so they telephoned our house. It's too horrible. No, London is impossible; if he can't behave himself here, with us ... We must keep him happy and healthy here for a bit, hunting, and then send him abroad again with Mr. Samgrass. . . . You see, I've been through all this before." The retort was there, unspoken, well-understood by both of us--You couldn't keep him; he ran away. So will Sebastian. Because they both hate you. A horn and the huntsman's cry sounded in the valley below us. "There they go now, drawing the home woods. I hope he's having a good day." Thus with Julia and Lady Marchmain I reached deadlock, not because we failed to understand one another, but because we understood too well. With Brideshead, who came home to luncheon and talked to me on the subject--for the subject was everywhere in the house like a fire deep in the hold of a ship, below the water-line, black and red in the darkness, coming to light Hi acrid wisps of smoke that curled up the ladders, crept between decks, oozed under hatches, hung in wreaths on the flats, billowed suddenly from the scuttles and air pipes--with Brideshead, I was in a strange world, a dead world to me, in a moon-landscape of barren lava, on a plateau where the air struck chill, a high place of unnaturally clear eyes and of toiling lungs. He said: "I hope it is dipsomania. That is simply a great misfortune that we must all help him bear. What I used to fear was that he just got drunk deliberately when he liked and because he liked." "That's exactly what he did--what we both did. It's what he does with me now. I can keep him to that, if only your mother would trust me. If you wqrry him with keepers and cures he'll be a physical wreck in a few years." "There's nothing wrong in being a physical wreck, you know. There's no moral obligation to be Postmaster-General or Master of Foxhounds or to live to walk ten miles at eighty." "Wrong" I said. "Moral obligation -- now you're back on religion again." "I never left it," said Brideshead. "D'you know, Bridey, if I ever felt for a moment like becoming a Catholic, 1 should only have to talk to you for five minutes to be cured. You manage to reduce what seem quite sensible propositions to stark nonsense." "It's odd you should say that. I've heard it before from other people. It's one of the many reasons why I don't think I should make a good priest. It's something in the way my mind works I suppose. I have to turn a thing round and round, like a piece of ivory in a Chinese puzzle, until -- click! --it fits into place -- but by that time it's upside down to everyone else. But it's the same bit of ivory, you know." At luncheon Julia had no thoughts except for her guest who was coming that day. She drove to the station to meet him and brought him home to tea. "Mummy, do look at Rex's Christmas present." It was a small tortoise with Julia's initials set in diamonds in the living shell, and this slightly obscene object, now slipping impotently on the polished boards, now striding across the card-table, now lumbering over a rug, now withdrawn at a touch, now stretching its neck and swaying its withered, antediluvian head, became a memorable part of the evening, one of those needle-hooks of experience which catch the attention when larger matters are at stake, and remain in the mind when they are forgotten, so that years later it is a bit of gilding, or a certain smell, or the tone of a clock's striking which recalls one to a tragedy. "Dear me," said Lady Marchmain. "I wonder if it eats the same sort of things as an ordinary tortoise." "What will you do when it's dead?" asked Mr. Samgrass. "Can you have another tortoise fitted into the shell?" Rex had been told about the problem of Sebastian--he could scarcely have endured in that atmosphere without -- and had a solution pat. He propounded it cheerfully and openly at tea, and after a day of whispering it was a relief to hear the thing discussed. "Send him to Borethus at Zurich. Borethus is the man. He works miracles every day at that sanatorium of his. You know how Charlie Kilcartney used to drink." "No," said Lady Marchmain, with that sweet irony of hers. "No, I'm afraid I don't know how Charlie Kilcartney drank." Julia, hearing her lover mocked, frowned at the tortoise, but Rex Mottram was impervious to such delicate mischief. "Two wives despaired of him," he said. "When he got engaged to Sylvia, she made it a condition that he should take the cure at Zurich. And it worked. He came back in three months a different man. And he hasn't touched a drop since, even though Sylvia walked out on him." "Why did she do that?" "Well, poor Charlie got rather a bore when he stopped drinking. But that's not really the point of the story." "No, I suppose not. In fact, I suppose, really, it's meant to be an encouraging story." Julia scowled at her jewelled tortoise. "He takes sex cases, too, you know." "Oh dear, what very peculiar friends poor Sebastian will make in Zurich." "He's booked up for months ahead, but I think he'd find room if I asked him. I could telephone him from here to-night." (In his kindest moments Rex displayed a kind of hectoring zeal as if he were thrusting a vacuum cleaner on an unwilling housewife.). "We'll think about it." And we were thinking about it when Cordelia returned from hunting. "Oh, Julia, what's that? How beastly" "It's Rex's Christmas present." "Oh, sorry. I'm always putting my foot in it. But how cruel! It must have hurt frightfully." "They can't feel." "How d'you know? Bet they can." She kissed her mother, whom she had not seen that day, shook hands with Rex, and rang for eggs. "I had one tea at Mrs. Barney's, where I telephoned for the car, but I'm still hungry. It was a spiffing day. Jean Strickland-Venables fell in the mud. We ran from Bengers to Upper Eastrey without a check. I reckon that's five miles, don't you, Bridey?" "Three." "Not as he ran. . . ." Between mouthfuls of scrambled egg she told us about the hunt. . . . "You should have seen Jean when she came out of the mud." "Where's Sebastian?" "He's in disgrace." The words, in that clear, child's voice, had the ring of a bell tolling, but she went on: "Coming out in that beastly rat-catcher coat and mean little tie like something from Captain Morvin's Riding Academy. I just didn't recognize him at the meet, and I hope nobody else did. Isn't he back? I expect he got lost." When Wilcox came to clear the tea, Lady Marchmain asked: "No sign of Lord Sebastian?" "No, my lady." "He must have stopped for tea with someone. How very unlike him." Half an hour later, when Wilcox brought in the cocktail tray, he said: "Lord Sebastian has just rung up to be fetched from South Twining." "South Twining? Who lives there?" "He was speaking from the hotel, my lady." "South Twining?" said Cordelia. "Goodness, he did get lost!" When he arrived he was flushed and his eyes were feverishly bright; I saw that he was two-thirds drunk. "Dear boy," said Lady Marchmain. "How nice to see you looking so well again. Your day in the open has done you good. The drinks are on the table; do help yourself." There was nothing unusual in her speech but the fact of her saying it. Six months ago it would not have been said. "Thanks," said Sebastian. "I will." A blow, expected, repeated, falling on a bruise, with no smart or shock of surprise, only a dull and sickening pain and the doubt whether another like it could be borne -- that was how it felt, sitting opposite Sebastian at dinner that night, seeing his clouded eye and groping movements, hearing his thickened voice breaking in, ineptly, after long brutish silences. When at length Lady Marchmain and Julia and the servants left us, Brideshead said: "You'd best go to bed, Sebastian." "Have some port first." "Yes, have some port if you want it. But don't come into the drawing-room." "Too bloody drunk," said Sebastian nodding heavily. "Like olden times. Gentlemen always too drunk join ladies in olden times." ("And yet, you know, it wasn't" said Mr. Samgrass, trying to be chatty with me about it afterwards, "it wasn't at all like olden times. I wonder where the difference lies. The lack of good humour? The lack of companionship? You know I think he must have been drinking by himself to-day. Where did he get the money?") "Sebastian's gone up," said Brideshead when we reached the drawing-room. "Yes? Shall I read?" Julia and Rex played bezique; the tortoise, teased by the Pekinese, withdrew into his shell; Lady Marchmain read The Diary of a Nobody aloud until, quite early, she said it was time for bed. "Can't I stay up and play a little longer, Mummy? Just three games?" "Very well, darling. Come in and see me before you go to bed. I shan't be asleep." It was plain to Mr. Samgrass and me that Julia and Rex wanted to be left alone, so we went, too; it was not plain to Brideshead, who settled down to read The Times, which he had not yet seen that day. Then, going to our side of the house, Mr. Samgrass said: "It wasn't at all like olden times." Next morning I said to Sebastian: "Tell me honestly, do you want me to stay on here?" "No, Charles, I don't believe I do." "I'm no help?" "No help." So I went to make my excuses to his mother. "There's something I must ask you, Charles. Did you give Sebastian money yesterday?" "Yes." "Knowing how he was likely to spend it?" "Yes." "I don't understand it," she said. "I simply don't understand how anyone can be so callously wicked." She paused, but I do not think she expected any answer; there was nothing I could say unless I were to start all over again on that familiar, endless argument. "I'm not going to reproach you," she said. "God knows it's not for me to reproach anyone. Any failure in my children is my failure. But I don't understand it. I don't understand how you can have been so nice in so many ways, and then do something so wantonly cruel. I don't understand how we all liked you somuch. Did you hate us all the time? I don't understand how we deserved it." I was unmoved; there was no part of me remotely touched by her distress. It was as I had often imagined being expelled from school. I almost expected to hear her say: "I have already written to inform your unhappy father." But as I drove away and turned back in the car to take what promised to be my last view of the house, I felt that I was leaving part of myself behind, and that wherever I went afterwards I should feel the lack of it, and search for it hopelessly, as ghosts are said to do, frequenting the spots where they buried material treasures without which they cannot pay their way to the nether world. "I shall never go back," I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me -- what ? Youth ? Adolescence ? Romance ? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. , "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions -- with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue. Thus I returned to Paris, and to the friends I had found there and the habits I had formed. I thought I should hear no mote of Brideshead, but life has few separations as sharp as that. It was not three weeks before I received a letter in Cordelia's Frenchified convent hand: -- Darling Charles [she'said], I was so very miserable when you went. You might have come and said good-bye I I heard all about your disgrace, and I am writing to say that I am in disgrace, too. I sneaked Wilcox's keys and got whiskey for Sebastian and got caught. He did seem to want it so. And there was (and is) an awful row. Mr. Samgrass has gone (good!), and I think he is a bit in disgrace, too, but I don't know why. Mr. Mottram is very popular with Julia (bad!) and is taking Sebastian away (bad! bad!) to a German doctor. Julia's tortoise disappeared. We think it buried itself, as they do, so there goes a packet (expression of Mr. Mottram's). I am very well. With love from, cordelia It must have been about a week after receiving this letter that I returned to my rooms one afternoon to find Rex waiting for me. It was about four, for the light began to fail early in the studio at that time of year. I could see by the expression on the concierge's face, when she told me I had a visitor waiting that there was something impressive upstairs; she had a vivid gift of expressing differences of age or attraction; this was the expression which meant someone of the first consequence, and Rex indeed seemed to justify it, as I found him in his big travelling coat, filling the window that looked over the river. "Well," I said. "Well." "I came this morning. They told me where you usually lunched but I couldn't see you there. Have you got him?" I did not need to ask whom. "So he's given you the slip, too?" "We got here last night and were going on to Zurich to-day. I left him at the Lotti after dinner, as he said he was tired, and went round to the Travellers' for a game." I noticed how, even with me, he was making excuses, as though rehearsing his story for re-telling elsewhere. "As he said he was tired" was good. I could not well imagine Rex letting a half-tipsy boy interfere with his cards. "So you came back and found him gone ?" "Not at all. I wish I had. I found him sitting up for me. I had a run of luck at the Travellers' and cleaned up a packet. Sebastian pinched the lot while I was asleep. All he left me was two first-class tickets to Zurich stuck in the edge of the looking-glass. I had. nearly three hundred quid, blast him!" "And now he may be almost anywhere." "Anywhere. You're not hiding him by any chance?" "No. My dealings with that family are over." "I think mine are just beginning," said Rex. "I say, I've got a lot to talk about, and I promised a chap at the Travellers' I'd give him his revenge this afternoon. Won't you dine with me?" "Yes. Where?" "I usually go to Ciro's." "Why not Paillard's?" "Never heard of it. I'm paying you know." "I know you are. Let me order dinner." "Well, all right. What's the place again?" I wrote it down for him. "Is it the sort of place you see native life?" "Yes, you might call it that." "Well, it'll be an experience. Order something good." "That's my intention." I was there twenty minutes before Rex. If I had to spend an evening with him, it should, at any rate, be in my own way. I remember the dinner well -- soup of oseille, a sole quite simply cooked in a white wine sauce, a caneton la presse, a lemon souffle. At the last minute, fearing that the whole thing was too simple for Rex, I added caviare aux blinis. And for wine I let him give me a bottle of 1906 Montrachet, then at its prime, and, with the duck, a Clos de Bre of 1904. Living was easy in France then; with the exchange as it was, my allowance went a long way and I did not live frugally. It was very seldom, however, that I had a dinner like this, and I felt well disposed to Rex, when at last he arrived and gave up his hat and coat with the air of not expecting to see them again. He looked round the sombre little place with suspicion, as though hoping to see apaches or a drinking party of students. All he saw was four senators with napkins tucked under their beards eating in absolute silence. I could imagine him telling his commercial friends later: "... interesting fellow I know; an art student living in Paris. Took me to a funny little restaurant -- sort of place you'd pass without looking at -- where there was some of the best food I ever ate. There were half a dozen senators there, too, which shows you it was the right place. Wasn't at all cheap either." "Any sign of Sebastian?" he asked. "There won't be," I said, "until he needs money." "It's a bit thick, going off like that. I was rather hoping that if I made a good job of him, it might do me a bit of good in another direction." He plainly wished to talk of his own affairs; they could wait, I thought, for the hour of tolerance and repletion, for the cognac; they could wait until the attention was blunted and one could listen with half the mind only; now in the keen moment when the maitre d'hotel was turning the blinis over in the pan, and, in the background, two humbler men were preparing the press, we would talk of myself. "Did you stay long at Brideshead? Was my name mentioned after I left?" "Was it mentioned? I got sick of the sound of it, old boy. The Marchioness got what she called a 'bad conscience' about you. She piled it on pretty thick, I gather, at your last meeting." " 'Callously wicked', 'wantonly cruel.'" "Hard words." " 'It doesn't matter what people call you unless they call you pigeon pie and eat you up.'" "Eh?" "A saying." "Ah." The cream and hot butter mingled and overflowed separating each glaucose bead of caviar from its fellows, capping it in white and gold. "I like a bit of chopped onion with mine," said Rex. "Chap-who-knew told me it brought out the flavour." "Try it without first," I said. "And tell me more news of myself." "Well, of course, Greenacre, or whatever he was called -- the snooty don -- he came a cropper. That was well received by all.; He was the blue-eyed boy for a day or two after you left. Shouldn't wonder if he hadn't put the old girl up to pitching you out. He was always being pushed down our throats, so in the end Julia couldn't bear it any more and gave him away." "Julia did?" "Well, he'd begun to stick his nose into our affairs you see. Julia spotted he was a fake, and one afternoon when Sebastian was tight--he was tight most of the time -- she got the whole story of the Grand Tour out of him. And that was the end of Mr. Samgrass. After that the Marchioness began to think she might have been a bit rough with you." "And what about the row with Cordelia?" "That eclipsed everything. That kid's a walking marvel -- she'd been feeding Sebastian whiskey right under our noses for a week. We couldn't think where he was getting it. That's when the Marchioness finally crumbled." The soup was delicious after the rich blinis--hot, thin, bitter, frothy. "I'll tell you a thing, Charles, that Ma Marchmain hasn't let on to anyone. She's a very sick woman. Might peg out any minute. George Anstruther saw her in the autumn and put it at two years." "How on earth do you know?" "It's the kind of thing I hear. With the way her family are going on at the moment, I wouldn't give her a year. I know just the man for her in Vienna. He put Sonia Bamfshire on her feet when everyone including Anstruther had despaired of her. But Ma Marchmain won't do anything about it. I suppose it's something to do with her crack-brain religion, not to take care of the body." The sole was so simple and unobtrusive that Rex failed to notice it. We ate to the music of the press--the crunch of the bones, the drip of blood and marrow, the tap of the spoon basting the thin slices of breast. There was a pause here of a quarter of an hour, while I drank the first glass of the Clos de Bere and Rex smoked his first cigarette. He leaned back, blew a cloud of smoke across the table and remarked, "You know, the food here isn't half bad; someone ought to take this place up and make something of it." Presently he began again on the Marchmains: -- "I'll tell you another thing, too -- they'll get a jolt financially soon if they don't look out." "I thought they were enormously rich." "Well, they are rich in the way people are who just let their money sit quiet. Everyone of that sort is poorer than they were in 1914, and the Flytes don't seem to realize it. I reckon those lawyers who manage their affairs find it convenient to give them all the cash they want and no questions asked. Look at the way they live--Brideshead and Marchmain House both going full blast, pack of foxhounds, no rents raised, nobody sacked, dozens of old servants doing damn all, being waited on by other servants, and then besides all that there's the old boy setting up a separate establishment -- and setting it up on no humble scale either. D'you know how much they're overdrawn?" "Of course I don't." "Jolly near a hundred thousand in London. I don't know what they owe elsewhere. Well, that'siquite a packet, you know, for people who aren't using their money. Ninety-eight thousand last November. It's the kind of thing I hear." Those were the kind of things he heard, mortal illness and debt, I thought. I rejoiced in the Burgundy. How can I describe it? The Pathetic Fallacy resounds in all our praise of wine. For centuries every language has been strained to define its beauty, and has produced only wild conceits or the stock epithets of the trade. This Burgundy seemed to me, then, serene and triumphant, a reminder that the world was an older and better place than Rex knew, that mankind in its long passion had learned another wisdom than his. By chance I met this same wine again, lunching with my wine merchant in St. James's Street, in the first autumn of the war; it had softened and faded in the intervening years, but it still spoke in the pure, authentic accent of its prime and, that day, as at Paillard's with Rex Mottram years before, it whispered faintly, but in the same lapidary phrase, the same words of hope. "I don't mean that they'll be paupers; the old boy will always be good for an odd thirty thousand a year, but there'll be a shake-up coming soon, and when the upper classes get the wind up, their first idea is usually to cut down on the girls. I'd like to get the little matter of a marriage settlement through, before it comes." We had by no means reached the cognac, but here we were on the subject of himself. In twenty minutes I should have been ready for all he had to tell. I closed my mind to him as best I could and gave myself to the food before me, but sentences came breaking in on my happiness, recalling me to the harsh, acquisitive world which Rex inhabited. He wanted a woman; he "wanted the best on the market, and he wanted her cheap; that was what it amounted to. "... Ma Marchmain doesn't like me. Well, I'm not asking her to. It's not her I want to marry. She hasn't the guts to say openly: 'You're not a gentleman. You're an adventurer from the Colonies.' She says we live in different atmospheres. That's all right, but Julia happens to fancy my atmosphere. . . . Then she brings up religion. I've nothing against her Church; we don't take much account of Catholics in Canada, but that's different; in Europe you've got some very posh Catholics. All right, Julia can go to church whenever she wants to. I shan't try and stop her. It doesn't mean two pins to her, as a matter of fact, but I like a girl to have religion. What's more, she can bring the children up Catholic. I'll make all the 'promises' they want. . . . Then there's my past. 'We know so little about you.' She knows a sight too much. You may know I've been tied up with someone else for a year or two." I knew; everyone who had ever met Rex knew of his affair with Brenda Champion; knew also that it was from this affair that he derived everything which distinguished him from every other stock-jobber: his golf with the Prince of Wales, his membership of Bratt's, even his smoking-room comradeship at the House of Commons; for, when he first appeared there, his party chiefs did not say of him, "Look, there is the promising young member for North Gridley who spoke so well on Rent Restrictions." They said: "There's Brenda Champion's latest"; it had done him a great deal of good with men; women he could usually charm. "Well, that's all washed up. Ma Marchmain was too delicate to mention the subject; all she said was that I had 'notoriety.' Well, what does she expect as a son-in-law--a sort of half-baked monk like Brideshead? Julia knows all about the other thing; if she doesn't care, I don't see it's anyone else's business." After the duck came a salad of watercress and chicory in a faint mist of chives. I tried to think only of the salad. I succeeded for a time in thinking only of the souffle. Then came the cognac and the proper hour for these confidences. "... Julia's just rising twenty. I don't want to wait till she's of age. Anyway, I don't want to marry without doing the thing properly . . . nothing hole-in-corner. ... I have to see she isn't jockeyed out of her proper settlement. I've got to the time now when 'notoriety,' as Ma Marchmain calls it, has done its bit. I need setting up solidly. You know -- St. Margaret's, Westminster, or Whatever Catholics have, royalty and the Prime Minister photographed going in ... and, afterwards 'the beautiful Lady Julia Mottram, leading young political hostess' . . . nothing hole-in-corner. So as the Marchioness won't play ball I'm off to see the old man and square him. I gather he's likely to agree to anything he knows will upset her. He's at Monte Carlo at the moment. I'd planned to go on there after dropping Sebastian off at Zurich. That's why it's such a bloody bore having lost him." The cognac was not to Rex's taste. It was clear and pale and it came to us in a bottle free from grime and Napoleonic cyphers. It was only a year or two older than Rex and lately bottled. They gave it to us in very thin tulip-shaped glasses of modest size. "Brandy's one of the things I do know a bit about," said Rex. "This is a bad colour. What's more, I can't taste it in this thimble." They brought him a balloon the size of his head. He made them warm it over the spirit lamp. Then he rolled the splendid spirit round, buried his face in the fumes, and pronounced it the sort of stuff he put soda in at home. So, shamefacedly, they wheeled out of its hiding place the vast and mouldy bottle they kept for people of Rex's sort. "That's the stuff," he said, tilting the treacly concoction till it left dark rings round the sides of his glass. "They've always got some tucked away, but they won't bring it out unless you make a fuss. Have some." "I'm quite happy with this." "Well, it's a crime to drink it, if you don't really appreciate it." He lit his cigar and sat back at peace with the world; I, too, was at peace in another world than his. We both were happy. He talked of Julia and I heard his voice, unintelligible at a great distance, like a dog's barking miles away on a still night. At the beginning of May the engagement was announced. I saw the notice in the Continental Daily Mail and assumed that Rex had "squared the old man." But things did not go as expected. The next news I had of them was in the middle of June, when I read that they had been married very quietly at the Savoy Chapel. No royalty was present; nor was the Prime Minister; nor were any of Julia's family. It sounded like a "hole-in-the-corner" affair, but it was not for several years that I heard the full story. Chapter Seven it is time to speak of Julia, who till now has played an intermittent and somewhat enigmatic part in Sebastian's drama. It was thus she appeared to me at the time, and I to her. We pursued separate aims which brought us near to one another, but we remained strangers. She told me later that she had made a kind of note of me in her mind, as, scanning the shelf for a particular book, one will sometimes have one's attention caught by another, take it down, glance at the title page and, saying "I must read that, too, when I've the time," replace it and continue the search. On my side the interest was keener, for there was always the physical likeness between brother and sister, which, caught repeatedly in different poses, under different lights, each time pierced me anew; and, as Sebastian in his sharp decline seemed daily to fade and crumble, so much the more did Julia stand out clear and firm. She was thin in those days, flat-chested, leggy; she seemed all limbs and neck, bodiless, spidery; thus far she conformed to the fashion, but the hair-cut and the hats of the period, and the blank stare and gape of the period, and the clownish dabs of rouge high on the cheekbones, could not reduce her to type. When I first met her, when she met me in the station yard and drove me home through the twilight that high summer of 1923, she was just eighteen and fresh from her first London season. Some said it was the most brilliant season since the war, that things were getting into their stride again. Julia, by right, was at the centre of it. There were then remaining perhaps half a dozen London houses which could be called "historic"; March-main House in St. James's was one of them, and the ball given for Julia, in spite of the ignoble costume of the time, was by all accounts a splendid spectacle. Sebastian went down for it and half-heartedly suggested my coming with him; I refused and came to regret my refusal, for it was the last ball of its kind given there; the last of a splendid series. How could I have known? There seemed time for everything in those days; the world was open to be explored at leisure. I was so full of Oxford that summer; London could wait, I thought. The other great houses belonged to kinsmen or to childhood friends of Julia's, and besides them there were countless substantial houses in the squares of Mayfair and Belgravia, alight and thronged, one or other of them, night after night, their music floating out among the plane-trees, couples outside sauntering on the quiet pavements or breathing the summer air from the balconies. Foreigners returning on post from their own waste lands wrote home that here they seemed to catch a glimpse of the world they had believed lost for ever among the mud and wire, and through those halcyon weeks Julia darted and shone, part of the sunshine between the trees, part of the candlelight in the mirror's spectrum, so that elderly men and women, sitting aside with their memories, saw her as herself the blue-bird. "'Bridey' Marchmain's eldest girl," they said. "Pity he can't see her to-night." That night and the night after and the night after, wherever she went, always in her own little circle of intimates, she brought to all whose eyes were open to it a moment of joy, such as strikes deep to the heart on the river's bank when the kingfisher suddenly flames across dappled water. This was the creature, neither child nor woman, that drove me through the dusk that summer evening, untroubled by love, taken aback by the power of her own beauty, hesitating on the steps of life; one who had suddenly found herself armed, unawares; the heroine of a fairy story turning over in her hands the magic ring; she had only to stroke it with her fingertips, and whisper the charmed word, for the earth to open at her feet and belch forth her Titanic servant, die fawning monster who would bring her whatever she asked, but bring it, perhaps, in unwelcome shape. She h?A no interest in me that evening; the jinn rumbled below us uncalled; she lived apart in a little world, within a little world, the innermost of a system of concentric spheres, like the ivory balls laboriously carved in ancient China; a little problem troubling her mind -- little, as she saw it, in abstract terms and symbols. She was wondering, dispassionately and leagues distant from reality, whom she should marry. Thus strategists hesitate over the map, the few pins and lines of coloured chalk, contemplating a change in the pins and lines, a matter of inches, which outside the room, out of sight of the studious officers, may engulf past, present and future in ruin or life. She was a symbol to herself then, lacking the life of both child and woman; victory and defeat were changes of pin and line; she knew nothing of war. "If only one lived abroad," she thought, "where these things are arranged between parents and lawyers." To be married, soon and splendidly, was the unquestioned aim of all her friends. If she looked further than the wedding, it was to see marriage as the beginning of individual existence; the skirmish where one gained one's spurs, from which one set out on the true quests of life. She outshone by far all the girls of her age, but she knew that, in that little world within a world which she inhabited, there were certain grave disabilities from which she suffered. On the sofas against the wall where the old people counted up the points, there were things against her. There was the scandal of her father; they had all loved him in the past, the women along the wall, and they most of them loved her mother, yet there was that slight, inherited stain upon her brightness that seemed deepened by something in her own way of life -- waywardness and wil-fulness, a less disciplined habit than most of her contemporaries' -- that unfitted her for the highest honours; but for that, who knows? . . . One subject eclipsed all others in importance for the ladies along the wall; whom would the young princes marry? They Could not hope for purer lineage or a more gracious presence than Julia's; but there was this faint shadow on her that unfitted her for the highest honours; there was also her religion. Nothing could have been further from Julia's ambitions than a royal marriage. She knew, or thought she knew, what she wanted and it was not that. But wherever she turned, it seemed, her religion stood as a barrier between her and her natural goal. As it seemed to her, the thing was a dead loss. If she apos-tasized now, having been brought up in the Church, she would go to hell, while the Protestant girls of her acquaintance, schooled in happy ignorance, could marry eldest sons, live at peace with their world, and get to heaven before her. There could be no eldest son for her, and younger sons were indelicate things, necessary, but not to be much spoken of. Younger sons had none of the privileges of obscurity; it was their plain duty to remain hidden until some disaster perchance promoted them to their brothers' places, and, since this was their function, it was desirable that they should keep themselves wholly suitable for succession. Perhaps in a family of three or four boys, a Catholic might get the youngest without opposition. There were of course the Catholics themselves, but these came seldom into the little world Julia had made for herself; those who did were her mother's kinsmen, who, to her, seemed grim and eccentric. Of the dozen or so wealthy and noble Catholic families, none at that time had an heir of the right age. Foreigners -- there were many among her mother's family -- were tricky about money, odd in their ways, and a sure mark of failure in the English girl who wed them. What was there left? This was Julia's problem after her weeks of triumph in London. She knew it was not insurmountable. There must, she thought, be a number of people outside her own world who were well qualified to be drawn into it; the shame was that she must seek them. Not for her the cruel, delicate luxury of choice, the indolent, cat-and-mouse pastimes of the hearth-rug. No Penelope she; she must hunt in the forest. She had made a preposterous little picture of the kind of man ' who would do: he was an English diplomat of great but not very virile beauty, now abroad, with a house smaller than Brideshead, nearer to London; he was old, thirty-two or three, and had been recently and tragically widowed; Julia thought she would prefer a man a little subdued by earlier grief. He had a great career before him but had grown listless in his loneliness; she was not sure he was not in danger of falling into the hands of an unscrupulous foreign adventuress; he needed a new infusion of young life to carry him to the Embassy at Paris. While professing a mild agnosticism himself, he had a liking for the shows of religion and was perfectly agreeable to having his children brought up Catholic; he believed, however, in the prudent restriction of his family to two boys and a girl, comfortably spaced over twelve years, and did not demand, as a Catholic husband might, yearly pregnancies. He had twelve thousand a year above his pay, and no near relations. Someone like that would do, Julia thought, and she was in search of him when she met me at the railway station. I was not her man. She told me as much, without a word, when she took the cigarette from my lips. All this I learned about Julia, bit by bit, from the stories she told, from guesswork, knowing her, from what her friends said, from the odd expressions she now and then let slip, from occasional dreamy monologues of reminiscences; I learned it as one does learn the former -- as it seems at the time, the preparatory -- life of a woman one loves, so that one thinks of oneself as part of it, directing it by devious ways, towards oneself. Julia left Sebastian and me at Brideshead and went to stay with an aunt, Lady Rosscommon, in her villa at Cap Ferrat. All the way she pondered her problem. She had given a name to her widower-diplomat; she called him "Eustace," and from that moment he became a figure of fun to her, a little interior, incommunicable joke, so that when at last such a man did cross her path -- though he was not a diplomat but a wistful major in the Life Guards -- and fall in love with her and offer her just those gifts she had chosen, she sent him away moodier and more wistful than ever, for by that time she had met Rex Mottram. Rex's age was greatly in his favour, for among Julia's friends there was a kind of gerontophilic snobbery; young men were held to be gauche and pimply; it was thought very much more chic to be seen lunching alone at the Ritz -- a thing, in any case, allowed to few girls of that day, to the tiny circle of Julia's intimates; a thing looked at askance by the elders who kept the score, chatting pleasantly against the walls of the ballrooms -- at the table on the left as you came in, with a starched and wrinkled old roue whom your mother had been warned of as a girl, than in the centre of the room with a party of exuberant young bloods. Rex, indeed, was neither starched nor wrinkled; his seniors thought him a pushful young cad, but Julia recognized the unmistakable chic -- the flavour of "Max" and "F.E." and the Prince of Wales, of the big table in the Sporting Club, the second magnum and the fourth cigar, of the chauffeur kept waiting hour after hour without compunction -- which her friends would envy. His social position was unique; it had an air of mystery, even of crime, about it; people said Rex went about armed. Julia and her friends had a fascinated abhorrence of what they called "Pont Street"; they collected phrases that damned their user, and among themselves -- and often, disconcertingly, in public -- talked a language made up of them. It was "Pont Street" to wear a signet ring and to give chocolates at the theatre; it was "Pont Street" at a dance to say, "Can I forage for you?" Whatever Rex might be, he was definitely not "Pont Street." He had stepped straight from the underworld into the world of Brenda Champion, who was herself the innermost of a number of concentric ivory spheres. Perhaps Julia recognized in Brenda Champion an intimation of what she and her friends might be in twelve years' time; there was an antagonism between the girl and the woman that was hard to explain otherwise. Certainly the fact of his being Brenda Champion's property sharpened Julia's appetite for him. Rex and Brenda Champion were staying at the next villa on Cap Ferrat, taken that year by a newspaper magnate and frequented by politicians. .They would not normally have come within Lady Rosscommon's ambit, but, living so close, the parties mingled and at once Rex began warily to pay his court. All that summer he had been feeling restless. Mrs. Champion had proved a dead end; it had all been intensely exciting at first, but now those bonds, so much more rigid than the bonds of marriage, had begun to chafe. Mrs. Champion lived as, he found, the English seemed apt to do, in a little world within a little world; Rex demanded a wider horizon. He wanted to consolidate his gains; to strike the black ensign, go ashore, hang the cutlass up over the chimney and think about the crops. It was time he married; he, too, was in search of a "Eustace," but, living as he did, he met few girls. He knew of Julia; she was by all accounts top debutante, a suitable prize. With Mrs. Champion's cold eyes watching behind her sun glasses, there was little Rex could do at Cap Ferrat except establish a friendliness which could be widened later. He was never entirely alone with Julia, but he saw to it that she was included in most things they did; he taught her chemin-de-fer, he arranged that it was always in his car that they drove to Monte Carlo or Nice; he did enough to make Lady Rosscommon write to Lady Marchmain, and Mrs. Champion move him, sooner than they had planned, to Antibes. Julia went to Salzburg to join her mother. "Aunt Fanny tells me you made great friends with Mr. Mottram. I'm sure he can't be very nice." "I don't think he is," said Julia. "I don't know that I like nice people." There is proverbially a mystery among most men of new wealth, how they made their first ten thousand; it is the qualities they showed then, before they became bullies, when every man was someone to be placated, when only hope sustained them and they could count on nothing from the world but what could be charmed from it, that make them, if they survive their triumph, successful with women. Rex, in the comparative freedom of London, became abject to Julia; he planned his life about hers, going where he would meet her, ingratiating himself with those who could report well of him to her; he sat on a number of charitable committees in order to be near Lady Marchmain; he offered his services to Brideshead in getting him a seat in Parliament (but was there rebuffed); he expressed a keen interest in the Catholic Church until he found that this was no way to Julia's heart. He was always ready to drive her in his Hispano wherever she wanted to go; he took her and parties of her friends to ring-side seats at prize-fights and introduced them afterwards to the pugilists; and all the time he never once made love to her. From being agreeable, he became indispensable to her; from having been proud of him in public she became a little ashamed, but by that time, between Christmas and Easter, he had become indispensable. And then, without in the least expecting it, she suddenly found herself in love. It came to her, this disturbing and unsought revelation, one evening in May, when Rex had told her he would be busy at the House, and, driving by chance down Charles Street, she saw him leaving what she knew to be Brenda Champion's house. She was so hurt and angry that she could barely keep up appearances through dinner; as soon as she could, she went home and cried bitterly for ten minutes; then she felt hungry, wished she had eaten more at dinner, ordered some bread-and-milk, and went to bed saying: "When Mr. Mottram telephones in the morning, whatever time it is, say I am not to be disturbed." Next day she breakfasted in bed as usual, read the papers, telephoned to her friends. Finally she asked: "Did Mr. Mottram ring up by any chance?" "Oh yes, my lady, four times. Shall I put him through when he rings again?" "Yes. No. Say I've gone out." When she came downstairs there was a message for her on the hall table. Mr. Mottram expects Lady Julia at the Ritz at 1:30. "I shall lunch at home to-day," she said. That afternoon she went shopping with her mother; they had tea with an aunt and returned at six. "Mr. Mottram is waiting, my lady. I've shown him into the library." "Oh, Mummy. I can't be bothered with him. Do tell him to go home." "That's not at all kind, Julia. I've often said he's not my favourite among your friends, but I have grown quite used to him, almost to like him. You really mustn't take people up and drop them like this -- particularly people like Mr. Mottram." "Oh, Mummy, must I see him? There'll be a scene if I do." "Nonsense, Julia, you twist that poor man round your finger." So Julia went into the library and came out an hour later engaged to be married. "Oh, Mummy, I warned you this would happen if I went in there." "You did nothing of the kind. You merely said there would be a scene. I never conceived of a scene of this kind." "Anyway, you do like him, Mummy. You said so." "He has been very kind in a number of ways. I regard him as entirely unsuitable as your husband. So will everyone." "Damn everybody." "We know nothing about him. He may have black blood -- in fact he is suspiciously dark. Darling, the whole thing's impossible. I can't see how you can have been so foolish." "Well, what right have I got otherwise to be angry with him if he goes with that horrible old woman? You make a great thing about rescuing fallen women. Well, I'm rescuing a fallen man for a change. I'm saving Rex from mortal sin." "Don't be irreverent, Julia." "Well, isn't it mortal sin to sleep with Brenda Champion?" "Or indecent." "He's promised never to see her again. I couldn't ask him to do that unless I admitted I was in love with him, could I?" "Mrs. Champion's morals, thank God, are not my business. Your happiness is. If you must know, I think Mr. Mottram a kind and useful friend, but I wouldn't trust him an inch, and I'm sure he'll have very unpleasant children. They always, revert. I've no doubt you'll regret the whole thing in a few days. Meanwhile nothing is to be done. No one must be told anything or allowed to suspect. You must stop lunching with him. You may see him here, of course, but nowhere in public. You had better send him to me and I will have a little talk to him about it." Thus began a year's secret engagement for Julia; a time of great stress, for Rex made love to her that afternoon for the first time; not as had happened to her once or twice before with sentimental and uncertain boys, but with a passion that disclosed the corner of something like it in her. Their passion frightened her, and she came back from the confessional one flay determined to put an end to it. "Otherwise I must stop seeing you," she said. Rex was humble at once, just as he had been in the winter, day after day, when he used to wait for her in the cold in his big car. "If only we could be married immediately," she said. For six weeks they remained at arm's length, kissing when they met and parted, sitting meantime at a distance, talking of what they would do and where they would live and of Rex's chances of an under-secretaryship. Julia was content, deep in love, living in the future. Then, just before the end of the session, . she learned that Rex had been staying the week-end with a stockbroker at Sunningdale, when he said he was at his constituency, and that Mrs. Champion had been there, too. On the evening she heard of this, when Rex came as usual to Marchmain House, they re-enacted the scene of two months before. "What do you expect?" he said. "What right have you to ask so much, when you give so little?" She took her problem to Farm Street and propounded it in general terms, not in the confessional, but in a dark little parlour kept for such interviews. "Surely, Father, it can't be wrong to commit a small sin myself in order to keep him from a much worse one?" But the gentle old Jesuit was unyielding as rock. She barely listened to him; he was refusing her what she wanted, that was all she needed to know. When he had finished he said, "Now you had better come to the church and make your confession." "No, thank you," she said, as though refusing the offer of something in a shop, "I don't think I want to to-day," and walked angrily home. From that moment she shut her mind against her religion. And Lady Marchmain saw this and added it to her new grief for Sebastian and her old grief for her husband and to the deadly sickness in her body, and took all these sorrows with her daily to church; it seemed her heart was transfixed with the swords of her dolours, a living heart to match the plaster and paint; what comfort she took home with her, God knows. So the year wore on and the secret of the engagement spread from Julia's confidantes to their confidantes, and so, like ripples on the water, in ever-widening circles, till there were hints of it in the press, and Lady Rosscommon as Lady-in-Waiting was closely questioned about it, and something had to be done. Then, after Julia had refused to make her Christmas communion and Lady Marchmain had found herself betrayed first by me, then by Mr. Samgrass, then by Cordelia, in the first grey days of 1925, she decided to act. She forbade all talk of an engagement; she forbade Julia and Rex ever to meet; she made plans for shutting Marchmain House for six months and taking Julia on a tour of visits to their foreign kinsmen. It was characteristic of an old, atavistic callousness that went with her delicacy that, even at this crisis, she did not think it unreasonable to put Sebastian in Rex's charge on the journey to Dr. Borethus, and Rex, having failed her in that matter, went on to Monte Carlo, where he completed her rout. Lord Marchmain did not concern himself with the finer points of Rex's character; those, he believed, were his daughter's business. Rex seemed a rough, healthy, prosperous fellow whose name was already familiar to him from reading the political reports; he gambled in an open-handed but sensible manner; he seemed to keep reasonably good company; he had a future; Lady Marchmain disliked him. Lord Marchmain was, on the whole, relieved that Julia should have chosen so well, and gave his consent to an immediate marriage. Rex gave himself to the preparations with gusto. He bought her a ring, not, as she expected, from a tray at Cartier's, but in a back room in Hatton Garden from a man who brought stones out of a safe in little bags and displayed them for her on a writing-desk; then another man in another back room made designs for the setting with a stub of pencil on a sheet of note-paper, and the result excited the admiration of all her friends. "How d'you know about these things, Rex?" she asked. She was daily surprised by the things he knew and the things he did not know; both, at the time, added to his attraction. His present house in Westminster was large enough for them both, and had lately been furnished and decorated by the most expensive firm. Julia said she did not want a home in the country yet; they could always take places furnished when they wanted to go away. There was trouble about the marriage settlement, with which Julia refused to interest herself. The lawyers were in despair. Rex absolutely refused to settle any capital. "What do I want with trustee stock?" he asked. "I don't know, darling." "I make money work for me," he said. "I expect fifteen, twenty per cent, and I get it. It's pure waste tying up capital at three and a half." "I'm sure it is, darling." "These fellows talk as though I were trying to rob you. It's they who are doing the robbing. They want to rob you of two thirds of the income I can make you." "Does it matter, Rex? We've got heaps, haven't we?" Rex hoped to have the whole of Julia's dowry in his hands, to make it work for him. The lawyers insisted on tying it up, but they could not get, as they asked, a like sum from him. Finally, grudgingly, he agreed to insure his life, after explaining at length to the lawyers that this was mertly a device for putting part of his legitimate profits into other people's pockets; but he had some connection with an insurance office which made the arrangement slightly less painful to him, by which he took for himself the agent's commission which the lawyers were themselves expecting. Last and least tame the question of Rex's religion. He had once attended a royal wedding in Madrid, and he wanted something of die kind for himself. "That's one thing your Church can do," he said: "put on a good show. You never saw anything to equal the cardinals. How many do you have in England?" "Only one, darling." "Only one? Can we hire some others from abroad?" It was then explained to him that a mixed marriage was a very unostentatious affair. "How d'you mean 'mixed'? I'm not a nigger or anything." "No, darling --between a Catholic and a Protestant." "Oh, that? Well, if that's all, it's soon unmixed. I'll become a Catholic. What does one have to do?" Lady Marchmain was dismayed and perplexed by this new development; it was no good her telling herself that in charity she must assume his good faith; it brought back memories of another courtship and another conversion. "Rex," she said. "I sometimes wonder if you realize how big a thing you are taking on in the Faith. It would be very wicked to take a step like this without believing sincerely." He was masterly in his treatment of her. "I don't pretend to be a very devout man," he said, "nor much of a theologian, but I know it's a bad plan to have two religions in one house. A man needs a religion. If your Church is good enough for Julia, it's good enough for me." "Very well," she said, "I will see about having you instructed." "Look, Lady Marchmain, I haven't the time. Instruction will be wasted on me. Just you give me the form and I'll sign on the dotted line." "It usually takes some months - often a lifetime." "Well, I'm a quick learner. Try me." So Rex was sent to Farm Street to Father Mowbray, a priest renowned for his triumphs with obdurate catechumens. After the third interview he came to tea with Lady Marchmain. "Well, how do you find my future son-in-law?" "He's the most difficult convert I have ever met." "Oh dear, I thought he was going to make it so easy." "That's exactly it. I can't get anywhere near him. He doesn't seem to have the least intellectual curiosity or natural piety. "The first day I wanted to find out what sort of religious life he had had till now, so I asked him what he meant by prayer. He said: 'I don't mean anything. You tell me'. I tried to, in a few words, and he said: 'Right. So much for prayer. What's the next thing?' I gave him the catechism to take away. Yesterday I asked him whether Our Lord had more than one nature. He said: 'Just as many as you say, Father.' "Then again I asked him: 'Supposing the Pope looked up and saw a cloud and said "It's going to rain," would that be bound to happen?' 'Oh, yes, Father.' 'But supposing it didn't?' He thought a moment and said, 'I suppose it would be sort of raining spiritually, only we were too sinful to see it.' "Lady Marchmain, he doesn't correspond to any degree of paganism known to the missionaries." "Julia," said Lady Marchmain, when the priest had gone, "are you sure that Rex isn't doing this thing purely with the idea of pleasing us?" "I don't think it enters his head," said Julia. "He's really sincere in his conversion?" "He's absolutely determined to become a Catholic, Mummy," and to herself she said: In her long history the Church must have had some pretty queer converts. I don't suppose all Clevis's army were exactly Catholic-minded. One more won't hurt. Next week the Jesuit came to tea again. It was the Easter holidays and Cordelia was there, too. "Lady Marchmain," he said. "You should have chosen one of the younger fathers for this task. I shall be dead long before Rex is a Catholic." "Oh dear, I thought it was going so well." "It was, in a sense. He was exceptionally docile, said he accepted everything I told him, remembered bits of it, asked no questions. I wasn't happy about him. He seemed to have no sense of reality, but I knew he was coming under a steady Catholic influence, so I was willing to receive him. One has to take a chance sometimes -- with semi-imbeciles, for instance. You never know quite how much they have understood. As long as you know there's someone to keep an eye on them, you do take the chance." "How I wish Rex could hear this!" said Cordelia. "But yesterday I got a regular eye-opener. The trouble with modern education is you never know how ignorant people are. With anyone over fifty you can be fairly confident what's been taught and what's been left out. But these young people have such an intelligent, knowledgeable surface, and then the crust suddenly breaks and you look down into depths of confusion you didn't know existed. Take yesterday. He seemed to be doing very well. He'd learned large bits of the catechism by heart, and the Lord's Prayer and the Hail Mary. Then I asked him as usual if there was anything troubling him, and he looked 'at me in a crafty way and said, 'Look, Father, I don't think you're being straight with me. I want to join your Church and I'm going to join your Church, but you're holding too much back.' I asked what he meant, and he said: 'I've had a long talk with a Catholic -- a very pious, well-educated one, and I've learned a thing or two. For instance, that you have to sleep with your feet pointing East because that's the direction of heaven, and if you die in the night you can walk there. Now I'll sleep with my feet pointing any way that suits Julia, but d'you expect a grown man to believe about walking to heaven? And what about the Pope who made one of his horses a cardinal? And what about the box you keep in the church porch, and if you put in a pound note with someone's name on it, they get sent to hell. I don't say there mayn't be a good reason for all this,' he said, 'but you ought to tell me about it and not let me find out for myself.'" "What can the poor man have meant?" said Lady Marchmain. "You see he's a long way from the Church yet," said Father Mowbray. "But who can he have been talking to? Did he dream it all? Cordelia, what's the matter?" "What a chump! Oh, Mummy, what a glorious chump!" "Cordelia, it was you." "Oh, Mummy, who could have dreamed he'd swallow it? I told him such a lot besides. About the sacred monkeys in the Vatican -- all kinds of things." "Well, you've very considerably increased my work," said Father Mowbray. "Poor Rex," said Lady Marchmain. "You know, I think it makes him rather lovable. You must treat him like an idiot child, Father Mowbray." So the instruction was continued, and Father Mowbray at length consented to receive Rex a week before his wedding. "You'd think they'd be all over themselves to have me in," Rex complained. "I can be a lot of help to them one way and another; instead they're like the chaps who issue cards for a casino. What's more," he added, "Cordelia's got me so muddled I don't know what's in the catechism and what she's invented." Thus things stood three weeks before the wedding; the cards had gone out, presents were coming in fast, the bridesmaids were delighted with their dresses. Then came what Julia called "Bridey's bombshell." With characteristic ruthlessness he tossed his load of explosive without warning into what, till then, had been a happy family party. The library at Marchmain House was being devoted to wedding presents; Lady Marchmain, Julia, Cordelia and Rex were busy unpacking and listing them. Brideshead came in and watched them for a moment. "Chinky vases from Aunt Betty," said Cordelia. "Old stuff. I remember them on the stairs at Buckborne." "What's all this?" asked Brideshead. "Mr., Mrs., and Miss Pendle-Garthwaite, one early-morning tea set. Goode's, thirty shillings, jolly mean." "You'd better pack all that stuff up again." "Bridey, what do you mean?" "Only that the wedding's off." "Bridey." "I thought I'd better make some enquiries about my prospective brother-in-law, as no one else seemed interested," said Brideshead. "I got the final answer to-night. He was married in Montreal hi 1915 to a Miss Sarah Evangeline Cutler, who is still living there." "Rex, is this true?" Rex stood with a jade dragon in his hand looking at it critically; then he set it carefully on its ebony stand and smiled openly and innocently at them all. "Sure it's true," he said. "What about it? What are you all looking so hit-up about? She isn't a thing to me. She never meant any good. I was only a kid, anyhow. The sort of mistake anyone might make. I got my divorce back in 1919. I didn't even know where she was living till Bridey here told me. What's all the rumpus?" "You might have told me," said Julia. "You never asked. Honest, I've not given her a thought in years." His sincerity was so plain that they had to sit down and talk about it calmly. "Don't you realize, you poor sweet oaf," said Julia, "that you can't get married as a Catholic when you've another wife alive?" "But I haven't. Didn't I just tell you we were divorced six years ago?" "But you can't be divorced as a Catholic." "I wasn't a Catholic and I was divorced. I've got the papers somewhere." "But didn't Father Mowbray explain to you about marriage?" "He said I wasn't to be divorced from you. Well, I don't want to be. I can't remember all he told me -- sacred monkeys, plenary indulgences, four last things -- if I remembered all he told" me I shouldn't have time for anything else. Anyhow, what about your Italian cousin, Francesca? She married twice." "She had an annulment." "All right then, I'll get an annulment. What does it cost? Who do I get it from? Has Father Mowbray got one? I only want to do what's right. Nobody told me." It was a long time before Rex could be convinced of the existence of a serious impediment to his marriage. The discussion took them to dinner, lay dormant in the presence of the servants, started again as soon as they were alone, and lasted long after midnight. Up, down and round the argument circled and swooped like a gull, now out to sea, out of sight, cloud-bound, among irrelevances and repetitions, now right on the patch where the offal floated.' "What d'you want me to do? Who should I see?" Rex kept asking. "Don't tell me there isn't someone who can fix this." "There's nothing to do, Rex," said Brideshead. "It simply means your marriage can't take place. I'm sorry from everyone's point of view that it's come so suddenly. You ought to have told us yourself." "Look," said Rex. "Maybe what you say is right; maybe strictly by law I shouldn't get married in your cathedral. But the cathedral is booked; no one there is asking any questions; the Cardinal knows nothing about it; Father Mowbray knows nothing about it. Nobody except us knows a thing. So why make a lot of trouble? Just stay mum and let the thing go through, as if nothing had happened. Who loses anything by that? Maybe I risk going to hell. Well, I'll risk it. What's it got to do with anyone else?" "Why not?" said Julia. "I don't believe these priests know everything. I don't believe in hell for things like that. I don't know that I believe in it for anything. Anyway, that's our lookout. We're not asking you to risk your souls. Just keep away." "Julia, I hate you," said Cordelia, and left the room. "We're all tired," said Lady Marchmain. "If there is anything to say, I'd suggest our discussing it in the morning." "But there's nothing to discuss," said Brideshead, "except what is the least offensive way we can close the whole incident. Mother and I will decide that. We must put a notice in The Times and the Morning Post; the presents will have to go back. I don't know what is usual about the bridesmaids' dresses." "Just a moment," said Rex. "Just a moment. Maybe you can stop us marrying in your cathedral. All right, to hell, we'll be married in a Protestant church." "I can stop that, too," said Lady Marchmain. "But I don't think you will, Mummy," said Julia. "You see, I've been Rex's mistress for some time now, and I shall go on being, married or not." "Rex, is this true?" "No, damn it, it's not," said Rex. "I wish it were." "I see we shall have to discuss it all again in the morning," said Lady Marchmain faintly. "I can't go on any more now." And she needed her son's help up the stairs. "What on earth made you tell your mother that?" I asked, when, years later, Julia described the scene to me. "That's exactly what Rex wanted to know. I suppose because I thought it was true. Not literally -- though you must remember I was only twenty, and no one really knows the 'facts of life' by being told them -- but, of course, I didn't mean it was true literally. I didn't know how else to express it. I meant I was much too deep with Rex just to be able to say 'the marriage arranged will not now take place,' and leave it at that. I wanted to be made an honest woman. I've been wanting it ever since -- come to think of it." "And then?" "And then the talks went on and on. Poor Mummy. And priests came into it and aunts came into it. There were all kinds of suggestions -- that Rex should go to Canada, that Father Mowbray should go to Rome and see if there were any possible grounds for an annulment; that I should go abroad for a year. In the middle of it Rex just telegraphed to Papa: 'Julia and I prefer wedding ceremony take place by Protestant rites. Have you any objection?' He answered, 'Delighted,' and that settled the matter as far as Mummy stopping us legally went. There was a lot of personal appeal after that. I was sent to talk to priests and nuns and aunts. Rex just went on quietly -- or fairly quietly -- with the plans. "Oh, Charles, what a squalid wedding! The Savoy Chapel was the place where divorced couples got married in those days--a poky little place not at all what Rex had intended. I wanted just to slip into a registry office one morning and get the thing over with a couple of charwomen as witnesses, but nothing else would do but Rex had to have bridesmaids and orange blossoms and the wedding march. It was gruesome. "Poor Mummy behaved like a martyr and insisted on my having her lace in spite of everything. Well, she more or less had to--the dress had been planned round it. My own friends came, of course, and the curious accomplices Rex called his friends; the rest bf the party were very oddly assorted. None of Mummy's family came, of course; one or two of Papa's. All the stuffy people stayed away--you know, the Anchorages and Chasms and Vanbrughs -- and I thought, Thank God for that, they always look down their noses at me, anyhow; but Rex was furious, Because it was just them he wanted apparently. "I hoped at one moment there'd be no party at all. Mummy said we couldn't use Marchers, and Rex wanted to telegraph Papa and invade the place with an army of caterers headed by the family solicitor. In the end it was decided to have a party the evening before at home to see the presents -- apparently that was all right according to Father Mowbray. Well, no one can ever resist going to see her own present, so that was quite a success, but the reception Rex gave next day at the Savoy for the wedding guests was very squalid. "There was great awkwardness about the tenants. In the end Bridey went down and gave them a dinner and bonfire there, which wasn't at all what they expected in return for their silver soup-tureen. "Poor Cordelia took it hardest. She had looked forward so much to being my bridesmaid -- it was a thing we used to talk about long before I came out--and of course she was a very pious child, too. At first she wouldn't speak to me. Then on the morning of the wedding --I'd moved to Aunt Fanny Ross-common's the evening before; it was thought more suitable--she came bursting in before I was up, straight from Farm Street, in floods of tears, begged me not to marry, then hugged me, gave me a dear little brooch she'd bought, and said she prayed I'd always be happy. Always happy, Charles! "It was an awfully unpopular wedding, you know. Everyone took Mummy's side, as everyone always did -- not that she got any benefit from it. All through her life Mummy had all the sympathy of everyone except those she loved. They all said I'd behaved abominably to her. In fact, poor Rex found he'd married an outcast, which was exactly the opposite of all he'd wanted. "So you see things never looked like going right. There was a hoodoo on us from the start. But I was still nuts about Rex. "Funny to think of, isn't it? "You know Father Mowbray hit on the truth about Rex at once, that it took me a year of marriage to see. He simply wasn't all there. He wasn't a complete human being at all. He was a tiny bit of one, unnaturally developed; something in a bottle, an organ kept alive in a laboratory. I thought he was a sort of primitive savage, but he was something absolutely modern and up-to-date that only this ghastly age could produce. A tiny ,bit of a man pretending he was the whole. "Well, it's all over now." It was ten years later that she said this to me in a storm in the Atlantic. Chapter Eight I returned to London in the spring of 1926 for the General Strike. It was the topic of Paris. The French, exultant as always at the discomfiture of their former friends, 'and transposing into their own precise terms our mistier notions from across the Channel, foretold revolution and civil war. Every evening the kiosks displayed texts of doom, and in the cafes acquaintances greeted one half-derisively with: "Ha, my friend, you are better off here than at home, are you not?" until I, and several friends in circumstances like my own, came seriously to believe that our country was in danger and that our duty lay there. We were joined by a Belgian Futurist, who lived under the, I think, assumed name of Jean de Brissac la Motte, and claimed the right to bear arms in any battle anywhere against the lower classes. We crossed together, in a high-spirited, male party, expecting to find unfolding before us at Dover the history so often repeated of late, with so few variations, from all parts of Europe, that I, at any rate, had formed in my mind a clear, composite picture of Revolution -- the red flag on the post office, the overturned tram, the drunken N.C.O-'s, the gaol open and gangs of released criminals prowling the streets, the train from the capital that did not arrive. One had read it in the papers, seen it in the films, heard it at cafe tables again and again for six or seven years now, till it had become part of one's experience, at second hand, like the mud of Flanders and the flies of Mesopotamia. Then we landed and met the old routine of the customs sheds, the punctual boat-train, the porters lining the platform at Victoria and converging on the first-class carriages; the long line of waiting taxis. "We'll separate," we said, "and see what's happening. We'll meet and compare notes at dinner," but we knew already in our hearts that nothing was happening; nothing, at any rate, which needed our presence. "Oh dear," said my father, meeting me by chance on the stairs, "how delightful to see you again so soon." (I had been abroad fifteen months.) "You've come at a very awkward time, you know. They're having another of those strikes in two days -- such a lot of nonsense--and I don't know when you'll be able to get away." I thought of the evening I was forgoing, with the lights coming out along the banks of the Seine, and the company I should have had there -- for I was at the time concerned with two emancipated American girls who shared a garconniere in Auteuil -- and wished I had not come. We dined that night at the Cafe" Royal. There things were a little more warlike, for the cafe" was full of undergraduates who had come down for "National Service." One group, from Cambridge, had that afternoon signed on to run messages for Transport House, and their table backed on another group's, who were enrolled as special constables. Now and then one or other party would shout provocatively over the shoulder, but it is hard to come into serious conflict back to back, and the affair ended-with their giving each other tall glasses of lager beer. "You should have been in Budapest when Horthy marched in," said Jean. "That was politics." A party was being given that night in Regent's Park for the "Black Birds," who had newly arrived in England. One of us had been asked and thither we all went. To us, who frequented Bricktop's and the Bal Negre in the Rue Blomet, there was nothing particularly remarkable in the spectacle; I was scarcely inside the door when I heard an unmistakable voice, an echo from what now seemed a distant past. "No" it said, "they are not animals in a zoo, Mulcaster, to be goggled at. They are artists, my dear, very great artists, to be revered." Anthony Blanche and Boy Mulcaster were at the table where the wine stood. "Thank God here's someone I know," said Mulcaster, as I joined them. "Girl brought me. Can't see her anywhere." "She's given you the slip, my dear, and do you know why? Because you look ridiculously out of place, Mulcaster. It isn't your kind of party at all; you ought not to be here; you ought to go away, you know, to the Old Hundredth or some lugubrious dance in Belgrave Square." "Just come from one," said Mulcaster. "Too early for the Old Hundredth. I'll stay on a bit. Things may cheer up." "I spit on you," said Anthony. "Let me talk to you, Charles." We took a bottle and our glasses and found a corner in another room. At our feet, five members of the "Black Birds" orchestra squatted on their heels and threw dice. "That one," said Anthony, "the rather pale one, my dear, konked Mrs. Arnold Frickheimer the other morning on the nut, my dear, with a bottle of milk." Almost immediately, inevitably, we began to talk of Sebastian. "My dear, he's such a sot. He came to live with me in Marseilles last year when you threw him over, and really it was as much as I could stand. Sip, sip, sip like a dowager all day long. And so sly. I was always missing little things, my dear, things I rather liked; once I lost two suits that had arrived from Lesley and Roberts that morning. Of course, I didn't know it was Sebastian--there were some rather queer fish, my dear, in and out of my little apartment. Who knows better than you my taste for queer fish? Well, eventually, my dear, we found the pawnshop where Sebastian was p-p-popping them and then he hadn't got the tickets; there was a market for them, too, at the Bistro. "I can see that puritanical, disapproving look in your eye, dear Charles, as though you thought I had led the boy on. It's one of Sebastian's less lovable qualities that he always gives the impression of being l-l-led on -- like a little horse at a circus. But I assure you I did everything. I said to him again and again, 'Why drink? If you want to be intoxicated there are so many much more delicious things.' I took him to quite the best man; well, you know him as well as I do, Nada Alopov; and Jean Luxmore and everyone we know has been to him for years -- he's always in the Regina Bar -- and then we had trouble over that because Sebastian gave him a bad cheque--a s-s-stumer, my dear-- and a whole lot of very menacing men came round to the flat --thugs, my dear -- and Sebastian was making no sense at the time and it was all most unpleasant." Boy Mulcaster wandered towards us and sat down, without encouragement, by my side. "Drink running short in there," he said, helping himself from our bottle and emptying it. "Not a soul in the place I ever set eyes on before -- all black fellows." Anthony ignored him and continued: "So then we left Marseilles and went to Tangier, and there, my dear, Sebastian took up with his new friend. How can I describe him? He is like the footman in 'Warning Shadows' -- a great clod of a German who'd been in the Foreign Legion. He got put by shooting off his great toe. It hadn't healed yet. Sebastian found him, starving as tout to one of the houses in the Kasbah, and brought him to stay with us. It was too macabre. So back I came, my dear, to good old England -- good old England" he repeated, indicating in an ample gesture the Negroes gambling at our feet, Mulcaster, staring blankly before him, and our hostess who, in pyjamas, now introduced herself to us. "Never seen you before," she said. "Never asked you. Who are all this white trash, anyway? Seems to me I must be in the wrong house." "A time of national emergency," said Mulcaster. "Anything may happen." "Is the party going well?" she asked anxiously. "D'you think Florence Mills would sing? We've met before," she added to Anthony. "Often, my dear, but you never asked me to-night." "Oh dear, perhaps I don't like you. I thought I liked everyone." "Do you think," asked Mulcaster, when our hostess had left us, "that it might be witty to give the fire alarm?" "Yes, Boy, run away and ring it." "Might cheer things up, I mean." "Exactly." So Mulcaster left us in search of the telephone. "I think Sebastian and his lame chum went to French Morocco," continued Anthony. "They were in trouble with the Tangier police when I left them. The Marchioness has been a positive pest ever since I came to London, trying to make me get into touch with them. What a time that poor woman's having! It only shows there's some justice in life." Presently Miss Mills began to sing and everyone, except the crap players, crowded to the next room. "That's my girl," said Mulcaster. "Over there with that black fellow. That's the girl who brought me." "She seems to have forgotten you now." "Yes. I wish I hadn't come. Let's go on somewhere." Two fire engines drove up as we left and a host of helmeted figures joined the throng upstairs. "That chap, Blanche," said Mulcaster, "not a good fellow. I put him in Mercury once." We went to a number of night clubs. In two years Mulcaster seemed to have attained his simple ambition of being known and liked in such places. At the last of them he and I were kindled by a great flame of patriotism. "You and I," he said, "were too young to fight in the war. Other chaps fought, millions of them dead. Not us. We'll show them. We'll show the dead chaps we can fight, too." "That's why I'm here," I said. "Come from overseas, rallying to old country in hour of need." "Like Australians." "Like the poor dead Australians." "What you in?" "Nothing yet. War not ready." "Only one thing to join -- Bill Meadows's show--Defence Corps. All good chaps. Being fixed in Bratt's." "Ill join." "You member Bratt's?" "No. I'll join that, too." "That's right. All good chaps like the dead chaps." So I joined Bill Meadows's show, which was a flying squad, protecting food deliveries in the poorer parts of London. First I was enrolled in the Defence Corps, took an oath of loyalty, and was given a helmet and truncheon; then I was put up for Bratt's Club and, with a number of other recruits, elected at a committee meeting specially called for the occasion. For a week we sat under orders in Bratt's, and thrice a day we drove out in a lorry at the head of a convoy of milk vans. We were jeered at and sometimes pelted with muck, but only once did we go into action. We were sitting round after luncheon that day when Bill Meadows came back from the telephone in high spirits. "Come on," he said. "There's a perfectly good battle in the Commercial Road." We drove at great speed and arrived to find a steel hawser stretched between lamp-posts, an overturned truck and a policeman, alone on the pavement, being kicked by half a dozen youths. On either side of this centre of disturbance, and at a little distance from it, two opposing parties had formed. Near us, as we disembarked, a second policeman was sitting on the pavement, dazed, with his head in his hands and blood running through his fingers; two or three sympathizers were standing over him; on the other side of the hawser was a hostile knot of. young dockers. We charged in cheerfully, relieved the policeman, and were just falling upon the main body of the enemy when we came into collision with a party of local clergy and town councillors who arrived simultaneously by another route, to try persuasion. They were our only victims, for just as they went down there was a cry of "Look out. The coppers," and a lorry load of police drew up in our rear. The crowd broke and disappeared. We picked up the peacemakers (only one of whom was seriously hurt), patrolled some of the side streets looking for trouble and finding none, and at length returned to Bratt's. Next day the General Strike was called off and the country everywhere, except in the coal-fields, returned to normal. It was as though a beast long fabled for its ferocity had emerged for an hour, scented danger, and slunk back to its lair. It had not been worth leaving Paris. Jean, who joined another company, had a pot of ferns dropped on his head by an elderly widow in Camden Town and was in hospital for a week. It was through my membership of Bill Meadows's squad that Julia learned I was in England. She telephoned to say her mother was anxious to see me. "You'll find her terribly ill," she said. I went to Marchmain House on the first morning of peace. Sir Adrian Porson passed me in the hall, leaving, as I arrived; he held a bandanna handkerchief to his face and felt blindly for his hat and stick; he was in tears. I was shown into the library and in less than a minute Julia joined me. She shook hands with a gentleness and gravity that were unfamiliar; in the gloom of that room she seemed a ghost. "It's sweet of you to come. Mummy has kept asking for you, but I don't know if she'll be able to see you now, after all. She's just said 'good-bye' to Adrian Porson and it's tired her." "Good-bye?" "Yes. She's dying. She may live a week or two or she may go at any minute. She's so weak. I'll go and ask nurse." The stillness of death seemed in the house already. No one ever sat in the library at Marchmain House. It was the one ungracious room in either of their houses. The bookcases of Victorian oak held volumes of Hansard and obsolete encyclopedias that were never opened; the bare mahogany table seemed set for the meeting of a committee; the place had the air of being both public and unfrequented; outside lay the forecourt, the railings, the quiet cul-de-sac. Presently Julia returned. "No, I'm afraid you can't see her. She's asleep. She may lie like that for hours; I can tell you what she wanted. Let's go somewhere else. I hate this room." We went across the hall to the small drawing-room where luncheon parties used to assemble, and sat on either side of the fireplace. Julia seemed to reflect the crimson and gold of the walls and lose some of her wanness. "First, I know, Mummy wanted to say how sorry she is she was so beastly to you last time you met. She's spoken of it often. She knows now she was wrong about you. I'm quite sure you understood and put it out of your mind immediately, but it's the kind of thing Mummy can never forgive herself -- it's the kind of thing she so seldom did." "Do tell her I understood completely." "The other thing, of course, you have guessed -- Sebastian. She wants him. I don't know if that's possible. Is it?" "I hear he's in a very bad way." "We heard that, too. We cabled to the last address we had, but there was no answer. There still may be time for him to see her. I thought of you as the only hope, as soon as I heard you were in England. Will you try and get him? It's an awful lot to ask, but I think Sebastian would want it, too, if he realized." "I'll try." "There's no one else we can ask. Rex is so busy." "Yes. I heard reports of all he'd been doing organizing the gas works." "Oh yes," Julia said with a touch of her old dryness. "He's made a lot of kudos out of the strike." Then we talked for a few minutes about the Bratt's squad. She told me Brideshead had refused to take any public service because he was not satisfied with the justice of the cause; Cordelia was in London, in bed now, as she had been watching by her mother all night. I told her I had taken up architectural painting and that I enjoyed it. All this talk was nothing; we had said all we had to say in the first two minutes; I stayed for ten and then left her. Air France ran a service of a kind to Casablanca; there I took the bus to Fez, starting at dawn and arriving in the new town at evening. I telephoned from the hotel to the British Consul and dined with him that evening, in his charming house by the walls of the old town. He was a kind, serious man. "I'm delighted someone has come to look after young Flyte at last," he said. "He's been something of a thorn in our sides here. This is no place for a remittance man. The French don't understand him at all. They think everyone who's not engaged in trade is a spy. It's not as though he lived like a milord. Things aren't easy here. There's war going on not thirty miles from this house, though you might not think it. We had some young fools on bicycles only last week who'd come to volunteer for Abdul Krim's army. "Then the Moors are a tricky lot; they don't hold with drink and our young friend, as you may know, spends most of his day drinking. What does he want to come here for? There's plenty of room for him at Rabat or Tangier, where they cater for tourists. He's taken a house in the native town, you know. I tried to stop him, but he got it from a Frenchman in the Department of Arts. I don't say there's any harm in him but he's an anxiety. There's an awful fellow sponging on him -- a German out of the Foreign Legion. A thoroughly bad lot by all accounts. There's bound to be trouble. "Mind you, I like Flyte. I don't see much of him. He used to come here for baths until he got fixed up at his house. He was always perfectly charming, and my wife took a great fancy to him. What he needs is occupation." I explained my errand. "You'll probably find him at home now. Goodness knows there's nowhere to go in the evenings in the old town. If you like I'll send the porter to show you the way." So I set out after dinner, with the consular porter going ahead, lantern in hand. Morocco was a new and strange country to me. Driving that day, mile after mile, up the smooth, strategic road, past the vineyards and military posts and the new, white settlements and the early crops already standing high in the vast, open fields, and the hoardings advertising the staples of France -- Dubonnet, Michelin, Magasin du Louvre --I had thought it all very suburban and up-to-date; now, under the stars, in the walled city, whose streets were gentle, dusty stairways, and whose walls rose windowless on either side, closed overhead, then opened again to the stars; where the dust lay thick among the smooth paving stones and figures passed silently, robed in white, on soft slippers or hard, bare soles; where the air was scented with cloves and incense and wood smoke -- now I knew what had drawn Sebastian here and held him so long. The consular porter strode arrogantly ahead with his light swinging and his tall cane banging; sometimes an open doorway revealed a silent group seated in golden lamplight round a brazier. "Very dirty peoples," the porter said scornfully, over his shoulder. "No education. French leave them dirty. Not like' British peoples. My peoples," he said, "always very British peoples." For he was from the Sudan Police, and regarded this ancient centre of his culture as a New Zealander might regard Rome. At length we came to the last of many studded doors, and the porter beat on it with his stick. "British Lord's house," he said. Lamplight and a dark face appeared at the grating. The consular porter spoke peremptorily; bolts were withdrawn and we entered a small courtyard with a well in its centre and a vine trained overhead. "I wait here," said the porter. "You go with this native fellow." I entered the house, down a step, and into the living-room. I found a gramophone, an oil-stove and, between them, a young man. Later, when I looked about me, I noticed other, more agreeable things -- the rugs on the floor, the embroidered silk on the walls, the carved and painted beams of the ceiling, the heavy, pierced lamp that hung from a chain and cast the soft shadows of its own tracery about the room. But on first entering, these three things -- the gramophone for its noise -- it was playing a French record of a jazz band; the stove for its smell; and the young man for his wolfish look -- struck my senses. He was lolling in a basket chair, with a bandaged foot stuck forward on a box; he was dressed in a kind of thin, mid-European imitation tweed with a tennis shirt open at the neck; the unwounded foot wore a brown canvas shoe. There was a brass tray by his side on wooden legs, and on it were two beer bottles, a dirty plate, and a saucer full of cigarette ends; he held a glass of beer in his hand and a cigarette lay on his lower lip and stuck there when he spoke. He had long fair hair combed back without a parting and a face that was unnaturally lined for a man of his obvious youth; one of his front teeth was missing, so that his sibilants came sometimes with a lisp, sometimes with a disconcerting whistle, which he covered with a giggle; the teeth he had were stained with tobacco and set far apart. This was plainly the "thoroughly bad lot" of the consul's description, the film footman of Anthony's. "I'm looking for Sebastian Flyte. This is his house, is it not?" I spoke loudly to make myself heard above the dance music, but he answered softly in English fluent enough to suggest that it was now habitual to him. "Yeth. But he isn't here. There's no one but me." "I've come from England to see him on important business; Can you tell me where I can find him?" The record came to its end. The German turned it over, wound up the machine, and started it playing again before answering. "Sebastian's sick. The brothers took him away to the infirmary. Maybe they'll let you thee him, maybe not. I got to go there myself one day thoon to have my foot dressed. I'll ask them then. When he's better they'll let you thee him, maybe." There was another chair and I sat down on it. Seeing that I meant to stay, the German offered me some beer. "You're not Thebastian's brother?" he said. "Cousin maybe? Maybe you married hith thister?" "I'm only a friend. We were at the University together." "I had a friend at the University. We studied History. My friend was cleverer than me; a little weak fellow -- I used to pick him up and shake him when I was angry -- but tho clever. Then one day we said: 'What the hell? There is no work in Germany. Germany is down the drain,' so we said good-bye to our professors, and they said: 'Yes, Germany is down the drain. There is nothing for a student to do here now,' and we went away anckj walked and walked and at last we came here. Then we said, 'There is no army in Germany now, but we must be tholdiers,' so we joined the Legion. My friend died of dysentery last year, campaigning in the Atlas. When he was dead, I said, 'What the hell?' so I shot my foot. It is now full of pus, though I have done it one year." "Yes," I said. "That's very interesting. But my immediate concern is with Sebastian. Perhaps you would tell me about him." "He is a very good fellow, Sebastian. He is all right for me. Tangier was a stinking place. He brought me here--nice house, nice food, nice servant -- everything is all right for me here, I reckon. I like it all right." "His mother is very ill," I said. "I have come to tell him." "She rich?" "Yes." "Why don't she give him more money? Then we could live at Casablanca, maybe, in a nice flat. You know her well? You could make her give him more money?" "What's the matter with him?" "I don't know. I reckon maybe he drink too much. The brothers will look after him. It's all right for him there. The brothers are good fellows. Very cheap there." He clapped his hands and ordered more beer. "You thee? A nice thervant to look after me. It is all right." When I had got the name of the hospital I left. "Tell Thebastian I am still here and all right. I reckon he's worrying about me, maybe." The hospital, where I went next morning, was a collection of bungalows between the old and the new towns. It was kept by Franciscans. I made my way through a crowd of diseased Moors to the doctor's room. He was a layman, clean-shaven, dressed in white, starched overalls. We spoke in French, and he told me Sebastian was in no danger, but quite unfit to travel. He had had the grippe, with one lung slightly affected; he was very weak; he lacked resistance; what could one expect? He was an alcoholic. The doctor spoke dispassionately, almost brutally, with the relish men of scidnce sometimes have for limiting themselves to inessentials, for pruning back their work to th<? point of sterility; but the bearded, barefooted brother in whose charge he put me, the man of no scientific pretensions who did the dirty jobs of the ward, had a different story. "He's so patient. Not like a young man at all. He lies there and never complains -- and there is much to complain of. We have no facilities. The Government give us what they can spare from the soldiers. And he is so kind. There is a poor German boy with a foot that will not heal and secondary syphilis, who comes here for treatment. Lord Flyte found him starving in Tangier and took him in and gave him a home. A real Samaritan." Poor simple monk, I thought, poor booby. God forgive me! Sebastian was in the wing kept for Europeans, where the beds were divided by low partitions into cubicles with some air of privacy. He was lying with his hands on the quilt staring at the 1 wall, where the only ornament was a religious oleograph. "Your friend," said the brother. He looked round slowly. "Oh, I thought he meant Kurt. What are you doing here, Charles?" He was more than ever emaciated; drink, which made others fat and red, seemed to wither Sebastian. The brother left us, and I sat by his bed and talked about his illness. "I was out of my mind for a day or two," he said. "I kept thinking I was back in Oxford. You went to my house? Did you like it? Is Kurt still there? I won't ask you if you liked Kurt; no one does. It's funny -- I couldn't get on without him, you know." Then I told him about his mother. He said nothing for some time, but lay gazing at the oleograph of the Seven Dolours. Then: -- "Poor Mummy. She really was a femme fatale, wasn't she. She killed at a touch." I telegraphed to Julia that Sebastian was unable to travel, and stayed a week at Fez, visiting the hospital daily until he was well' enough to move. His first sign of returning strength, on the second day of my visit, was to ask for brandy. By next day he had got some, somehow, and kept it under the bedclothes. The doctor said: "Your friend is drinking again. It is forbidden here. What can I do? This is not a reformatory school. I cannot police the wards. I am here to cure people, not to protect them from vicious habits, or teach them self-control. Cognac will not hurt him now. It will make him weaker for the next time he is ill, and then one day some little trouble will carry him off, pouff. This is not a home for inebriates. He must go at the end of the week." The lay brother said: "Your friend is so much happier to-day, it is like one transfigured." Poor simple monk, I thought, poor booby; but he added, "You know why? He has a bottle of cognac in bed with him. It is the second I have found. No sooner do I take one away than he gets another. He is so naughty. It is the Arab boys who fetch it for him. But it is good to see him happy again when he has been so sad." On my last afternoon I said, "Sebastian, now your mother's dead" -- for the news had reached us that morning -- "do you think of going back to England?" "It would be lovely, in some ways," he said, "but do you think