched my back lightly. "A hunter knows he will lure game into his traps over and over again, so he doesn't worry. To worry is to become accessible, unwittingly accessible. And once you worry you cling to anything out of desperation; and once you cling you are bound to get exhausted or to exhaust whoever or whatever you are clinging to." I told him that in my day-to-day life it was inconceivable to be inaccessible. My point was that in order to function I had to be within reach of everyone that had something to do with me. "I've told you already that to be inaccessible does not mean to hide or to be secretive, " he said calmly. "It doesn't mean that you cannot deal with people either. A hunter uses his world sparingly and with tenderness, regardless of whether the world might be things, or plants, or animals, or people, or power. A hunter deals intimately with his world and yet he is inaccessible to that same world." "That's a contradiction, " I said. "He cannot be inaccessible if he is there in his world, hour after hour, day after day." "You did not understand, " don Juan said patiently. "He is inaccessible because he's not squeezing his world out of shape. He taps it lightly, stays for as long as he needs to, and then swiftly moves away leaving hardly a mark." DISRUPTING THE ROUTINES OF LIFE Sunday July 16, 1961 We spent all morning watching some rodents that looked like fat squirrels; don Juan called them water rats. He pointed out that they were very fast in getting out of danger, but after they had outrun any predator they had the terrible habit of stopping, or even climbing a rock, to stand on their hind legs to look around and groom themselves. "They have very good eyes, " don Juan said. "You must move only when they are on the run, therefore, you must learn to predict when and where they will stop, so you would also stop at the same time." I became engrossed in observing them and I had what would have been a field day for hunters as I spotted so many of them. And finally I could predict their movements almost every time. Don Juan then showed me how to make traps to catch them. He explained that a hunter had to take time to observe their eating or their nesting places in order to determine where to locate his traps; he would then set them during the night and all he had to do the next day was to scare them off so they would scatter away into his catching devices. We gathered some sticks and proceeded to build the hunting contraptions. I had mine almost finished and was excitedly wondering whether or not it would work when suddenly don Juan stopped and looked at his left wrist, as if he were checking a watch which he had never had, and said that according to his timepiece it was lunchtime. I was holding a long stick, which I was trying to make into a hoop by bending it in a circle. I automatically put it down with the rest of my hunting paraphernalia. Don Juan looked at me with an expression of curiosity. Then he made the wailing sound of a factory siren at lunch time. I laughed. His siren sound was perfect. I walked towards him and noticed that he was staring at me. He shook his head from side to side. "I'll be damned, " he said. "What's wrong?" I asked. He again made the long wailing sound of a factory whistle. "Lunch is over, " he said. "Go back to work." I felt confused for an instant, but then I thought that he was joking, perhaps because we really had nothing to make lunch with. I had been so engrossed with the rodents that I had forgotten we had no provisions. I picked up the stick again and tried to bend it. After a moment don Juan again blew his "whistle." "Time to go home, " he said. He examined his imaginary watch and then looked at me and winked. "It's five o'clock, " he said with an air of someone revealing a secret. I thought that he had suddenly become fed up with hunting and was calling the whole thing off. I simply put everything down and began to get ready to leave. I did not look at him. I presumed that he also was preparing his gear. When I was through I looked up and saw him sitting crosslegged a few feet away. "I'm through, " I said. "We can go anytime." He got up and climbed a rock. He stood there, five or six feet above the ground, looking at me. He put his hands on either side of his mouth and made a very prolonged and piercing sound. It was like a magnified factory siren. He turned around in a complete circle, making the wailing sound. "What are you doing, don Juan?" I asked. He said that he was giving the signal for the whole world to go home. I was completely baffled. I could not figure out whether he was joking or whether he had simply flipped his lid. I watched him intently and tried to relate what he was doing to something he may have said before. We had hardly talked at all during the morning and I could not remember anything of importance. Don Juan was still standing on top of the rock. He looked at me, smiled and winked again. I suddenly became alarmed. Don Juan put his hands on both sides of his mouth and let out another long whistle-like sound. He said that it was eight o'clock in the morning and that I had to set up my gear again because we had a whole day ahead of us. I was completely confused by then. In a matter of minutes my fear mounted to an irresistible desire to run away from the scene. I thought don Juan was crazy. I was about to flee when he slid down from the rock and came to me, smiling. "You think I'm crazy, don't you?" he asked. I told him that he was frightening me out of my wits with his unexpected behavior. He said that we were even. I did not understand what he meant. I was deeply preoccupied with the thought that his acts seemed thoroughly insane. He explained that he had deliberately tried to scare me out of my wits with the heaviness of his unexpected behavior because I myself was driving him up the walls with the heaviness of my expected behavior. He added that my routines were as insane as his blowing his whistle. I was shocked and asserted that I did not really have any routines. I told him that I believed my life was in fact a mess because of my lack of healthy routines. Don Juan laughed and signaled me to sit down by him. The whole situation had mysteriously changed again. My fear had vanished as soon as he had begun to talk. "What are my routines?" I asked. "Everything you do is a routine." "Aren't we all that way?" "Not all of us. I don't do things out of routine." "What prompted all this, don Juan? What did I do or what did I say that made you act the way you did?" "You were worrying about lunch."' "I did not say anything to you; how did you know that I was worrying about lunch?" "You worry about eating every day around noontime, and around six in the evening, and around eight in the morning, " He said with a malicious grin. "You worry about eating at those times even if you're not hungry. "All I had to do to show your routine spirit was to blow my whistle. Your spirit is trained to work with a signal." He stared at me with a question in his eyes. I could not defend myself. "Now you're getting ready to make hunting into a routine, " He went on. "You have already set your pace in hunting, you talk at a certain time, eat at a certain time, and fall asleep at a certain time." I had nothing to say. The way don Juan had described my eating habits was the pattern I used for everything in my life. Yet I strongly felt that my life was less routine than that of some of my friends and acquaintances. "You know a great deal about hunting now, " don Juan continued. "It'll be easy for you to realize that a good hunter knows one thing above all-he knows the routines of his prey. That's what makes him a good hunter. "If you would remember the way I have proceeded in teaching you hunting, you would perhaps understand what I mean. First I taught you how to make and set up your traps, then I taught you the routines of the game you were after, and then we tested the traps against their routines. Those parts are the outside forms of hunting. "Now I have to teach you the final, and by far the most difficult, part. Perhaps years will pass before you can say that you understand it and that you're a hunter." Don Juan paused as if to give me time. He took off his hat and imitated the grooming movements of the rodents we had been observing. It was very funny to me. His round head made him look like one of those rodents. "To be a hunter is not just to trap game, " he went on. "A hunter that is worth his salt does not catch game because he sets his traps, or because he knows the routines of his prey, but because he himself has no routines. This is his advantage. He is not at all like the animals he is after, fixed by heavy routines and predictable quirks; he is free, fluid, unpredictable." What don Juan was saying sounded to me like an arbitrary and irrational idealization. I could not conceive of a life without routines. I wanted to be very honest with him and not just agree or disagree with him. I felt that what he had in mind was not possible to accomplish by me or by anyone. "I don't care how you feel, " he said. "In order to be a hunter you must disrupt the routines of your life. You have done well in hunting. You have learned quickly and now you can see that you are like your prey, easy to predict." I asked him to be specific and give me concrete examples. "I am talking about hunting, " he said calmly. "Therefore I am concerned with the things animals do; the places they eat; the place, the manner, the time they sleep; where they nest; how they walk. These are the routines I am pointing out to you so you can become aware of them in your own being. "You have observed the habits of animals in the desert. They eat or drink at certain places, they nest at specific spots, they leave their tracks in specific ways; in fact, everything they do can be foreseen or reconstructed by a good hunter. "As I told you before, in my eyes you behave like your prey. Once in my life someone pointed out the same thing to me, so you're not unique in that. All of us behave like the prey we are after. That, of course, also makes us prey for something or someone else. Now, the concern of a hunter, who knows all this, is to stop being a prey himself. Do you see what I mean?" I again expressed the opinion that his proposition was unattainable. "It takes time, " don Juan said. "You could begin by not eating lunch every single day at twelve o'clock." He looked at me and smiled benevolently. His expression was very funny and made me laugh. "There are certain animals, however, that are impossible to track, " he went on. "There are certain types of deer, for instance, which a fortunate hunter might be able to come across, by sheer luck, once in his lifetime." Don Juan paused dramatically and looked at me piercingly. He seemed to be waiting for a question, but I did not have any. "What do you think makes them so difficult to find and so unique?" he asked. I shrugged my shoulders because I did not know what to say. "They have no routines, " he said in a tone of revelation. "That's what makes them magical." "A deer has to sleep at night, " I said. "Isn't that a routine?" "Certainly, if the deer sleeps every night at a specific time and in one specific place. But those magical beings do not behave like that. In fact, someday you may verify this for yourself. Perhaps it'll be your fate to chase one of them for the rest of your life." "What do you mean by that?" "You like hunting; perhaps someday, in some place in the world, your path may cross the path of a magical being and you might go after it. "A magical being is a sight to behold. I was fortunate enough to cross paths with one. Our encounter took place after I had learned and practiced a great deal of hunting. Once I was in a forest of thick trees in the mountains of central Mexico when suddenly I heard a sweet whistle. It was unknown to me; never in all my years of roaming in the wilderness had I heard such a sound. I could not place it in the terrain; it seemed to come from different places. I thought that perhaps I was surrounded by a herd or a pack of some unknown animals. "I heard the tantalizing whistle once more; it seemed to come from everywhere. I realized then my good fortune. I knew it was a magical being, a deer. I also knew that a magical deer is aware of the routines of ordinary men and the routines of hunters. "It is very easy to figure out what an average man would do in a situation like that. First of all his fear would immediately turn him into a prey. Once he becomes a prey he has two courses of action left. He either flees or he makes his stand. If he is not armed he would ordinarily flee into the open field to run for his life. If he is armed he would get his weapon ready and would then make his stand either by freezing on the spot or by dropping to the ground. "A hunter, on the other hand, when he stalks in the wilderness would never walk into any place without figuring out his points of protection, therefore he would immediately take cover. He might drop his poncho on the ground or he might hang it from a branch as a decoy and then he would hide and wait until the game makes its next move. "So, in the presence of the magical deer I didn't behave like either. I quickly stood on my head and began to wail softly; I actually wept tears and sobbed for such a long time that I was about to faint. Suddenly I felt a soft breeze; something was sniffing my hair behind my right ear. I tried to turn my head in sec what it was, and I tumbled down and sat up in time to see a radiant creature staring at me. The deer looked at me and I told him I would not harm him. And the deer talked to me. Don Juan stopped and looked at me. I smiled involuntarily. The idea of a talking deer was quite incredible, to put it mildly. "He talked to me, " don Juan said with a grin. "The deer talked?" "He did." Don Juan stood and picked up his bundle of hunting paraphernalia. "Did it really talk?" I asked in a tone of perplexity. Don Juan roared with laughter. "What did it say?" I asked half in jest. I thought he was pulling my leg. Don Juan was quiet for a moment, as if he were trying to remember, then his eyes brightened as he told me what the deer had said. "The magical deer said, 'Hello friend.', don Juan went on. "And I answered, 'Hello.' Then he asked me, 'Why are you crying?' and I said, 'Because I'm sad.' Then the magical creature came to my ear and said as clearly as I am speaking now, 'Don't be sad.'" Don Juan stared into my eyes. He had a glint of sheer mischievous ness. He began to laugh uproariously. I said that his dialogue with the deer had been sort of dumb. "What did you expect?" he asked, still laughing. "I'm an Indian." His sense of humor was so outlandish that all I could do was laugh with him. "You don't believe that a magical deer talks, do you?" "I'm sorry but I just can't believe things like that can happen, " I said. "I don't blame you, " he said reassuringly. "It's one of the darndest things." THE LAST BATTLE ON EARTH Monday, July 24, 1961 Around mid-afternoon, after we had roamed for hours in the desert, don Juan chose a place to rest in a shaded area. As soon as we sat down he began talking. He said that I had learned a great deal about hunting, but I had not changed as much as he had wished. "It's not enough to know how to make and set up traps, " he said. "A hunter must live as a hunter in order to draw the most out of his life. Unfortunately, changes are difficult and happen very slowly; sometimes it takes years for a man to become convinced of the need to change. It took me years, but maybe I didn't have a knack for hunting. I think for me the most difficult thing was to really want to change." I assured him that I understood his point. In fact, since he had begun to teach me how to hunt I also had begun to reassess my actions. Perhaps the most dramatic discovery for me was that I liked don Juan's ways. I liked don Juan as a person. There was something solid about his behavior; the way he conducted himself left no doubts about his mastery, and yet He had never exercised his advantage to demand anything from me. His interest in changing my way of life, I felt, was akin to an impersonal suggestion, or perhaps it was akin to an authoritative commentary on my failures. He had made me very aware of my failings, yet I could not see how his ways would remedy anything in me. I sincerely believed that, in light of what I wanted to do in my life, his ways would have only brought me misery and hardship, hence the impasse. However, I had learned to respect his mastery, which had always been expressed in terms of beauty and precision. "I have decided to shift my tactics, " he said. I asked him to explain; his statement was vague and I was not sure whether or not he was referring to me. "A good hunter changes his ways as often as he needs, " he replied. "You know that yourself." "What do you have in mind, don Juan?" "A hunter must not only know about the habits of his prey, he also must know that there are powers on this earth that guide men and animals and everything that is living." He stopped talking. I waited but he seemed to have come to the end of what he wanted to say. "What kind of powers are you talking about?" I asked after a long pause. "Powers that guide our lives and our deaths." Don Juan stopped talking and seemed to be having tremendous difficulty in deciding what to say. He rubbed his hands and shook his head, puffing out his jaws. Twice he signaled me to be quiet as I started to ask him to explain his cryptic statements. "You won't be able to stop yourself easily, " he finally said. "I know that you're stubborn, but that doesn't matter. The more stubborn you are the better it'll be when you finally succeed in changing yourself." "I am trying my best, " I said. "No. I disagree. You're not trying your best. You just said that because it sounds good to you; in fact, you've been saying the same thing about everything you do. You've been trying your best for years to no avail. Something must be done to remedy that." I felt compelled, as usual, to defend myself. Don Juan seemed to aim, as a rule, at my very weakest points. I remembered then that every time I had attempted to defend myself against his criticisms I had ended up feeling like a fool, and I stopped myself in the midst of a long explanatory speech. Don Juan examined me with curiosity and laughed. He said in a very kind tone that he had already told me that all of us were fools. I was not an exception. "You always feel compelled to explain your acts, as if you were the only man on earth who's wrong, " he said. "It's your old feeling of importance. You have too much of it; you also have too much personal history. On the other hand, you don't assume responsibility for your acts; you're not using your death as an adviser, and above all, you are too accessible. In other words, your life is as messy as it was before I met you." Again I had a genuine surge of pride and wanted to argue that he was wrong. He gestured me to be quiet. "One must assume responsibility for being in a weird world, " he said. "We are in a weird world, you know." I nodded my head affirmatively. "We're not talking about the same thing, " he said. "For you the world is weird because if you're not bored with it you're at odds with it. For me the world is weird because it is stupendous, awesome, mysterious, unfathomable; my interest has been to convince you that you must assume responsibility for being here, in this marvelous world, in this marvelous desert, in this marvelous time. I wanted to convince you that you must learn to make every act count, since you are going to be here for only a short while, in fact, too short for witnessing all the marvels of it." I insisted that to be bored with the world or to be at odds with it was the human condition. "So, change it, " he replied dryly. "If you do not respond to that challenge you are as good as dead." He dared me to name an issue, an item in my life that had engaged all my thoughts. I said art. I had always wanted to be an artist and for years I had tried my hand at that. I still had the painful memory of my failure. "You have never taken the responsibility for being in this unfathomable world, " he said in an indicting tone. "Therefore, you were never an artist, and perhaps you'll never be a hunter." "This is my best, don Juan." "No. You don't know what your best is." "I am doing all I can." "You're wrong again. You can do better. There is one simple thing wrong with you-you think you have plenty of time." He paused and looked at me as if waiting for my reaction. "You think you have plenty of time," he repeated. "Plenty of time for what, don Juan?" "You think your life is going to last forever." "No. I don't." "Then, if you don't think your life is going to last forever, what are you waiting for? Why the hesitation to change?" "Has it ever occurred to you, don Juan, that I may not want to change?" "Yes, it has occurred to me. I did not want to change either, just like you. However, I didn't like my life; I was tired of it, just like you. Now I don't have enough of it." I vehemently asserted that his insistence about changing my way of life was frightening and arbitrary. I said that I really agreed with him, at a certain level, but the mere fact that he was always the master that called the shots made the situation untenable for me. "You don't have time for this display, you fool, " he said in a severe tone. "This, whatever you're doing now, may be your last act on earth. It may very well be your last battle. There is no power which could guarantee that you are going to live one more minute." "I know that, " I said with contained anger. "No. You don't. If you knew that you would be a hunter." I contended that I was aware of my impending death but it was useless to talk or think about it, since I could not do anything to avoid it. Don Juan laughed and said I was like a comedian going mechanically through a routine. "If this were your last battle on earth, I would say that you are an idiot, " he said calmly. "You are wasting your last act on earth in some stupid mood." We were quiet for a moment. My thoughts ran rampant. He was right, of course. "You have no time, my friend, no time. None of us have time, " he said. "I agree, don Juan, but-" "Don't just agree with me, " he snapped. "You must, instead of agreeing so easily, act upon it. Take the challenge. Change." "Just like that?" "That's right. The change I'm talking about never takes place by degrees; it happens suddenly. And you are not preparing yourself for that sudden act that will bring a total change." I believed he was expressing a contradiction. I explained to him that if I were preparing myself to change I was certainly changing by degrees. "You haven't changed at all, " he said. "That is why you believe you're changing little by little. Yet, perhaps you will surprise yourself someday by changing suddenly and without a single warning. I know this is so, and thus I don't lose sight of my interest in convincing you." I could not persist in my arguing. I was not sure of what I really wanted to say. After a moment's pause don Juan went on explaining his point. "Perhaps I should put it in a different way, " he said. "What I recommend you to do is to notice that we do not have any assurance that our lives will go on indefinitely. I have just said that change comes suddenly and unexpectedly, and so does death. What do you think we can do about it?" I thought he was asking a rhetorical question, but he made a gesture with his eyebrows urging me to answer. "To live as happily as possible, " I said. "Right! But do you know anyone who lives happily?" My first impulse was to say yes; I thought I could use a number of people I knew as examples. On second thought, however, I knew my effort would only be an empty attempt at exonerating myself. "No, " I said. "I really don't." "I do, " don Juan said. "There are some people who are very careful about the nature of their acts. Their happiness is to act with the full knowledge that they don't have time; therefore, their acts have a peculiar power; their acts have a sense of . . ." Don Juan seemed to be at a loss for words. He scratched his temples and smiled. Then suddenly he stood up as if he were through with our conversation. I beseeched him to finish what he was telling me. He sat down and puckered up his lips. "Acts have power, " he said. "Especially when the person acting knows that those acts are his last battle. There is a strange consuming happiness in acting with the full knowledge that whatever one is doing may very well be one's last act on earth. I recommend that you reconsider your life and bring your acts into that light." I disagreed with him. Happiness for me was to assume that there was an inherent continuity to my acts and that I would be able to continue doing, at will, whatever I was doing at the moment, especially if I was enjoying it. I told him that my disagreement was not a banal one but stemmed from the conviction that the world and myself had a determinable continuity. Don Juan seemed to be amused by my efforts to make sense. He laughed, shook his head, scratched his hair, and finally when I talked about a "determinable continuity" threw his hat to the ground and stomped on it. I ended up laughing at his clowning. "You don't have time, my friend, " he said. "That is the misfortune of human beings. None of us have sufficient time, and your continuity has no meaning in this awesome, mysterious world. "Your continuity only makes you timid, " he said. "Your acts cannot possibly have the flair, the power, the compelling force of the acts performed by a man who knows that he is fighting his last battle on earth. In other words, your continuity does not make you happy or powerful." I admitted that I was afraid of thinking I was going to die and I accused him of causing great apprehension in me with his constant talk and concern about death. "But we are all going to die, " he said. He pointed towards some hills in the distance. "There is something out there waiting for me, for sure; and I will join it, also for sure. But perhaps you're different and death is not waiting for you at all." He laughed at my gesture of despair. "I don't want to think about it, don Juan." "Why not?" "It is meaningless. If it is out there waiting for me why should I worry about it?" "I didn't say that you have to worry about it." "What am I supposed to do then?" "Use it. Focus your attention on the link between you and your death, without remorse or sadness or worrying. Focus your attention on the fact you don't have time and let your acts flow accordingly. Let each of your acts be your last battle on earth. Only under those conditions will your acts have their rightful power. Otherwise they will be, for as long as you live, the acts of a timid man." "Is it so terrible to be a timid man?" "No. It isn't if you are going to be immortal, but if you are going to die there is no time for timidity, simply because timidity makes you cling to something that exists only in your thoughts. It soothes you while everything is at a lull, but then the awesome, mysterious world will open its mouth for you, as it will open for every one of us, and then you will realize that your sure ways were not sure at all. Being timid prevents us from examining and exploiting our lot as men." "It is not natural to live with the constant idea of our death, don Juan." "Our death is waiting and this very act we're performing now may well be our last battle on earth, " he replied in a solemn voice. "I call it a battle because it is a struggle. Most people move from act to act without any struggle or thought. A hunter, on the contrary, assesses every act; and since he has an intimate knowledge of his death, he proceeds judiciously, as if every act were his last battle. Only a fool would fail to notice the advantage a hunter has over his fellow men. A hunter gives his last battle its due respect. It's only natural that his last act on earth should be the best of himself. It's pleasurable that way. It dulls the edge of his fright." "You are right, " I conceded. "It's just hard to accept." "It'll take years for you to convince yourself and then it'll take years for you to act accordingly. I only hope you have time left." "I get scared when you say that, " I said. Don Juan examined me with a serious expression on his face. "I've told you, this is a weird world, " he said. "The forces that guide men are unpredictable, awesome, yet their splendor is something to witness." He stopped talking and looked at me again. He seemed to be on the verge of revealing something to me, but he checked himself and smiled. "Is there something that guides us?" I asked. "Certainly. There are powers that guide us." "Can you describe them?" "Not really, except to call them forces, spirits, airs, winds, or anything like that." I wanted to probe him further, but before I could ask anything else he stood up. I stared at him, flabbergasted. He had stood up in one single movement; his body simply jerked up and he was on his feet. I was still pondering upon the unusual skill that would be needed in order to move with such speed when he told me in a dry tone of command to stalk a rabbit, catch it, kill it, skin it, and roast the meat before the twilight. He looked up at the sky and said that I might have enough time. I automatically started off, proceeding the way I had done scores of times. Don Juan walked beside me and followed my movements with a scrutinizing look. I was very calm and moved carefully and I had no trouble at all in catching a male rabbit. "Now kill it, " don Juan said dryly. I reached into the trap to grab hold of the rabbit. I had it by the ears and was pulling it out when a sudden sensation of terror invaded me. For the first time since don Juan had begun to teach me to hunt it occurred to me that he had never taught me how to kill game. In the scores of times we had roamed in the desert he himself had only killed one rabbit, two quail and one rattlesnake. I dropped the rabbit and looked at don Juan. "I can't kill it, " I said. "Why not?" "I've never done that." "But you've killed hundreds of birds and other animals." "With a gun, not with my bare hands." "What difference does it make? This rabbit's time is up." Don Juan's tone shocked me; it was so authoritative, so knowledgeable, it left no doubts in my mind that he knew that the rabbit's time was up. "Kill it!" he commanded with a ferocious look in his eyes. "I can't." He yelled at me that the rabbit had to die. He said that its roaming in that beautiful desert had come to an end. I had no business stalling, because the power or the spirit that guides rabbits had led that particular one into my trap, right at the edge of the twilight. A series of confusing thoughts and feelings overtook me, as if the feelings had been out there waiting for me. I felt with agonizing clarity the rabbit's tragedy, to have fallen into my trap. In a matter of seconds my mind swept across the most crucial moments of my own life, the many times I had been the rabbit myself. I looked at it, and it looked at me. The rabbit had backed up against the side of the cage; it was almost curled up, very quiet and motionless. We exchanged a somber glance, and that glance, which I fancied to be of silent despair, cemented a complete identification on my part. "The hell with it, " I said loudly. "I won't kill anything. That rabbit goes free." A profound emotion made me shiver. My arms trembled as I tried to grab the rabbit by the ears; it moved fast and I missed. I again tried and fumbled once more. I became desperate. I had the sensation of nausea and quickly kicked the trap in order to smash it and let the rabbit go free. The cage was unsuspectedly strong and did not break as I thought it would. My despair mounted to an unbearable feeling of anguish. Using all my strength, I stomped on the edge of the cage with my right foot. The sticks cracked loudly. I pulled the rabbit out. I had a moment of relief, which was shattered to bits in the next instant. The rabbit hung limp in my hand. It was dead. I did not know what to do. I became preoccupied with finding out how it had died. I turned to don Juan. He was staring at me. A feeling of terror sent a chill through my body. I sat down by some rocks. I had a terrible headache. Don Juan put his hand on my head and whispered in my ear that I had to skin the rabbit and roast it before the twilight was over. I felt nauseated. He very patiently talked to me as if he were talking to a child. He said that the powers that guided men or animals had led that particular rabbit to me, in the same way they will lead me to my own death. He said the rabbit's death had been a gift for me in exactly the same way my own death will be a gift for something or someone else. I was dizzy. The simple events of that day had crushed me. I tried to think that it was only a rabbit; I could not, however, shake off the uncanny identification I had had with it. Don Juan said that I needed to eat some of its meat, if only morsel, in order to validate my finding. "I can't do that, " I protested meekly. "We are dregs in the hands of those forces, " he snapped at me. "So stop your self-importance and use this gift properly." I picked up the rabbit; it was warm. Don Juan leaned over and whispered in my ear, "Your trap was his last battle on earth. I told you, he had no more time to roam in this marvelous desert." BECOMING ACCESSIBLE TO POWER Thursday, August 11, 1961 As soon as I got out of my car I complained to don Juan that I was not feeling well. "Sit down, sit down, " he said softly and almost led me by the hand to his porch. He smiled and patted me on the back. Two weeks before, on August 4th, don Juan, as he had said, changed his tactics with me and allowed me to ingest some peyote buttons. During the height of my hallucinatory experience I played with a dog that lived in the house where the peyote session took place. Don Juan interpreted my interaction with the dog as a very special event. He contended that at moments of power, such as the one I had been living then, the world of ordinary affairs did not exist and nothing could be taken for granted, that the dog was not really a dog but the incarnation of Mescalito, the power or deity contained in peyote. The post-effects of that experience were a general sense of fatigue and melancholy, plus the incidence of exceptionally vivid dreams and nightmares. "Where's your writing gear?" don Juan asked as I sat down on the porch. I had left my notebooks in my car. Don Juan walked back to the car and carefully pulled out my briefcase and brought it to my side. He asked if I usually carried my briefcase when I walked. I said I did. "That's madness, " he said. "I've told you never to carry anything in your hands when you walk. Get a knapsack." I laughed. The idea of carrying my notes in a knapsack was ludicrous. I told him that ordinarily I wore a suit and a knapsack over a three-piece suit would be a preposterous sight. "Put your coat on over the knapsack," he said. "It is better that people think you're a hunchback than to ruin your body carrying all this around." He urged me to get out my notebook and write. He seemed to be making a deliberate effort to put me at ease. I complained again about the feeling of physical discomfort and the strange sense of unhappiness I was experiencing. Don Juan laughed and said, "You're beginning to learn." We then had a long conversation. He said that Mescalito, by allowing me to play with him, had pointed me out as a "chosen man" and that, although he was baffled by the omen because I was not an Indian, he was going to pass on to me some secret knowledge. He said that he had had a "benefactor" himself, who taught him how to become a "man of knowledge." I sensed that something dreadful was about to happen. The revelation that I was his chosen man, plus the unquestionable strangeness of his ways and the devastating effect that peyote had had on me, created a state of unbearable apprehension and indecision. But don Juan disregarded my feelings and recommended that I should only think of the wonder of Mescalito playing with me. "Think about nothing else, " he said. "The rest will come to you of itself." He stood up and patted me gently on the head and said in a very soft voice, "I am going to teach you how to become a warrior in the same manner I have taught you how to hunt. I must warn you, though, learning how to hunt has not made you into a hunter, nor would learning how to become a warrior make you one." I experienced a sense of frustration, a physical discomfort that bordered on anguish. I complained about the vivid dreams and nightmares I was having. He seemed to deliberate for a moment and sat down again. "They're weird dreams, " I said. "You've always had weird dreams, " he retorted. "I'm telling you, this time they are truly more weird than anything I've ever had." "Don't concern yourself. They are only dreams. Like the dreams of any ordinary dreamer, they don't have power. So what's the use of worrying about them or talking about them?" "They bother me, don Juan. Isn't there something I can do to stop them?" "Nothing. Let them pass, " he said. "Now it's time for you to become accessible to power, and you are going to begin by tackling dreaming." The tone of voice he used when he said "dreaming" made me think that he was using the word in a very particular fashion. I was pondering about a proper question to ask when he began to talk again. "I've never told you about dreaming, because until now I was only concerned with teaching you how to be a hunter, " he said. "A hunter is not concerned with the manipulation of power, therefore his dreams are only dreams. They might be poignant but they are not dreaming. "A warrior, on the other hand, seeks power, and one of the avenues to power is dreaming. You may say that the difference between a hunter and a warrior is that a warrior is on his way to power, while a hunter knows nothing or very little about it. "The decision as to who can be a warrior and who can only be a hunter is not up to us. That decision is in the realm of the powers that guide men. That's why your playing with Mescalito was such an important omen. Those forces guided you to me; they took you to that bus depot, remember? Some clown brought you to me. A perfect omen, a clown pointing you out. So, I taught you how to be a hunter. And then the other perfect omen, Mescalito himself playing with you. See what I mean?" His weird logic was overwhelming. His words created visions of myself succumbing to something awesome and unknown, something which I had not bargained for, and which I had not conceived existed, even in my wildest fantasies. "What do you propose I should do?" I asked. "Become accessible to power; tackle your dreams, " he replied. "You call them dreams because you have no power. A warrior, being a man who seeks power, doesn't call them dreams, he calls them real." "You mean he takes his dreams as being reality?" "He doesn't take anything as being anything else. What you call dreams are real for a warrior. You must understand that a warrior is not a fool. A warrior is an immaculate hunter who hunts power; he's not drunk, or crazed, and he has neither the time nor the disposition to bluff, or to lie to himself, or to make a wrong move. The stakes are too high for that. The stakes are his trimmed orderly life which he has taken so long to tighten and perfect. He is not going to throw that away by making some stupid miscalculation, by taking something for being something else. "Dreaming is real for a warrior because in it he can act deliberately, he can choose and reject, he can select from a variety of items those which lead to power, and then he can manipulate them and use them, while in an ordinary dream he cannot act deliberately." "Do you mean then, don Juan, that dreaming is real?" "Of course it is real." "As real as what we are doing now?" "If you want to compare things, I can say that it is perhaps more real. In dreaming you have power; you can change things; you may find out countless concealed facts; you can control whatever you want." Don Juan's premises always had appealed to me at a certain level. I could easily understand his liking the idea that one could do anything in dreams, but I could not take him seriously. The jump was too great. We looked at each other for a moment. His statements were insane and yet he was, to the best of my knowledge, one of the most level-headed men I had ever met. I told him that I could not believe he took his dreams to be reality. He chuckled as if he knew the magnitude of my untenable position, then he stood up without saying a word and walked inside his house. I sat for a long time in a state of stupor until he called me to the back of his house. He had made some corn gruel and handed me a bowl. I asked him about the time when one was awake. I wanted to know if he called it anything in particular. But he did not understand or did not want to answer. "What do you call this, what we're doing now?" I asked, meaning that what we were doing was reality as opposed to dreams. "I call it eating, " he said and contained his laughter. "I call it reality, " I said. "Because our eating is actually taking place." "Dreaming also takes place, " he replied, giggling. "And so does hunting, walking, laughing." I did not persist in arguing. I could not, however, even if I stretched myself beyond my limits, accept his premise. He seemed to be delighted with my despair. As soon as we had finished eating he casually stated that we were going to go for a hike, but we were not going to roam in the desert in the manner we had done before. "It's different this time, " he said. "From now on we're going to places of power; you're going to learn how to make yourself accessible to power." I again expressed my turmoil. I said I was not qualified for that endeavor. "Come on, you're indulging in silly fears, " he said in a low voice, patting me on the back and smiling benevolently. "I've been catering to your hunter's spirit. You like to roam with me in this beautiful desert. It's too late for you to quit." He began to walk into the desert chaparral. He signaled me with his head to follow him. I could have walked to my car and left, except that I liked to roam in that beautiful desert with him. I liked the sensation, which I experienced only in his company, that this was indeed an awesome, mysterious, yet beautiful world. As he said, I was hooked. Don Juan led me to the hills towards the east. It was a long hike. It was a hot day; the heat, however, which ordinarily would have been unbearable to me, was somehow unnoticeable. We walked for quite a distance into a canyon until don Juan came to a halt and sat down in the shade of some boulders. I took some crackers out of my knapsack but he told me not to bother with them. He said that I should sit in a prominent place. He pointed to a single almost round boulder ten or fifteen feet away and helped me climb to the top. I thought he was also going to sit there, but instead he just climbed part of the way in order to hand me some pieces of dry meat. He told me with a deadly serious expression that it was power meat and should be chewed very slowly and should not be mixed with any other food. He then walked back to the shaded area and sat down with his back against a rock. He seemed relaxed, almost sleepy. He remained in the same position until I had finished eating. Then he sat up straight and tilted his head to the right. He seemed to be listening attentively. He glanced at me two or three times, stood up abruptly, and began to scan the surroundings with his eyes, the way a hunter would do. I automatically froze on the spot and only moved my eyes in order to follow his movements. Very carefully he stepped behind some rocks, as if he were expecting game to come into the area where we were. I realized then that we were in a round covelike bend in the dry water canyon, surrounded by sandstone boulders. Don Juan suddenly came out from behind the rocks and smiled at me. He stretched his arms, yawned, and walked towards the boulder where I was. I relaxed my tense position and sat down. "What happened?" I asked in a whisper. He answered me, yelling, that there was nothing around there to worry about. I felt an immediate jolt in my stomach. His answer was inappropriate and it was inconceivable to me that he would yell, unless he had a specific reason for it. I began to slide down from the boulder, but he yelled that I should stay there a while longer. "What are you doing?" I asked. He sat down and concealed himself between two rocks at the base of the boulder where I was, and then he said in a very loud voice that he had only been looking around because he thought he had heard something. I asked if he had heard a large animal. He put his hand to his ear and yelled that he was unable to hear me and that I should shout my words. I felt ill at ease yelling, but he urged me in a loud voice to speak up. I shouted that I wanted to know what was going on, and he shouted back that there was really nothing around there. He yelled, asking if I could see anything unusual from the top of the boulder. I said no, and he asked me to describe to him the terrain towards the south. We shouted back and forth for a while and then he signaled me to come down. I joined him and he whispered in my ear that the yelling was necessary to make our presence known, because I had to make myself accessible to the power of that specific water hole. I looked around but could not see the water hole. He pointed that we were standing on it. "There's water here, " he said in a whisper, "and also power. There's a spirit here and we have to lure it out; perhaps it will come after you." I wanted to know more about the alleged spirit, but he insisted on total silence. He advised me to stay perfectly still and not let out a whisper or make the slightest movement to betray our presence. Apparently it was easy for him to remain in complete immobility for hours; for me, however, it was sheer torture. My legs fell asleep, my back ached, and tension built up around my neck and shoulders. My entire body became numb and cold. I was in great discomfort when don Juan finally stood up. He just sprung to his feet and extended his hand to me to help me stand up. As I was trying to stretch my legs I realized the inconceivable easiness with which don Juan had jumped up after hours of immobility. It took quite some time for my muscles to regain the elasticity needed for walking. Don Juan headed back for the house. He walked extremely slowly. He set up a length of three paces as the distance I should observe in following him. He meandered around the regular route and crossed it four or five times in different directions; when we finally arrived at his house it was late afternoon. I tried to question him about the events of the day. He explained that talking was unnecessary. For the time being, I had to refrain from asking questions until we were in a place of power. I was dying to know what he meant by that and tried to whisper a question, but he reminded me, with a cold severe look, that he meant business. We sat on his porch for hours. I worked on my notes. From time to time he handed me a piece of dry meat; finally it was too dark to write. I tried to think about the new developments, but some part of myself refused to and I fell asleep. Saturday, August 19, 1961 Yesterday morning don Juan and I drove to town and ate breakfast at a restaurant. He advised me not to change my eating habits too drastically. "Your body is not used to power meat, " he said. "You'd get sick if you didn't eat your food." He himself ate heartily. When I joked about it he simply said, "My body likes everything." Around noon we hiked back to the water canyon. We proceeded to make ourselves noticeable to the spirit by "noisy talk" and by a forced silence which lasted hours. When we left the place, instead of heading back to the house, don Juan took off in the direction of the mountains. We reached some mild slopes first and then we climbed to the top of some high hills. There, don Juan picked out a spot to rest in the open unshaded area. He told me that we had to wait until dusk , and that I should conduct myself in the most natural fashion, which included asking all the questions I wanted. "I know that the spirit is out there lurking, " he said in a very low voice. "Where?" "Out there, in the bushes." "What kind of spirit is it?" He looked at me with a quizzical expression and retorted, "How many kinds are there?" We both laughed. I was asking questions out of nervousness. "It'll come out at dusk, " he said. "We just have to wait." I remained quiet. I had run out of questions. "This is the time when we must keep on talking, " he said. "The human voice attracts spirits. There's one lurking out there now. We are making ourselves available to it, so keep on talking." I experienced an idiotic sense of vacuity. I could not think of anything to say. He laughed and patted me on the back. "You're truly a pill, " he said. "When you have to talk, you lose your tongue. Come on, beat your gums." He made a hilarious gesture of beating his gums together, opening and closing his mouth with great speed. "There are certain things we will talk about from now on only at places of power, " he went on. "I have brought you here, because this is your first trial. This is a place of power, and here we can talk only about power." "I really don't know what power is, " I said. "Power is something a warrior deals with, " he said. "At first it's an incredible, far-fetched affair; it is hard to even think about it. This is what's happening to you now. Then power becomes a serious matter; one may not have it, or one may not even fully realize that it exists, yet one knows that something is there, something which was not noticeable before. Next power is manifested as something uncontrollable that comes to oneself. It is not possible for me to say how it comes or what it really is. It is nothing and yet it makes marvels appear before your very eyes. And finally power is something in oneself, something that controls one's acts and yet obeys one's command." There was a short pause. Don Juan asked me if I had understood. I felt ludicrous saying I did. He seemed to have noticed my dismay and chuckled. "I am going to teach you right here the first step to power, " he said as if he were dictating a letter to me. "I am going to teach you how to set up dreaming." He looked at me and again asked me if I knew what he meant. I did not. I was hardly following him at all. He explained that to "set up dreaming" meant to have a concise and pragmatic control over the general situation of a dream, comparable to the control one has over any choice in the desert, such as climbing up a hill or remaining in the shade of a water canyon. "You must start by doing something very simple, " he said. "Tonight in your dreams you must look at your hands." I laughed out loud. His tone was so factual that it was as if he were telling me to do something commonplace. "Why do you laugh?" he asked with surprise. "How can I look at my hands in my dreams?" "Very simple, focus your eyes on them just like this." He bent his head forward and stared at his hands with his mouth open. His gesture was so comical that I had to laugh. "Seriously, how can you expect me to do that?" I asked. "The way I've told you, " he snapped. "You can, of course, look at whatever you goddamn please-your toes, or your belly, or your pecker, for that matter. I said your hands because that was the easiest thing for me to look at. Don't think it's a joke. Dreaming is as serious as seeing or dying or any other thing in this awesome, mysterious world. "Think about it as something entertaining. Imagine all the inconceivable things you could accomplish. A man hunting for power has almost no limits in his dreaming." I asked him to give me some pointers. "There aren't any pointers, " he said. "Just look at your hands." "There must be more that you could tell me, " I insisted. He shook his head and squinted his eyes, staring at me in short glances. "Every one of us is different, " he finally said. "What you call pointers would only be what I myself did when I was learning. We are not the same; we aren't even vaguely alike." "Maybe anything you'd say would help me." "It would be simpler for you just to start looking at your hands." He seemed to be organizing his thoughts and bobbed his head up and down. "Every time you look at anything in your dreams it changes shape, " he said after a long silence. "The trick in learning to set up dreaming is obviously not just to look at things but to sustain the sight of them. Dreaming is real when one has succeeded in bringing everything into focus. Then there is no difference between what you do when you sleep and what you do when you are not sleeping. Do you see what I mean?" I confessed that although I understood what he had said I was incapable of accepting his premise. I brought up the point that in a civilized world there were scores of people who had delusions and could not distinguish what took place in the real world from what took place in their fantasies. I said that such persons were undoubtedly mentally ill, and my uneasiness increased every time he would recommend I should act like a crazy man. After my long explanation don Juan made a comical gesture of despair by putting his hands to his cheeks and sighing loudly. "Leave your civilized world alone, " he said. "Let it be! Nobody is asking you to behave like a madman. I've already told you, a warrior has to be perfect in order to deal with the powers he hunts; how can you conceive that a warrior would not be able to tell things apart? "On the other hand, you, my friend, who know what the real world is, would fumble and die in no time at all if you would have to depend on your ability for telling what is real and what is not." I obviously had not expressed what I really had in mind. Every time I protested I was simply voicing the unbearable frustration of being in an untenable position. "I am not trying to make you into a sick, crazy man, " don